Ragnar Kjartansson
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| Author | : Ragnar Kjartansson |
| Publisher | : Art Book Magazine Distribution |
| Total Pages | : 100 |
| Release | : 2018-10-10T00:00:00+02:00 |
| Genre | : Art |
| ISBN | : 2847111263 |
Ragnar Kjartansson’s singular work is a cross between performance and cinema, sculpture and opera, plein air painting and music. He often produces large-scale multidisciplinary projects and the production of his works often requires the collaboration of several participants―actors, musicians, friends and family members. Experimenting the mechanisms of theatre and the dramatic impulses of tragedy, Ragnar Kjartansson succeeds in bringing emotions out of melodramatic actions and in revealing the reality on which relies every interpretation. Through repetition, which is genuine motif in his work, Ragnar Kjartansson enlightens the theatricality and efforts at work in everyday life. Book contents - “Once Again”: An essay by Laure Fernandez. - “Only He Who Knows Desire”: A conversation between Ragnar Kjartansson and Julien Fronsacq. About the authors - Laure Fernandez is a researcher in performing arts. Her research projects focus in particular on the idea of theatricality in the contemporary visual arts. - Julien Fronsacq is a curator at the Palais de Tokyo and the curator of Ragnar Kjartansson’s solo exhibition. Book published on the occasion of Ragnar Kjartansson’s solo exhibition at the Palais de Tokyo, “Seul celui qui connaît le désir,” 21.10 2015 – 10.01 2016
| Author | : Ragnar Kjartansson |
| Publisher | : |
| Total Pages | : 128 |
| Release | : 2009 |
| Genre | : |
| ISBN | : |
Edited by Christian Schoen. Text by Cecilia Alemani, Markus Th. Andresson.
| Author | : Halldor Laxness |
| Publisher | : Vintage |
| Total Pages | : 626 |
| Release | : 2007-12-18 |
| Genre | : Fiction |
| ISBN | : 0307430316 |
A magnificently humane novel from the acclaimed Icelandic Nobel Prize winner: as an unloved foster child on a farm in rural Iceland, Olaf Karason has only one consolation, the belief that one day he will be a great poet. The indifference and contempt of most of the people around him only reinforces his sense of destiny, for in Iceland poets are as likely to be scorned as they are to be revered. Over the ensuing years, Olaf comes to lead the paradigmatic poet’s life of poverty, loneliness, ruinous love affairs and sexual scandal. But he will never attain anything like greatness. As imagined by Nobel Prize winner Halldor Laxness in this extraordinary novel, what might be cruel farce achieves pathos and genuine exaltation. For as Olaf’s ambition drives him onward—and into the orbits of an unstable spiritualist, a shady entrepreneur, and several susceptible women—World Light demonstrates how the creative spirit can survive in even the most crushing environment and even the most unpromising human vessel.
| Author | : Ragnar Kjartansson |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 2016-08-01 |
| Genre | : |
| ISBN | : 9783863359706 |
Published alongside the exhibition at the Barbican, London (14 July - 4 September 2016), 'bringing together live performance, music, film, painting, sculpture and drawing' - and the first UK survey of this internationally acclaimed Icelandic artist.The fully illustrated book features a pictorial autobiography compiled by Ragnar Kjartansson himself, and is designed by John Morgan studio. Clichés and motifs of Western culture, romantic melancholy and even his own conception, provide the personal and often playful subject matter of the artist
| Author | : Alexander Dumbadze |
| Publisher | : University of Chicago Press |
| Total Pages | : 197 |
| Release | : 2013-05-27 |
| Genre | : Art |
| ISBN | : 022603867X |
On July 9, 1975, Dutch-born artist Bas Jan Ader set sail from Chatham, Massachusetts, on a thirteen-foot sailboat. He was bound for Falmouth, England, on the second leg of a three-part piece titled In Search of the Miraculous. The damaged boat was found south of the western tip of Ireland nearly a year later. Ader was never seen again. Since his untimely death, Ader has achieved mythic status in the art world as a figure literally willing to die for his art. Considering the artist’s legacy and concise oeuvre beyond the romantic and tragic associations that accompany his peculiar end, Alexander Dumbadze resituates Ader’s art and life within the conceptual art world of Los Angeles in the early 1970s and offers a nuanced argument about artistic subjectivity that explains Ader’s tremendous relevance to contemporary art. Bas Jan Ader blends biography, theoretical reflection, and archival research to draw a detailed picture of the world in which Ader’s work was rooted: a vibrant international art scene populated with peers such as Ger van Elk, William Leavitt, and Allen Ruppersberg. Dumbadze looks closely at Ader’s engagement with questions of free will and his ultimate success in creating art untainted by mediation. The first in-depth study of this enigmatic conceptual artist, Bas Jan Ader is a thoughtful reflection on the necessity of the creative act and its inescapable relation to death.
