Re Writing Spatiality
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Author | : Britta Kuhlenbeck |
Publisher | : LIT Verlag Münster |
Total Pages | : 313 |
Release | : 2010 |
Genre | : Literary Criticism |
ISBN | : 3643109806 |
The objective of this project is to encourage new ways of thinking about the meaning and significance of space. It follows a desire that has been expressed and theorized by Henri Lefebvre - and by extension Edward W. Soja - to remove Spatiality from the margin of the "Trialectics of Being" and to bring it into the "Trialectics' fold" alongside with - and of at least equal significance to - Historicality and Sociality. The thesis focuses on how space of the Pilbara region in Western Australia is produced in contemporary Australian writing, film, art and through "lived experience". The thesis argues for an understanding of space as essentially dynamic.
Author | : Madhu Krishnan |
Publisher | : James Currey |
Total Pages | : 0 |
Release | : 2022-04-15 |
Genre | : African literature (English) |
ISBN | : 9781847013231 |
Winner of the 2020 ALA Book of the Year Award - Scholarship Examines the ways in which space and spatial structures have been constituted, contested and re-imagined in Francophone and Anglophone West African literature since the early 1950s.
Author | : Christopher Greig Crysler |
Publisher | : Routledge |
Total Pages | : 247 |
Release | : 2003 |
Genre | : Academic writing |
ISBN | : 1135679584 |
Annotation Writing Spaces examines some of the most important discourses in spatial theory of the last four decades, and considers their impact within the built environment disciplines. The book will be a key resource for courses on critical theory in architecture, urban studies and geography, at both the graduate and advanced undergraduate level.
Author | : Jay David Bolter |
Publisher | : Routledge |
Total Pages | : 249 |
Release | : 2001-01-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 1135679576 |
This second edition of Jay David Bolter's classic text expands on the objectives of the original volume, illustrating the relationship of print to new media, and examining how hypertext and other forms of electronic writing refashion or "remediate" the forms and genres of print. Reflecting the dynamic changes in electronic technology since the first edition, this revision incorporates the Web and other current standards of electronic writing. As a text for students in composition, new technologies, information studies, and related areas, this volume provides a unique examination of the computer as a technology for reading and writing.
Author | : Jane Stadler |
Publisher | : Indiana University Press |
Total Pages | : 239 |
Release | : 2015-12-21 |
Genre | : Literary Criticism |
ISBN | : 0253018498 |
An analysis of the depiction of Australia’s landscape in its films and literature. Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identify patterns of representation in Australia’s cultural landscape, the book presents an integrated perspective on the translation of space across narrative forms and pioneers new ways of seeing and understanding landscape. It offers fresh insights on cultural topography and spatial history by examining the technical and conceptual challenges of georeferencing fictional and fictionalized places in narratives. Among the items discussed are Wake in Fright, a novel by Kenneth Cook, adapted iconically to the screen and recently onto the stage; the Australian North as a mythic space; spatial and temporal narrative shifts in retellings of the story of Alexander Pearce, a convict who gained notoriety for resorting to cannibalism after escaping from a remote Tasmanian penal colony; travel narratives and road movies set in Western Australia; and the challenges and spatial politics of mapping spaces for which there are no coordinates. “It will likely be the indispensable touchstone for any future work in these areas with respect to Australian cultural studies.” —Robert T. Tally, Texas State University “Definitely original in its approach, since it combines a conceptual approach with a more applied one. The book is a serious contribution to the field of mapping spatial narratives and to a better understanding of the production and spatial structure of fictional places.” —Sébastien Caquard, Concordia University
Author | : Amy Wigelsworth |
Publisher | : Routledge |
Total Pages | : 245 |
Release | : 2016-05-26 |
Genre | : Foreign Language Study |
ISBN | : 1134862911 |
Key works of popular fiction are often rewritten to capitalize on their success. But what are the implications of this rewriting process? Such is the question addressed by this detailed study of several rewritings of Eugène Sue’s Mystères de Paris (1842-43), produced in the latter half of the nineteenth century, in response to the phenomenal success of Sue’s archetypal urban mystery. Pursuing a compelling analogy between city and text, and exploring the resonance of the palimpsest trope to both, Amy Wigelsworth argues that the mystères urbains are exemplary rewritings, which shed new light on contemporary reading and writing practices, and emerge as early avatars of a genre still widely consumed and enjoyed in the 21st century.
Author | : L. Plate |
Publisher | : Springer |
Total Pages | : 243 |
Release | : 2010-12-08 |
Genre | : Literary Criticism |
ISBN | : 0230294634 |
Including topics as diverse as feminism and its relationship to the marketplace, plagiarism and copyright, silence and forgetting, and myth in a digital age, this book explores the role of rewriting within feminist literature from the 1970s onwards in relation to the theme of cultural memory.
Author | : Jennifer Leetsch |
Publisher | : Springer Nature |
Total Pages | : 282 |
Release | : 2021-07-16 |
Genre | : Literary Criticism |
ISBN | : 3030677540 |
This book sets out to investigate how contemporary African diasporic women writers respond to the imbalances, pressures and crises of twenty-first-century globalization by querying the boundaries between two separate conceptual domains: love and space. The study breaks new ground by systematically bringing together critical love studies with research into the cultures of migration, diaspora and refuge. Examining a notable tendency among current black feminist writers, poets and performers to insist on the affective dimension of world-making, the book ponders strategies of reconfiguring postcolonial discourses. Indeed, the analyses of literary works and intermedia performances by Chimamanda Adichie, Zadie Smith, Helen Oyeyemi, Shailja Patel and Warsan Shire reveal an urge of moving beyond a familiar insistence on processes of alienation or rupture and towards a new, reparative emphasis on connection and intimacy – to imagine possible inhabitable worlds.
Author | : Eveline Kilian |
Publisher | : Lund Humphries Publishers |
Total Pages | : 230 |
Release | : 2016-01-28 |
Genre | : Literary Criticism |
ISBN | : 9781472427953 |
How does our ability, desire or failure to locate ourselves within space, and with respect to certain places, effect the construction and narration of our identities? Approaching recordings and interpretations of selves, memories and experiences through the lens of theories of space and place, this book brings the recent spatial turn in the Humanities to bear upon the work of life writing. It shows how concepts of subjectivity draw on spatial ideas and metaphors, and how the grounding and uprooting of the self is understood in terms of place.
Author | : Christa Jansohn |
Publisher | : Walter de Gruyter |
Total Pages | : 261 |
Release | : 2012-01-02 |
Genre | : Literary Criticism |
ISBN | : 3110939959 |
This collection of essays attempts to address some problems of editorial theory and practice which its contributors have either encountered in their own work as practicing editors or as critical users of English editions. It also discusses more general questions, i.e. linguistic problems of editing, the problems of editing bilingual editions or school editions and the difficult economics of scholarly editions today. There are also essays on editing performance poetry, the waning impact of analytical bibliography, the role of teaching and learning editing as well as on the situation of editorial theory and practice among Anglicists in Germany. Several of the essays in this volume began their lives as papers for a workshop on »Editorial Problems« held at the annual meeting of the German 'Anglistentag' in Gießen in September 1997.