Ranch Gates Of The Southwest
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Author | : Sam DeShong Ratcliffe |
Publisher | : Texas A&M University Press |
Total Pages | : 120 |
Release | : 2007-10-05 |
Genre | : History |
ISBN | : 1585445916 |
In the 1930s and 1940s, along with other members of a loosely affiliated group of artists known as the Dallas Nine, Jerry Bywaters pioneered the style later termed “Lone Star Regionalism.” Working with equal ability in oil, watercolor, tempera, and pastel, Bywaters portrayed the natural world, towns, and people of Arizona, Colorado, New Mexico, and West Texas. This stunning retrospective volume of Bywaters’s paintings—more than forty of them arranged in a full-color gallery—vividly interprets the American Southwest. Underlying all of Bywaters’s work was some perspective on the interaction of people and the land. With character always the central feature, his portraiture featured a wide variety of subjects, from a prominent Dallas architect to two anonymous nuns the artist saw on a train and an unnamed member of the Navajo tribe he met on a visit to Shiprock, Arizona. He also depicted individuals in various tasks of everyday life, whether cowboys at a rodeo, oil field workers wrestling with a drill bit, or Mexican women washing clothes in a stream. In addition to the color gallery, the text is illustrated with letters, photographs, and ephemera from the artist’s papers, the Jerry Bywaters Collection on Art of the Southwest, housed in SMU’s Jake and Nancy Hamon Arts Library. Essays by three scholars who knew and worked with Bywaters—Sam Ratcliffe, John Lunsford, and Francine Carraro—add context and detail about his contributions, and an introduction by William H. Gerdts sets the stage for appreciating the art. Bywaters directed the Dallas Museum of Fine Arts (now the Dallas Museum of Art) for two decades beginning in 1943. This book originated in conjunction with the exhibition, “Jerry Bywaters, Interpreter of the Southwest,” at SMU’s Meadows Museum of Art, November 30, 2007–February 24, 2008.
Author | : Geological Survey (U.S.) |
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Total Pages | : 866 |
Release | : 1942 |
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Total Pages | : 482 |
Release | : 1913 |
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Total Pages | : 492 |
Release | : 1971 |
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Total Pages | : 344 |
Release | : 1940 |
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Total Pages | : 592 |
Release | : 1949 |
Genre | : Domestic animals |
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Total Pages | : 850 |
Release | : 1982 |
Genre | : Administrative law |
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Author | : U.S. Coast and Geodetic Survey |
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Total Pages | : 1082 |
Release | : 1898 |
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Total Pages | : 620 |
Release | : 1984 |
Genre | : Administrative law |
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The Code of Federal Regulations is the codification of the general and permanent rules published in the Federal Register by the executive departments and agencies of the Federal Government.
Author | : Charlie Hailey |
Publisher | : MIT Press |
Total Pages | : 191 |
Release | : 2018-10-16 |
Genre | : Architecture |
ISBN | : 0262038358 |
An architect and a photographer explore a community of squatters, artists, snowbirds, migrants, and survivalists inhabiting a former military base in the California desert. Under the unforgiving sun of southern California's Colorado Desert lies Slab City, a community of squatters, artists, snowbirds, migrants, survivalists, and homeless people. Called by some “the last free place” and by others “an enclave of anarchy,” Slab City is also the end of the road for many. Without official electricity, running water, sewers, or trash pickup, Slab City dwellers also live without law enforcement, taxation, or administration. Built on the concrete slabs of Camp Dunlap, an abandoned Marine training base, the settlement maintains its off-grid aspirations within the site's residual military perimeters and gridded street layout; off-grid is really in-grid. In this book, architect Charlie Hailey and photographer Donovan Wylie explore the contradictions of Slab City. In a series of insightful texts and striking color photographs, Hailey and Wylie capture the texture of life in Slab City. They show us Slab Mart, a conflation of rubbish heap and recycling center; signs that declare Welcome to Slab City, T'ai Chi on the Slabs Every morning, and Don't fuck around; RVs in conditions ranging from luxuriously roadworthy to immobile; shelters cloaked in pallets and palm fronds; and the alarmingly opaque water of the hot springs. At Camp Dunlap in the 1940s, Marines learned how to fight a war. In Slab City, civilians resort to their own wartime survival tactics. Is the current encampment an outpost of freedom, a new “city on a hill” built by the self-chosen, an inversion of Manifest Destiny, or is it a last vestige of freedom, tended by society's dispossessed? Officially, it is a town that doesn't exist. Research for this project was supported by the Graham Foundation for Advanced Studies in the Fine Arts.