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| Author | : Lauren Shohet |
| Publisher | : |
| Total Pages | : 314 |
| Release | : 2010-08-19 |
| Genre | : History |
| ISBN | : |
Considering masques from the point of view of reception as well as production, this work illuminates intersections of elite and public culture in 17th century England. Lauren Shohet traces the ways that both courtly and non-courtly masques circulated, and rethinks what it means to "read" a masque.
| Author | : Patricia Briggs |
| Publisher | : Penguin |
| Total Pages | : 260 |
| Release | : 2010-09-28 |
| Genre | : Fiction |
| ISBN | : 1101443596 |
Experience the fantasy and adventure of #1 New York Times bestselling author Patricia Brigg's first published novel—the thrilling start of the Sianim series... After an upbringing of proper behavior and oppressive expectations, Aralorn fled her noble birthright for a life of adventure as a mercenary spy. But her latest mission involves more peril than she ever imagined. Agents of Sianim have asked her to gather intelligence on the increasingly popular and powerful sorcerer Geoffrey ae'Magi. Soon Aralorn comes to see past the man's striking charisma—and into a soul as corrupt and black as endless night. And few have the will to resist the sinister might of Geoffrey and his minions. So Aralorn, aided by her enigmatic companion, Wolf, join the growing rebellion against the ae'Magi. But in a war against an enemy armed with the powers of illusion, how do you know who the true enemy is—or where he will strike next?
| Author | : Curtis Craddock |
| Publisher | : Tor Books |
| Total Pages | : 417 |
| Release | : 2017-08-29 |
| Genre | : Fiction |
| ISBN | : 0765389614 |
An Alchemy of Masques and Mirrors is Curtis Craddock's delightful and engrossing fantasy debut featuring a genius heroine and her guardian, a royal musketeer, which Brandon Sanderson calls, "A great read!" Born with a physical disability, no magical talent, and a precocious intellect, Princess Isabelle des Zephyrs has lived her life being underestimated by her family and her kingdom. The only person who appreciates her true self is Jean-Claude, the fatherly musketeer who had guarded her since birth. All shall change, however, when an unlikely marriage proposal is offered, to the second son of a dying king in an empire collapsing into civil war. But the last two women betrothed to this prince were murdered, and a sorcerer-assassin is bent on making Isabelle the third. Isabelle and Jean-Claude plunge into a great maze of prophecy, intrigue, and betrayal, where everyone wears masks of glamour and lies. Step by dangerous step, Isabelle must unravel the lies of her enemies and discovers a truth more perilous than any deception. “A setting fabulous and strange, heroes to cheer for, villains to detest, a twisty, tricky plot — I love this novel!” —Lawrence Watt Evans “A thrilling adventure full of palace intrigue, mysterious ancient mechanisms, and aerial sailing ships!” —David D. Levine At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
| Author | : Linsey Miller |
| Publisher | : Sourcebooks, Inc. |
| Total Pages | : 296 |
| Release | : 2017-08-29 |
| Genre | : Young Adult Fiction |
| ISBN | : 1492647500 |
"I love every aspect of this amazing book—a genderfluid hero, a deadly contest, and vicious courtly intrigue. Get! Read! Now!" —Tamora Pierce, #1 New York Times bestselling author I needed to win. They needed to die. Sallot Leon is a thief, and a good one at that. But gender fluid Sal wants nothing more than to escape the drudgery of life as a highway robber and get closer to the upper-class—and the nobles who destroyed their home. When Sal steals a flyer for an audition to become a member of The Left Hand—the Queen's personal assassins, named after the rings she wears—Sal jumps at the chance to infiltrate the court and get revenge. But the audition is a fight to the death filled with clever circus acrobats, lethal apothecaries, and vicious ex-soldiers. A childhood as a common criminal hardly prepared Sal for the trials. And as Sal succeeds in the competition, and wins the heart of Elise, an intriguing scribe at court, they start to dream of a new life and a different future, but one that Sal can have only if they survive. This heart-pounding YA story of magic, danger, and revenge is perfect for readers looking for: epic books for tweens and teens gay and lesbian fantasy and science fiction gripping stories with queer and gay magic and sorcery gender fluid representation and gender diversity dazzling world-building and relatable characters Praise for Mask of Shadows: A Bustle Most Anticipated YA of 2017! "Compelling and relatable characters, a fascinating world with dangerous magic, and a dash of political intrigue: Mask of Shadows completely delivered. Fantasy fans will love this book."—Jodi Meadows, New York Times bestselling coauthor of My Lady Jane "An intriguing world and a fantastically compelling main character make for a can't-miss debut. Miller's Mask of Shadows will make you glad you're not an assassin—and even gladder Sal is."—Kiersten White, New York Times bestselling author of And I Darken and Now I Rise "It is fabulous. Go forth and read the Hunger Games-like craftiness and intensity, Kaz Brekker-ish determination and moral questionability, and utterly charming romance." — LGBTQ Reads "Uber bloody and action packed, Mask of Shadows is the book for anyone who loves a heavy dose of grit and gore with their fantasy." — TeenVogue.com Don't miss the highly anticipated second book in the Mask of Shadows duology, Ruin of Stars, and Linsey Miller's standalone YA fantasy Belle Révolte, both available now!
