Real And Phantom Pains
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| Author | : |
| Publisher | : New Acdemia+ORM |
| Total Pages | : 381 |
| Release | : 2014-10-09 |
| Genre | : Drama |
| ISBN | : 0990447170 |
An anthology of ten plays embodying the Russian literary movement that began in the late twentieth century. The plays selected for this anthology reflect the issues and styles typical of the new wave of dramatic writing in Russia. New drama flourished (almost) exclusively in small spaces, often in dingy basements that employed and accommodated small numbers of people. The big theaters largely turned a blind eye to what was happening on small stages and in backrooms in playhouses, libraries, and community centers in a few chosen hot spots around Russia: primarily Moscow, Yekaterinburg and Togliatti. In many cases, they took actively hostile stances toward it. This would change, however. And by the beginning of the century’s second decade, new drama was threatening to become a mainstream phenomenon. Not every theater staged plays associated with new drama, but almost every one began staging plays influenced by the themes, methods, and language of the new drama movement. Featuring work from Yury Klavdiev, Olga Mukhina, Pavel Pryazhko, Vasily Sigarev, Maksym Kurochkin, Mikhail Durnenkov, Vyacheslav Durnenkov, Yaroslava Pulinovich, Yelena Gremina, and Maxim Osipov. “Few people know more about what is happening on the Moscow scene than John Freedman (including few Russians). As Moscow Times theater critic throughout the post-Soviet period John could well have seen more theatrical productions in Russia than anyone else. I can’t imagine anyone who would do a better job.” —Blair A. Ruble, Director, Program on Global Sustainability & Resilience, Woodrow Wilson Center “While other existing volumes focus on 18th, 19th, and early 20th century Russian drama, Freedman’s edition would present the unique and important contributions of the new generation of Russian writers portraying the realities and experiences of a post-Soviet generation. John has carefully selected a representative cohort of ten of the most visible, productive, and influential of these writers for the volume.” —Thomas J. Garza, University Distinguished Teaching Associate Professor, University of Texas at Austin
| Author | : Mishell Baker |
| Publisher | : Simon and Schuster |
| Total Pages | : 416 |
| Release | : 2017-03-21 |
| Genre | : Fiction |
| ISBN | : 1481451928 |
Pulled back onto the Arcadia Project after losing her partner Teo to the lethal magic of an Unseelie fey countess, Millie must prove the innocence of her former boss, Caryl, when she is accused of murdering an agent, which draws Millie into an insidious, arcane terrorist plot that would leave two worlds in ruins.
| Author | : Lucia Berlin |
| Publisher | : |
| Total Pages | : 124 |
| Release | : 1984 |
| Genre | : |
| ISBN | : |
Fiction. Lucia Berlin was born in Alaska, raised in Chili, and presently lives and works in California. Her stories have appeared in The Noble Savage, The Critic, The Atlantic, The London Strand, and Quilt, and many other magazines and journals. This is her second volume of short stories.
| Author | : Richard A. Sherman |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 286 |
| Release | : 2013-03-14 |
| Genre | : Medical |
| ISBN | : 1475761694 |
Phantom pain is an intriguing mystery that has captured the imagination of health care providers and the public alike. How is it possible to feel pain in a limb or some other body part that has been surgically removed? Phantom pain develops among people who have lost a limb or a breast or have had internal organs removed. It also occurs in people with totally transected spinal cords. Unfortunately, phantom pain is a medical night mare. Many of the people reporting phantom pain make dispropor tionately heavy use of the medical system because their severe pains are usually not treated successfully. The effect on quality of life can be devas tating. Phantom pain has been reported at least since 1545 (Weir Mitchell as related by Nathanson, 1988) and/ or experienced by such diverse people as Admiral Lord Nelson and Ambroise Pare (Melzack & Wall, 1982; Davis, 1993). The folklore surrounding phantom pain is fascinating and mirrors the concepts about how our bodies work that are in vogue at any particu lar time. Most of the stories relate to phantom limbs and date from the mid-1800s. The typical story goes like this: A man who had his leg ampu tated complained about terrible crawling, twitching feelings in his leg. His friends found out where the leg was buried, dug it up, and found maggots eating it. They burned it, and the pain stopped. Another man complained of a swollen feeling with frequent stinging or biting pains.
| Author | : Cassandra Crawford |
| Publisher | : NYU Press |
| Total Pages | : 316 |
| Release | : 2014-01-20 |
| Genre | : Medical |
| ISBN | : 0814760120 |
Phantom limb pain is one of the most intractable and merciless pains ever known—a pain that haunts appendages that do not physically exist, often persisting with uncanny realness long after fleshy limbs have been traumatically, surgically, or congenitally lost. The very existence and “naturalness” of this pain has been instrumental in modern science’s ability to create prosthetic technologies that many feel have transformative, self-actualizing, and even transcendent power. In Phantom Limb, Cassandra S. Crawford critically examines phantom limb pain and its relationship to prosthetic innovation, tracing the major shifts in knowledge of the causes and characteristics of the phenomenon. Crawford exposes how the meanings of phantom limb pain have been influenced by developments in prosthetic science and ideas about the extraordinary power of these technologies to liberate and fundamentally alter the human body, mind, and spirit. Through intensive observation at a prosthetic clinic, interviews with key researchers and clinicians, and an analysis of historical and contemporary psychological and medical literature, she examines the modernization of amputation and exposes how medical understanding about phantom limbs has changed from the late-19th to the early-21st century. Crawford interrogates the impact of advances in technology, medicine, psychology and neuroscience, as well as changes in the meaning of limb loss, popular representations of amputees, and corporeal ideology. Phantom Limb questions our most deeply held ideas of what is normal, natural, and even moral about the physical human body.