| Author | : RYAN GANDER AND. JONATHAN P. WATTS |
| Publisher | : |
| Total Pages | : |
| Release | : 2018 |
| Genre | : |
| ISBN | : 9781907908545 |
| Author | : Christian Schoen |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Art, Icelandic |
| ISBN | : 9783775732833 |
Icelandic culture is so strongly oriented towards language that the visual arts didn't truly begin to develop until the early twentieth century - which is remarkable for a Western country. This unique situation may explain the nature of the contemporary art scene in Iceland. Even though Conceptual art remains a considerable international influence, and globalization is most certainly affecting this isolated island in the North Atlantic, Icelandic art continues to develop at its own speed, marked by a playful creative energy and the pleasure of experimentation. Icelandic Art Today introduces 50 of the country's most important artists - including Finnbogi Petursson, Gabriela Fridriksdottir, Helgi Thorgils Fridjonsson, Icelandic Love Corporation, Katrin Sigurdardottir, Margret H. Blondal, Olafur Olafsson + Libia Castro, Ragnar Kjartansson and Ruri and Steingrimur Eyfjord - who have contributed to the contemporary landscape of Icelandic art from the 1970s through the present. Essays by historian and curator Christian Schoen, critic Halldor Bjorn Runolfsson and Director of the Reykjavik Art Museum Hafthor Yngvason trace the development of Iceland's avant-garde over the past 40 years.
| Author | : Anne Lesley Selcer |
| Publisher | : |
| Total Pages | : 104 |
| Release | : 2019-04-11 |
| Genre | : |
| ISBN | : 9780998346199 |
Literary Nonfiction. Poetry. Fiction. California Interest. African & African American Studies. Latinx Studies. Middle Eastern Studies. Women's Studies. LGBTQIA Studies. Art. Film. Music. Art Criticism. BLANK SIGN BOOK is a collection of innovative art writing from poet and essayist Anne Lesley Selcer. Writing in the confluence of politics and aesthetics through the work of Ana Mendieta, The Otolith Group, Juliana Huxtable, Dolores Dorantes, Janet Cardiff, Ragnar Kjartansson, and more, Selcer's debut collection culminates the interdisciplinary thinking and formal risk of fifteen years of public critical writing. Selcer's work has been nationally and internationally commissioned and solicited by museums, galleries and art magazines. Anchored by the feminist, queer, and decolonial thought of Susan Sontag, Saidiya Hartman, Lisa Robertson, Micha Cárdenas, and many more, BLANK SIGN BOOK explores representation from the image to the agora. The essays are embedded deeply within the pleasure of art and the power of artist. They consider topics from the materiality of the internet, protest, sound, and gentrification, to teenage literary obsession, femicide, and decolonized time. BLANK SIGN BOOK unfolds within Selcer's decade long investigation of Western beauty, from which two award-winning poetry publications have emerged. With lyricism, incisive clarity and a deep commitment to the power of art and artists as a vehicle for experimental advocacy and radical insight, BLANK SIGN BOOK displays Selcer's capacious and assiduous grasp as an art writer and cultural thinker to be read for decades to come. BLANK SIGN BOOK emerged from Anne Lesley Selcer's tenure as inaugural Art Writing Fellow at Southern Exposure.
| Author | : Haegue Yang |
| Publisher | : |
| Total Pages | : 191 |
| Release | : 2020 |
| Genre | : Installations (Art) |
| ISBN | : 9781988788135 |
Haegue Yang is renowned for her multifaceted works that vary in form from collage to kinetic sculpture, perceptively evoking historical and contemporary narratives of migration, displacement, and cross-cultural translation. Using a language of abstraction, Yang transforms ordinary and domestic materials, such as venetian blinds, light bulbs, drying racks, yarn, and bells, into deeply allegorical, meticulously constructed installations and sculptures that dissociate these materials from their original contexts. The artist's installations become immersive environments that provoke the senses with a diversity of scents, sounds, and textures. Featuring essays contextualising Yang's artistic career, this book fully illustrates the scope of Art Gallery of Ontario's groundbreaking exhibition and generates new understandings of Yang's transformative contributions to the field of contemporary art. Exhibition: Art Gallery of Ontario, Toronto, Canada (01.10.2020 - 05.04.2021).
| Author | : Lutz Koepnick |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 257 |
| Release | : 2020-12-10 |
| Genre | : Music |
| ISBN | : 1501343386 |
In Resonant Matter, Lutz Koepnick considers contemporary sound and installation art as a unique laboratory of hospitality amid inhospitable times. Inspired by Ragnar Kjartansson's nine-channel video installation The Visitors (2012), the book explores resonance-the ability of objects to be affected by the vibrations of other objects-as a model of art's fleeting promise to make us coexist with things strange and other. In a series of nuanced readings, Koepnick follows the echoes of distant, unexpected, and unheard sounds in twenty-first century art to reflect on the attachments we pursue to sustain our lives and the walls we need to tear down to secure possible futures. The book's nine chapters approach The Visitors from ever-different conceptual angles while bringing it into dialogue with the work of other artists and musicians such as Lawrence Abu Hamdan, Guillermo Galindo, Mischa Kuball, Philipp Lachenmann, Alvien Lucier, Teresa Margolles, Carsten Nicolai, Camille Norment, Susan Philipsz, David Rothenberg, Juliana Snapper, and Tanya Tagaq. With this book, Koepnick situates resonance as a vital concept of contemporary art criticism and sound studies. His analysis encourages us not only to expand our understanding of the role of sound in art, of sound art, but to attune our critical encounter with art to art's own resonant thinking.