| Author | : Laura Estill |
| Publisher | : Rutgers University Press |
| Total Pages | : 268 |
| Release | : 2015-01-21 |
| Genre | : Literary Criticism |
| ISBN | : 1644530473 |
Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. As this under-examined archival evidence shows, play readers and playgoers viewed plays as malleable and modular texts to be altered, appropriated, and, most importantly, used. These records provide information that is not available in other forms about the popularity and importance of early modern plays, the reasons plays appealed to their audiences, and the ideas in plays that most interested audiences. Tracing the course of dramatic extracting from the earliest stages in the 1590s, through the prolific manuscript circulation at the universities, to the closure and reopening of the theatres, Estill gathers these microhistories to create a comprehensive overview of seventeenth-century dramatic extracts and the culture of extracting from plays. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays explores new archival evidence (from John Milton’s signature to unpublished university plays) while also analyzing the popularity of perennial favorites such as Shakespeare’s The Tempest. The study of dramatic extracts is the study of particulars: particular readers, particular manuscripts, particular plays or masques, particular historic moments. As D. F. McKenzie puts it, “different readers [bring] the text to life in different ways.” By providing careful analyses of these rich source texts, this book shows how active play-viewing and play-reading (that is, extracting) ultimately led to changing the plays themselves, both through selecting and manipulating the extracts and positioning the plays in new contexts. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
| Author | : Edgar Allan Poe |
| Publisher | : Strelbytskyy Multimedia Publishing |
| Total Pages | : 13 |
| Release | : 2020-08-01 |
| Genre | : Fiction |
| ISBN | : |
"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.
| Author | : Jerry N. Williamson |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Horror tales, American |
| ISBN | : 9780786031849 |
Collects forty-six short horror tales by such authors as Ardath Mayhar, Gene Wolfe, Jessica Amanda Salmonson, Katherine Ramsland, Stephen King, Ramsey Campell, and Ray Bradbury.
| Author | : Christopher Golden |
| Publisher | : Penguin |
| Total Pages | : 251 |
| Release | : 1998-12-01 |
| Genre | : Fiction |
| ISBN | : 1101525304 |
Led by Peter Octavian, the Shadows continue their battle against the ruthless Hannibal and his vampiric minions, who mean to enslave humanity-and devour all in their path.
| Author | : Laura Estill |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 285 |
| Release | : 2015-01-21 |
| Genre | : Literary Criticism |
| ISBN | : 1611495156 |
Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts into their commonplace books, verse miscellanies, diaries, and songbooks. This is the first book to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays.
| Author | : Hannah August |
| Publisher | : Taylor & Francis |
| Total Pages | : 326 |
| Release | : 2022-04-24 |
| Genre | : Literary Criticism |
| ISBN | : 1000563111 |
This book is the first comprehensive examination of commercial drama as a reading genre in early modern England. Taking as its focus pre-Restoration printed drama’s most common format, the single-play quarto playbook, it interrogates what the form and content of these playbooks can tell us about who their earliest readers were, why they might have wanted to read contemporary commercial drama, and how they responded to the printed versions of plays that had initially been performed in the playhouses of early modern London. Focusing on professional plays printed in quarto between 1584 and 1660, the book juxtaposes the implications of material and paratextual evidence with analysis of historical traces of playreading in extant playbooks and manuscript commonplace books. In doing so, it presents more detailed and nuanced conclusions than have previously been enabled by studies focused on works by one author or on a single type of evidence.