| Author | : Paula Garner |
| Publisher | : Candlewick Press |
| Total Pages | : 369 |
| Release | : 2016-09-13 |
| Genre | : Juvenile Fiction |
| ISBN | : 0763691887 |
How do you move on from an irreplaceable loss? In a poignant debut, a sixteen-year-old boy must learn to swim against an undercurrent of grief—or be swept away by it. Otis and Meg were inseparable until her family abruptly moved away after the terrible accident that left Otis’s little brother dead and both of their families changed forever. Since then, it’s been three years of radio silence, during which time Otis has become the unlikely protégé of eighteen-year-old Dara—part drill sergeant, part friend—who’s hell-bent on transforming Otis into the Olympic swimmer she can no longer be. But when Otis learns that Meg is coming back to town, he must face some difficult truths about the girl he’s never forgotten and the brother he’s never stopped grieving. As it becomes achingly clear that he and Meg are not the same people they were, Otis must decide what to hold on to and what to leave behind. Quietly affecting, this compulsively readable debut novel captures all the confusion, heartbreak, and fragile hope of three teens struggling to accept profound absences in their lives.
| Author | : Noelle Kocot |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Poetry |
| ISBN | : 9781940696300 |
In her seventh collection, Kocot strings one word per line into dark and dazzling recitals of her capacity for emotion.
| Author | : Alastair Minnis |
| Publisher | : Cambridge University Press |
| Total Pages | : 131 |
| Release | : 2021-02-18 |
| Genre | : Political Science |
| ISBN | : 1108996205 |
'Phantom limb pain' designates the sensations which seem to emanate from limbs that in reality are missing. The phrase was coined by the American Civil War surgeon, Weir Mitchell, in reference to his fictional amputee, George Dedlow. Contemporary neuroscience holds that the brain encloses a schema which covers the whole body, and asserts its unity even if certain parts are missing. Reading backwards from Dedlow's sufferings, Alastair Minnis traces the medieval precedents and parallels, focusing on Augustine and Dante, who subscribed to the notion of a 'body in the soul'. Dante's souls in purgatory self-prosthesize with aerial phantoms as they long for the full embodiment which only the resurrection can bring. Is a complete body necessary for personhood? And how can the gamut of human feelings be run if parts or the entirety of one's body does not exist? Combining medieval studies and contemporary neuroscience, this absorbing study explores the fascinating and surprising history of phantom pain.
| Author | : Craig Murray |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 204 |
| Release | : 2009-11-27 |
| Genre | : Medical |
| ISBN | : 0387874623 |
The main objective in the rehabilitation of people following amputation is to restore or improve their functioning, which includes their return to work. Full-time employment leads to beneficial health effects and being healthy leads to increased chances of full-time employment (Ross and Mirowskay 1995). Employment of disabled people enhances their self-esteem and reduces social isolation (Dougherty 1999). The importance of returning to work for people following amputation the- fore has to be considered. Perhaps the first article about reemployment and problems people may have at work after amputation was published in 1955 (Boynton 1955). In later years, there have been sporadic studies on this topic. Greater interest and more studies about returning to work and problems people have at work following amputation arose in the 1990s and has continued in recent years (Burger and Marinc ?ek 2007). These studies were conducted in different countries on all the five continents, the greatest number being carried out in Europe, mainly in the Netherlands and the UK (Burger and Marinc ?ek 2007). Owing to the different functions of our lower and upper limbs, people with lower limb amputations have different activity limitations and participation restrictions compared to people with upper limb amputations. Both have problems with driving and carrying objects. People with lower limb amputations also have problems standing, walking, running, kicking, turning and stamping, whereas people with upper limb amputations have problems grasping, lifting, pushing, pulling, writing, typing, and pounding (Giridhar et al. 2001).
| Author | : Therese Estacion |
| Publisher | : |
| Total Pages | : 112 |
| Release | : 2021-04-06 |
| Genre | : |
| ISBN | : 9781771666862 |
Therese Estacion?survived a rare infection that nearly killed her, but not without losing both?her legs below the knees, several fingers, and reproductive organs.?Phantompains?is a visceral, imaginative?collection?exploring disability, grief and life by interweaving stark?memories with magic surrealism. Taking inspiration?from Filipino horror and folk tales, Estacion incorporates some Visayan language into her work, ?telling stories of mermen, gnomes and ogres that haunt childhood?stories of the?Philippines and, then, imaginings in her hospital room, where she spent months after her operations, recovering. There is a dreamlike?quality to these pieces, rivaled by depictions of pain, of amputation, of hysterectomy, of disability, ?and the realization of catastrophic change. Estacion says she?wrote these poems out of necessity: an essential task to deal with the trauma?of hospitalization and what followed. Now, they are demonstrations of?the power?of our imaginations to provide catharsis, preserve memory, rebel and even to find?self-love.
