Reading Black Reading Feminist
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| Author | : Henry Louis Gates |
| Publisher | : Penguin |
| Total Pages | : 545 |
| Release | : 1990-10-30 |
| Genre | : Literary Criticism |
| ISBN | : 0452010454 |
A unique and comprehensive collection of 26 literary essays that explore the rich cultural history of black women in America. Black women’s writing has finally emerged as one of the most dynamic fields of American literature. Here, leading literary critics—both male and female, black and white—look at fiction, nonfiction, poetry, slave narratives, and autobiographies in a totally new way. In essence, they reconstruct a literary history that documents black women as artists, intellectuals, symbol makers, teachers, and survivors. Important writers whose work and lives are explored include Toni Morrison, Gloria Gaynor, Maya Angelou, and Alice Walker, and the fascinating list of essays range from Nellie Y. McKay’s “The Souls of Black Women Folk in the Writings of W. E. B. Du Bois” to Jewelle L Gomez’s very personal tribute to Lorraine Hansberry as a dramatist and crusader for social justice. Henry Louis Gates Jr., the editor of this anthology and a noted authority on African-American literature, has provided a thought-provoking introduction that celebrates the experience of “reading black, reading feminist.” A penetrating look at women’s writing from a unique perspective, this superb collection brings to light the rich heritage of literary creativity among African-American women. “Why is the fugitive slave, the fiery orator, the political activist, the abolitionist always represented as a black man? How does the heroic voice and heroic image of the black woman get suppressed in a culture that depended on her heroism for survival?”—Mary Helen Washington, from her essay in Reading Black, Reading Feminist
| Author | : Henry Louis Gates (Jr.) |
| Publisher | : |
| Total Pages | : |
| Release | : 1990 |
| Genre | : |
| ISBN | : |
| Author | : Andrea N. Baldwin |
| Publisher | : Routledge |
| Total Pages | : 180 |
| Release | : 2021-11-05 |
| Genre | : Science |
| ISBN | : 1000174980 |
This book uses a decolonial Black feminist lens to understand the contemporary significance of the practices and politics of indifference in United States higher education. It illustrates how higher education institutions are complicit in maintaining dominant social norms that perpetuate difference. It weaves together Black feminisms, affect and queer theory to demonstrate that the ways in which human bodies are classified and normalized in societal and scientific terms contribute to how the minoritized and marginalized feel White higher education spaces. The text espouses a Black Feminist Shad(e)y Theoretics to read the university, by considering the historical positioning of the modern university as sites in which the modern body is made and remade through empirically reliable truth claims and how contemporary knowledges and academic disciplinary inheritances bear the fingerprints of racist sexist science even as the academic tries to disavow its inheritance through so-called inclusive practices and policies today. This book will appeal to students and scholars interested in Black feminism, Gender and women's studies, Black and ethnic studies, sociology, decoloniality, queer studies and affect theory.
| Author | : Tamara Winfrey Harris |
| Publisher | : Berrett-Koehler Publishers |
| Total Pages | : 159 |
| Release | : 2015-07-06 |
| Genre | : Social Science |
| ISBN | : 1626563535 |
GOLD MEDALIST OF FOREWORD REVIEWS' 2015 INDIEFAB AWARDS IN WOMEN'S STUDIES What's wrong with black women? Not a damned thing! The Sisters Are Alright exposes anti–black-woman propaganda and shows how real black women are pushing back against distorted cartoon versions of themselves. When African women arrived on American shores, the three-headed hydra—servile Mammy, angry Sapphire, and lascivious Jezebel—followed close behind. In the '60s, the Matriarch, the willfully unmarried baby machine leeching off the state, joined them. These stereotypes persist to this day through newspaper headlines, Sunday sermons, social media memes, cable punditry, government policies, and hit song lyrics. Emancipation may have happened more than 150 years ago, but America still won't let a sister be free from this coven of caricatures. Tamara Winfrey Harris delves into marriage, motherhood, health, sexuality, beauty, and more, taking sharp aim at pervasive stereotypes about black women. She counters warped prejudices with the straight-up truth about being a black woman in America. “We have facets like diamonds,” she writes. “The trouble is the people who refuse to see us sparkling.”
