Reading Publics
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| Author | : Tom Glynn |
| Publisher | : Fordham Univ Press |
| Total Pages | : 575 |
| Release | : 2015-01-22 |
| Genre | : History |
| ISBN | : 0823262650 |
On May 11, 1911, the New York Public Library opened its “marble palace for book lovers” on Fifth Avenue and 42nd Street. This was the city’s first public library in the modern sense, a tax-supported, circulating collection free to every citizen. Since before the Revolution, however, New York’s reading publics had access to a range of “public libraries” as the term was understood by contemporaries. In its most basic sense a public library in the eighteenth and most of the nineteenth centuries simply meant a shared collection of books that was available to the general public and promoted the public good. From the founding in 1754 of the New York Society Library up to 1911, public libraries took a variety of forms. Some of them were free, charitable institutions, while others required a membership or an annual subscription. Some, such as the Biblical Library of the American Bible Society, were highly specialized; others, like the Astor Library, developed extensive, inclusive collections. What all the public libraries of this period had in common, at least ostensibly, was the conviction that good books helped ensure a productive, virtuous, orderly republic—that good reading promoted the public good. Tom Glynn’s vivid, deeply researched history of New York City’s public libraries over the course of more than a century and a half illuminates how the public and private functions of reading changed over time and how shared collections of books could serve both public and private ends. Reading Publics examines how books and reading helped construct social identities and how print functioned within and across groups, including but not limited to socioeconomic classes. The author offers an accessible while scholarly exploration of how republican and liberal values, shifting understandings of “public” and “private,” and the debate over fiction influenced the development and character of New York City’s public libraries in the eighteenth and nineteenth centuries. Reading Publics is an important contribution to the social and cultural history of New York City that firmly places the city’s early public libraries within the history of reading and print culture in the United States.
| Author | : David M. Henkin |
| Publisher | : Columbia University Press |
| Total Pages | : 272 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : 9780231107440 |
Henkin explores the influential but little-noticed role reading played in New York City's public life between 1825 and 1865. The "ubiquitous urban texts"--from newspapers to paper money, from street signs to handbills--became both indispensable urban guides and apt symbols for a new kind of public life that emerged first in New York.
| Author | : Paul Magnuson |
| Publisher | : Princeton University Press |
| Total Pages | : 231 |
| Release | : 2014-07-14 |
| Genre | : Literary Criticism |
| ISBN | : 1400864798 |
Reading Public Romanticism is a significant new example of the linking of esthetics and historical criticism. Here Paul Magnuson locates Romantic poetry within a public discourse that combines politics and esthetics, nationalism and domesticity, sexuality and morality, law and legitimacy. Building on his well-regarded previous work, Magnuson practices a methodology of close historical reading by identifying precise versions of poems, reading their rhetoric of allusion and quotation in the contexts of their original publication, and describing their public genres, such as the letter. He studies the author's public signature or motto, the forms and significance of address used in poems, and the resonances of poetic language and tropes in the public debates. According to Magnuson, "reading locations" means reading the writing that surrounds a poem, the "paratext" or "frame" of the esthetic boundary. In their particular locations in the public discourse, romantic poems are illocutionary speech acts that take a stand on public issues and legitimate their authors both as public characters and as writers. He traces the public significance of canonical poems commonly considered as lyrics with little explicit social or political commentary, including Wordsworth's "Immortality Ode"; Coleridge's "This Lime-Tree Bower My Prison," "Frost at Midnight," and "The Ancient Mariner"; and Keats's "On a Grecian Urn." He also positions Byron's Dedication to Don Juan in the debates over Southey's laureateship and claims for poetic authority and legitimacy. Reading Public Romanticism is a thoughtful and revealing work. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : Christine Pawley |
| Publisher | : University of Wisconsin Pres |
| Total Pages | : 292 |
| Release | : 2013-09-13 |
| Genre | : History |
| ISBN | : 0299293238 |
For well over one hundred years, libraries open to the public have played a crucial part in fostering in Americans the skills and habits of reading and writing, by routinely providing access to standard forms of print: informational genres such as newspapers, pamphlets, textbooks, and other reference books, and literary genres including poetry, plays, and novels. Public libraries continue to have an extraordinary impact; in the early twenty-first century, the American Library Association reports that there are more public library branches than McDonald's restaurants in the United States. Much has been written about libraries from professional and managerial points of view, but less so from the perspectives of those most intimately involved—patrons and librarians. Drawing on circulation records, patron reviews, and other archived materials, Libraries and the Reading Public in Twentieth-Century America underscores the evolving roles that libraries have played in the lives of American readers. Each essay in this collection examines a historical circumstance related to reading in libraries. The essays are organized in sections on methods of researching the history of reading in libraries; immigrants and localities; censorship issues; and the role of libraries in providing access to alternative, nonmainstream publications. The volume shows public libraries as living spaces where individuals and groups with diverse backgrounds, needs, and desires encountered and used a great variety of texts, images, and other media throughout the twentieth century.
