Radio Sound Effects
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Author | : Robert L. Mott |
Publisher | : McFarland |
Total Pages | : 241 |
Release | : 2014-07-11 |
Genre | : Performing Arts |
ISBN | : 0786494719 |
This work, first published in 1989, includes discussions of the history of sound effects, the different types of sound effects, creating sound effects from scratch, recording sounds in the studio and field, the advantages of live sounds over tape, knowing why and when to use sound effects, the difference between radio, TV and film sounds, Foleying and the Foley stage, and recording and editing equipment.
Author | : Robert L. Mott |
Publisher | : |
Total Pages | : 295 |
Release | : 1993 |
Genre | : Radio broadcasting |
ISBN | : |
Author | : Robert L. Mott |
Publisher | : McFarland |
Total Pages | : 308 |
Release | : 2005-02-18 |
Genre | : Performing Arts |
ISBN | : 9780786422661 |
To today's radio listener, it is difficult to imagine the influence radio once held over the American people. Unlike movies or newspapers, radio both informed and entertained its audience without requiring them to participate. Part of its success depended upon the people who created the sound effects--a squeaking door, the approach of a horse, or a typewriter. The author did live sound effects during the "Golden Age" of radio. He provides many insights into the early days of the medium as it grappled with entertaining an audience based on a single sense (hearing). How the sounds were produced is fully covered as are the artists responsible for their production. Stories of successful effects production are balanced by embarrassing or funny failures. A list of artists and their shows is included.
Author | : Robert L. Mott |
Publisher | : McFarland |
Total Pages | : 0 |
Release | : 2008-06-03 |
Genre | : Performing Arts |
ISBN | : 9780786433155 |
To today's radio listener, it is difficult to imagine the influence radio once held over the American people. Unlike movies or newspapers, radio both informed and entertained its audience without requiring them to participate. Part of its success depended upon the people who created the sound effects--a squeaking door, the approach of a horse, or a typewriter. The author did live sound effects during the "Golden Age" of radio. He provides many insights into the early days of the medium as it grappled with entertaining an audience based on a single sense (hearing). How the sounds were produced is fully covered as are the artists responsible for their production. Stories of successful effects production are balanced by embarrassing or funny failures. A list of artists and their shows is included. This entry refers to the LARGE PRINT edition. For the standard edition please see ISBN 978-0-7864-2266-1.
Author | : Joseph Creamer |
Publisher | : |
Total Pages | : 100 |
Release | : 1945 |
Genre | : Radio broadcasting |
ISBN | : |
Author | : United States. Office of Education. Educational Radio Script Exchange |
Publisher | : |
Total Pages | : 72 |
Release | : 1938 |
Genre | : Radio |
ISBN | : |
Author | : Thomas Loignon Detienne |
Publisher | : |
Total Pages | : 184 |
Release | : 1953 |
Genre | : |
ISBN | : |
Author | : Robert B. Turnbull |
Publisher | : |
Total Pages | : 360 |
Release | : 1951 |
Genre | : Radio broadcasting |
ISBN | : |
Author | : R. Turnbull |
Publisher | : Harcourt Brace College Publishers |
Total Pages | : |
Release | : 1994-12-01 |
Genre | : |
ISBN | : 9780030097850 |
Author | : United States. Office of Education. Educational Radio Script Exchange |
Publisher | : |
Total Pages | : 54 |
Release | : 1938 |
Genre | : Radio |
ISBN | : |