| Author | : Glory Edim |
| Publisher | : Ballantine Books |
| Total Pages | : 274 |
| Release | : 2018-10-30 |
| Genre | : Literary Collections |
| ISBN | : 0525619771 |
NOMINATED FOR AN NAACP IMAGE AWARD • An inspiring collection of essays by black women writers, curated by the founder of the popular book club Well-Read Black Girl, on the importance of recognizing ourselves in literature. “Yes, Well-Read Black Girl is as good as it sounds. . . . [Glory Edim] gathers an all-star cast of contributors—among them Lynn Nottage, Jesmyn Ward, and Gabourey Sidibe.”—O: The Oprah Magazine Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives—but not everyone regularly sees themselves in the pages of a book. In this timely anthology, Glory Edim brings together original essays by some of our best black women writers to shine a light on how important it is that we all—regardless of gender, race, religion, or ability—have the opportunity to find ourselves in literature. Contributors include Jesmyn Ward (Sing, Unburied, Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), and Barbara Smith (Home Girls: A Black Feminist Anthology) Whether it’s learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, the subjects of each essay remind us why we turn to books in times of both struggle and relaxation. As she has done with her book club–turned–online community Well-Read Black Girl, in this anthology Glory Edim has created a space in which black women’s writing and knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world and ourselves. Praise for Well-Read Black Girl “Each essay can be read as a dispatch from the vast and wonderfully complex location that is black girlhood and womanhood. . . . They present literary encounters that may at times seem private and ordinary—hours spent in the children’s section of a public library or in a college classroom—but are no less monumental in their impact.”—The Washington Post “A wonderful collection of essays.”—Essence
| Author | : bell hooks |
| Publisher | : Routledge |
| Total Pages | : 220 |
| Release | : 2014-12-17 |
| Genre | : Social Science |
| ISBN | : 1317588614 |
A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.
| Author | : Jennifer C. Nash |
| Publisher | : Duke University Press |
| Total Pages | : 184 |
| Release | : 2018-12-06 |
| Genre | : Social Science |
| ISBN | : 1478002255 |
In Black Feminism Reimagined Jennifer C. Nash reframes black feminism's engagement with intersectionality, often celebrated as its primary intellectual and political contribution to feminist theory. Charting the institutional history and contemporary uses of intersectionality in the academy, Nash outlines how women's studies has both elevated intersectionality to the discipline's primary program-building initiative and cast intersectionality as a threat to feminism's coherence. As intersectionality has become a central feminist preoccupation, Nash argues that black feminism has been marked by a single affect—defensiveness—manifested by efforts to police intersectionality's usages and circulations. Nash contends that only by letting go of this deeply alluring protectionist stance, the desire to make property of knowledge, can black feminists reimagine intellectual production in ways that unleash black feminist theory's visionary world-making possibilities.
| Author | : Valerie Smith |
| Publisher | : Routledge |
| Total Pages | : 193 |
| Release | : 2013-09-13 |
| Genre | : Literary Criticism |
| ISBN | : 1135207925 |
From the nineteenth century articulations of Sojourner Truth to contemporary thinkers like Patricia J. Williams, Black feminists have always recognized the mutual dependence of race and gender. Detailing these connections, Not Just Race, Not Just Gender explores the myriad ways race and gender shape lives and social practices. Resisting essentialist tendencies, Valerie Smith identifies black feminist theorizing as a strategy of reading rather than located in a particular subjective experience. Her intent is not to deny the validity of black women's lived experience, but rather to resist deploying a uniform model of black women's lives that actually undermines the power of black feminist thought. Whether reading race or gender in the Central Park jogger case or in contemporary media, like Livin' Large, Smith displays critical rigor that promises to change the way we think about race and gender.
| Author | : Beverly Guy-Sheftall |
| Publisher | : The New Press |
| Total Pages | : 610 |
| Release | : 2011-07-26 |
| Genre | : Social Science |
| ISBN | : 1595587659 |
The timeless and essential anthology of Black Feminist thought—showing that Black women have always understood the need for feminism to be intersectional “In this pathbreaking collection of articles, Dr. Beverly Guy-Sheftall has taken us from the early 1830s to contemporary times. . . . She has refused to cut off contemporary African American women from the long line of sisters who have righteously struggled for the liberation of African American women from the dual oppressions of racism and sexism.” —from the epilogue by Johnnetta B. Cole The first major anthology to trace the development of Black Feminist thought in the United States, Words of Fire is Beverly Guy-Sheftall’s comprehensive collection of writings by more than sixty Black women. From the pioneering work of abolitionist Maria Miller Stewart and anti-lynching crusader Ida Wells-Barnett to the writings of feminist critics Michele Wallace and bell hooks, Black women have been writing about the multiple jeopardies—racism, sexism, and classism—that have made it imperative to forge a brand of feminism uniquely their own. In the words of Audre Lorde, “the master’s tools will never dismantle the master’s house”—Words of Fire provides the tools to dismantle the interlocking systems that oppress us and to rebuild from their ashes a society of true freedom. Contributors include: Shirley Chisholm The Combahee River Collective Anna Julia Cooper Angela Davis Alice Dunbar-Nelson Lorraine Hansberry bell hooks Claudia Jones June Jordan Audre Lorde Beth E. Richie Barbara Smith Sojourner Truth Alice Walker Michele Wallace Ida Wells-Barnett
| Author | : Barbara Smith |
| Publisher | : Rutgers University Press |
| Total Pages | : 426 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : 9780813527536 |
The pioneering anthology Home Girls features writings by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and writings. This edition features an updated list of contributor biographies and an all-new preface that provides a fresh assessment of how Black women's lives have changed-or not-since the book was first published. Contributors are Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems.
