Ray Johnson
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Author | : Ellen Levy |
Publisher | : Oxford University Press |
Total Pages | : 297 |
Release | : 2011-05-13 |
Genre | : Literary Criticism |
ISBN | : 0199813469 |
"Poetry was declining/ Painting advancing/ we were complaining/ it was '50," recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to that of the image. Ellen Levy explores the New York literary and art worlds in the years that bracket O'Hara's lament through close readings of the works and careers of poets Marianne Moore and John Ashbery and assemblage artist Joseph Cornell. In the course of these readings, Levy discusses such topics as the American debates around surrealism, the function of the "token woman" in artistic canons, and the role of the New York City Ballet in the development of mid-century modernism, and situates her central figures in relation to such colleagues and contemporaries as O'Hara, T. S. Eliot, Clement Greenberg, Walter Benjamin, and Lincoln Kirstein. Moore, Cornell, and Ashbery are connected by acquaintance and affinity-and above all, by the possession of what Moore calls "criminal ingenuity," a talent for situating themselves on the fault lines that fissure the realms of art, sexuality, and politics. As we consider their lives and works, Levy shows, the seemingly specialized question of the source and meaning of the struggle for power between art forms inexorably opens out to broader questions about social and artistic institutions and forces: the academy and the museum, professionalism and the market, and that institution of institutions, marriage.
Author | : Ray Johnson |
Publisher | : Karma, New York |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Art, Modern |
ISBN | : 9781938560828 |
Tiré du site Internet de http://karmakarma.org: "An early participant in both the Pop and Fluxus movements, Ray Johnson created complex, punning works that ingeniously combine text and image, celebrity culture and art history, wit and melancholy. Figures such as Mickey Mouse, Elvis Presley, James Dean, Michael Jackson, and Calvin Klein models populate his many collages - a candid foreshadowing of current societal obsession. Publication includes 296 color reproductions of drawings, interventions and other ephemera from Johnson's estate."
Author | : Ray Johnson |
Publisher | : Crown |
Total Pages | : 200 |
Release | : 1975 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : C Ray Johnson |
Publisher | : Red Wheel/Weiser |
Total Pages | : 241 |
Release | : 1998-05-01 |
Genre | : Business & Economics |
ISBN | : 1632658399 |
This book starts with the foundations of business success: the development of a business philosophy that works for you, and the strategic application of that philosophy in all areas of your endeavor.
Author | : |
Publisher | : |
Total Pages | : 189 |
Release | : 2017 |
Genre | : Art, American |
ISBN | : 9781944929114 |
Ray Johnson (1927-95) was a seminal Pop artist, a proto-conceptualist and a pioneer of mail art. Always one to throw sand in the gears of art-world institutions, he tended to circulate his work either in truly alternative spaces (like sticking up out of the uneven floorboards of a warehouse downtown) or through the US Postal Service. Throughout his life, Johnson sent collages, drawings and less easily categorized forms of printed matter to friends, colleagues and strangers. Already in 1965, Grace Glueck described Johnson as "New York's most famous unknown artist." Though his work resists efforts to pin it down, Johnson can be said to have found a particularly useful medium in collage. Collage allowed Johnson to reflect--but also to participate in--the modern collision of visual and verbal information that only became more frenzied as the 20th century wore on. This volume collects 42 collages made by Johnson between 1966 and 1994, most never exhibited or published before, with a new essay by writer Brad Gooch, who first came into contact with Johnson when he began receiving unsolicited mail art shortly before the artist's death. The collection of works in this volume shows the artist at his most expansive, combining art history with celebrity, word with image and the personal with the universal.