| Author | : Jan Baetens |
| Publisher | : University of Louisiana at Lafayette |
| Total Pages | : 154 |
| Release | : 2021 |
| Genre | : Oral interpretation of poetry |
| ISBN | : 9781946160782 |
Today, public readings have become a vital part of any form of literary life. Orality is the keyword of contemporary writing. Yet do we know what actually happens when a poetic text is read out loud? How are signs on a page transformed into a stage performance? What does it mean to move from a text meant for the eye alone to sounds and images presented in front of a living and actively participating audience? Poetry Performed: The Problem of Public Reading answers these questions, but not in abstract or general terms. Instead, author Jan Baetens examines how authors themselves live this experience of reading out loud and how they write about it in their works. Taking its departure from Balzac, this book revisits a wide range of masterpieces of nineteenth- and twentieth-century literature, including works by Marcel Proust and James Joyce, and contains a series of close readings of contemporary artists (poets, performers, directors, comics authors) who try to invent new forms of public reading.
| Author | : Susan Herbst |
| Publisher | : University of Chicago Press |
| Total Pages | : 278 |
| Release | : 1998-10 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780226327464 |
Public opinion is one of the most elusive and complex concepts in democratic theory, and we do not fully understand its role in the political process. Reading Public Opinion offers one provocative approach for understanding how public opinion fits into the empirical world of politics. In fact, Susan Herbst finds that public opinion, surprisingly, has little to do with the mass public in many instances. Herbst draws on ideas from political science, sociology, and psychology to explore how three sets of political participants—legislative staffers, political activists, and journalists—actually evaluate and assess public opinion. She concludes that many political actors reject "the voice of the people" as uninformed and nebulous, relying instead on interest groups and the media for representations of public opinion. Her important and original book forces us to rethink our assumptions about the meaning and place of public opinion in the realm of contemporary democratic politics.
| Author | : Stefan Collini |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 380 |
| Release | : 2008 |
| Genre | : History |
| ISBN | : 0199296782 |
In this series of penetrating and attractively readable essays, Stefan Collini explores aspects of the literary and intellectual culture of Britain from the early twentieth century to the present. Collini focuses on critics and historians who wrote for a non-specialist readership, and on the periodicals and other genres through which they attempted to reach that readership. Among the critics discussed are Cyril Connolly, V.S. Pritchett, Aldous Huxley, Rebecca West, Edmund Wilson, and George Orwell, while the historians include A.L. Rowse, Arthur Bryant, E.H. Carr, and E.P. Thompson. There are also essays on wider themes such as the fate of 'general' periodicals, the history of reading, the role of criticism, changing conceptions of 'culture', the limitations of biography, and the functions of universities. Explicitly addressed to 'the non-specialist reader', these essays make some of the fruits of detailed scholarly research in various fields available to a wider audience in a succinct and elegant manner. Stefan Collini has been acclaimed as one of the most brilliant essayists of our time, and this collection shows him at his subtle, perceptive, and trenchant best. The book will appeal to (and delight) readers interested in literature, history, and contemporary cultural debate.
| Author | : Max McLean |
| Publisher | : Zondervan |
| Total Pages | : 183 |
| Release | : 2009-11-03 |
| Genre | : Religion |
| ISBN | : 0310323460 |
Modern society is awash in words. An auditory tidal wave cascades from our televisions, radios, media players, and the Internet. Today’s distracted worshippers often feel spiritually shortchanged when the Scriptures are spoken without passion and power. This lively and encouraging resource is the collaboration of a gifted Bible narrator and a mentor to church leaders. In it they show how churches can train their own teams of Scripture readers. These laypeople can—with enthusiasm, conviction, and passion—”unleash the Word of God,” and prepare hearts to receive the message. Spoken well, the Word of God opens and penetrates the listener’s heart. Simple, straightforward, and culturally relevant, this unique book provides the necessary tools to teach you how to read the Bible aloud, in a way that communicates its life-changing power!
| Author | : American Library Association |
| Publisher | : |
| Total Pages | : 16 |
| Release | : 1953 |
| Genre | : Libraries |
| ISBN | : |
| Author | : Katharine Breen |
| Publisher | : Cambridge University Press |
| Total Pages | : 301 |
| Release | : 2010-04-29 |
| Genre | : Literary Criticism |
| ISBN | : 0521199220 |
Argues that the adaptation of habitus for a universal audience supported the development of a vernacular reading public.
