Raphaels Cartoons In The Collection Of Her Majesty The Queen And The Tapestries For The Sistine Chapel
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Author | : John K. G. Shearman |
Publisher | : |
Total Pages | : 282 |
Release | : 1972 |
Genre | : Architecture |
ISBN | : |
The purpose of this monograph is to examine the many factors which led to the Cartoons and the tapestries assuming their present appearance--factors as diverse as the characters of artist and patron, the state of the Doctrine of the Keys, the floor-pattern of the chapel for which they were made, or the composition and experience of the audience for which they were intended. /
Author | : Clare Browne |
Publisher | : Victoria & Albert Museum |
Total Pages | : 0 |
Release | : 2011-02-01 |
Genre | : Art |
ISBN | : 9781851776344 |
In September 2010, the V+A exhibited four of the ten tapestries Raphael designed for the Sistine Chapel in Vatican City. These remarkable works are comparable with Michelangelo's Sistine Chapel Ceiling as masterpieces of High Renaissance art and, in this unique exhibition, were displayed with the full-size designs Raphael made for them - the famous Cartoons, which have been on display in the V+A since 1865. For anyone unable to view this once-in-a-lifetime exhibition, this book is the next best thing. It introduces and contextualizes the cartoons and the tapestries made from them. It looks at how and why they were made, before discussing each subject individually in terms of sources and composition. Accessible and beautiful, and with 100 colour illustrations, this will be essential reading for all Raphael and Renaissance enthusiasts.
Author | : Paul Joannides |
Publisher | : Thames & Hudson |
Total Pages | : 479 |
Release | : 2022-07-07 |
Genre | : Art |
ISBN | : 0500776857 |
More versatile and less idiosyncratic than Michelangelo, more prolific and accessible than his mentor Leonardo da Vinci, Raphael, though he died at only thirty-seven, is considered the single most influential artist of the Renaissance. Here, art historian Paul Joannides explores the different social and regional contexts of Raphaels work and discusses all aspects of his artistic output. He traces Raphaels career from his origins in Urbino, through his altarpieces made in Umbria in the shadow of Perugino, to the first flowering of his genius in Florence where he painted a series of iconic Madonnas that are among the most beloved images in Western art. Raphaels employment by the dynamic and demanding Pope Julius II gave him opportunities without parallel and encouraged the full expansion of his genius. As a sophisticate entrepreneur, he dominated Romes artistic life and extended the range of his activities to that of architect, designer, pioneer archaeologist and theoretician. The foundation of Raphaels versatility and range was his supreme clarity of mind as a draughtsman. Knowledge of his drawings, on which Joannides is a leading expert, is central to understanding of his achievement, and they are thoroughly explored here.
Author | : Antonio Forcellino |
Publisher | : John Wiley & Sons |
Total Pages | : 211 |
Release | : 2022-11-08 |
Genre | : Art |
ISBN | : 1509549242 |
The Sistine Chapel is one of the world’s most magnificent buildings, and the frescos that decorate its ceiling and walls are a testimony to the creative genius of the Renaissance. Two generations of artists worked at the heart of Christianity, over the course of several decades in the fifteenth and sixteenth centuries, to produce this extraordinary achievement of Western civilization. In this book, the art historian and restorer Antonio Forcellino tells the remarkable story of the Sistine Chapel, bringing his unique combination of knowledge and skills to bear on the conditions that led to its creation. Forcellino shows that Pope Sixtus IV embarked on the project as an attempt to assert papal legitimacy in response to Mehmed II's challenge to the Pope's spiritual leadership. The lower part of the chapel was decorated by a consortium of master painters whose frescoes, so coherent that they seem almost to have been painted by a single hand, represent the highest expression of the Quattrocento Tuscan workshops. Then, in 1505, Sixtus IV's nephew, Julius II, imposed a change in direction. Having been captivated by the prodigious talent of a young Florentine sculptor, Julius II summoned Michelangelo Buonarroti to Rome and commissioned him to paint the ceiling of the Sistine Chapel. Two decades later, Michelangelo returned to paint The Last Judgement, which covers the wall behind the alter. Michelangelo's revolutionary work departed radically from tradition and marked a turning point in the history of Western art. Antonio Forcellino brings to life the wonders of the Sistine Chapel by describing the aims and everyday practices of the protagonists who envisioned it and the artists who created it, reconstructing the material history that underlies this masterpiece.
Author | : Linda Levy Peck |
Publisher | : Cambridge University Press |
Total Pages | : 460 |
Release | : 2005-09-19 |
Genre | : Business & Economics |
ISBN | : 9780521842327 |
A fascinating study of the ways in which consumption transformed social practices, gender roles, royal policies, and the economy in seventeenth-century England. It reveals for the first time the emergence of consumer society in seventeenth-century England.
Author | : Marcia B. Hall |
Publisher | : Cambridge University Press |
Total Pages | : 480 |
Release | : 2005-03-07 |
Genre | : Art |
ISBN | : 9780521808095 |
This book examines all facets of the High Renaissance painter Raphael.
Author | : Claudia La Malfa |
Publisher | : Reaktion Books |
Total Pages | : 305 |
Release | : 2020-02-15 |
Genre | : Art |
ISBN | : 1789141796 |
The Renaissance artist Raphael is known for his extraordinary frescoes, his sublime Madonnas, devotional altarpieces, architectural designs, and his inventive designs for prints and tapestries. It was his use of ancient Roman art—the sculptures, the marble reliefs, the wall-paintings, and the stuccoes—and architecture—the temples, the palaces, and the theaters—as well as the churches and mosaics of early-Christian Rome, that formed his much-admired classical style. In Raphael and the Antique, Claudia La Malfa gives a full account of Raphael’s prodigious career, from central Italy when he was seventeen years old, to Perugia, Siena, and Florence, where he first met with Leonardo and Michelangelo, to Rome where he became one of the most feted artists of the Renaissance. This book brings to light Raphael’s reinvention of classical models, his draftsmanship, and his concept of art—ideas he pursued and was still striving to perfect at the time of his death in 1520 at the young age of thirty-seven.
Author | : Thomas P. Campbell |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 575 |
Release | : 2007 |
Genre | : Design |
ISBN | : 1588392309 |
Author | : Thomas P. Campbell |
Publisher | : Paul Mellon Centre |
Total Pages | : 448 |
Release | : 2007 |
Genre | : Antiques & Collectibles |
ISBN | : |
"Campbell sheds light on Tudor political and artistic culture and the court's response to Renaissance aesthetic ideals. He challenges the predominantly text-driven histories of the period and offers a fresh perspective on the life of Henry VIII"--OCLC
Author | : Yvonne Elet |
Publisher | : Cambridge University Press |
Total Pages | : 382 |
Release | : 2018-01-11 |
Genre | : Art |
ISBN | : 1108216110 |
Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.