Author | : Ray Johnson |
Publisher | : |
Total Pages | : 168 |
Release | : 1976 |
Genre | : Artists |
ISBN | : 9780882590851 |
Author | : Julie J. Thomson |
Publisher | : |
Total Pages | : 198 |
Release | : 2018 |
Genre | : ART |
ISBN | : 9781940190204 |
Born in Detroit, Michigan, Ray Johnson (1927-95) studied under Josef Albers and Robert Motherwell at Black Mountain College in North Carolina, and worked as a painter early in his career, exhibiting alongside Ad Reinhardt before embracing pop imagery, collage and mail art, producing thousands of collages and other works on paper. His life and death (by suicide, jumping from a bridge in Sag Harbor, Long Island) were the subject of the award-winning documentary How to Draw a Bunny (2002). 'That Was the Answer: Interviews with Ray Johnson' brings together a selection of interviews and conversations from 1963 to 1987 that offer unique access to Johnson's distinctive thinking and working methods. Throughout, Johnson's responses are marked by his humor and close attention to language. Gathering these interviews for the first time, That Was the Answer serves as an ideal introduction to Ray Johnson as well as a resource for those wanting deeper insight into this artist and his kaleidoscopic body of work.
Author | : Ellen Levy |
Publisher | : MIT Press |
Total Pages | : 393 |
Release | : 2024-10-15 |
Genre | : Art |
ISBN | : 0262048744 |
The first full-career survey of the idiosyncratic life and work of Ray Johnson, a collagist, performance artist, and pioneer of mail art. Ray Johnson (1927-1995), a.k.a. “New York’s most famous unknown artist,” was notorious for the elaborate games he played with the institutions of the art world, soliciting their attention even as he rejected their invitations. In A Book about Ray, Ellen Levy offers a comprehensive study of the artist who turned the business of career-making into a tongue-in-cheek performance, tracing his artistic development from his arrival at Black Mountain College in 1945 to his death in 1995. Levy describes Johnson’s practice as one that was constantly shifting—whether in tone, in its address to potential audiences, or among three primary artistic modes: collage, performance, and correspondence art. A Book about Ray takes an elliptical path, circling around rather than trying to arrest in flight the elusive artist and his purposefully ephemeral art. By crafting the book in this way, Levy evokes Ray Johnson’s art in the moment of its making and draws readers into the artist’s world, while making them feel, from the beginning, that they somehow already know their way around that world. In exploring Johnson’s scene, readers will also encounter the artists who influenced him, like Joseph Cornell and Marcel Duchamp, and his friends and peers like Jasper Johns, Allan Kaprow, Robert Rauschenberg, and Andy Warhol. The work of such figures will look forever different in light of Johnson’s subversive take on their shared aesthetic. Suitable for readers both new to Ray Johnson and those already familiar with his work, A Book about Ray is a complete and vital portrait of an American original.
Author | : Guy Davidson |
Publisher | : Routledge |
Total Pages | : 300 |
Release | : 2020-06-29 |
Genre | : Health & Fitness |
ISBN | : 0429536305 |
Pursuing the discursive or material effects of relational queerness, this book reflects on how objects can illuminate, affect, and animate queer modes of being. In the early 1990s the queer theorist Eve Kosofsky Sedgwick defined queer as “multiply transitive . . . relational and strange,” rather than a fixed identity. In spite of this, much of the queer theoretical scholarship of the last three decades has used queer as a synonym for anti-normative sexual identities. The contributions to this volume return to the idea of transitivity, exploring what happens when queer is thought of as a turning toward or turning away from a diverse range of objects, including bodily waste; frozen cats; archival ephemera; the writing of Virginia Woolf; the Pop art of Ray Johnson; the podcast S-Town; and Maggie Nelson’s memoir The Argonauts. Relevant to those studying queer theory, this book will also be of wider interest to those researching identity and the way in which it is represented in a variety of artistic disciplines. This book was originally published as a special issue of Angelaki.
Author | : David Aftandilian |
Publisher | : Univ. of Tennessee Press |
Total Pages | : 384 |
Release | : 2007 |
Genre | : History |
ISBN | : 9781572334724 |
In What Are the Animals to Us? scholars from a wide variety of academic disciplines explore the diverse meanings of animals in science, religion, folklore, literature, and art.