Hello, Everybody!

Hello, Everybody!
Author: Anthony J. Rudel
Publisher: Houghton Mifflin Harcourt
Total Pages: 417
Release: 2008
Genre: History
ISBN: 015101275X

When amateur enthusiasts began sending fuzzy signals from their garages and rooftops, radio broadcasting was born. Sensing the medium's potential, snake-oil salesmen and preachers took to the air, at once setting early standards for radio programming and making bedlam of the airwaves. Into the chaos stepped a young secretary of commerce, Herbert Hoover, whose passion for organization guided the technology's growth. When a charismatic bandleader named Rudy Vallee created the first on-air variety show and America elected its first true radio president, Franklin Delano Roosevelt, radio had arrived. Rudel tells the story of the boisterous years when radio took its place in the nation's living room and forever changed American politics, journalism, and entertainment.

Everybody's

Everybody's
Author:
Publisher:
Total Pages: 1086
Release: 1926
Genre: American periodicals
ISBN:

Radio Voices

Radio Voices
Author: Michele Hilmes
Publisher: U of Minnesota Press
Total Pages: 406
Release: 1997
Genre: Social Science
ISBN: 9780816626212

Looks at the history of radio broadcasting as an aspect of American culture, and discusses social tensions, radio formats, and the roles of African Americans and women

Forum

Forum
Author:
Publisher:
Total Pages: 688
Release: 1922
Genre:
ISBN:

Early '70s Radio

Early '70s Radio
Author: Kim Simpson
Publisher: Bloomsbury Publishing USA
Total Pages: 391
Release: 2011-07-21
Genre: Social Science
ISBN: 1441136789

Early '70s Radio focuses on the emergence of commercial music radio "formats," which refer to distinct musical genres aimed toward specific audiences. This formatting revolution took place in a period rife with heated politics, identity anxiety, large-scale disappointments and seemingly insoluble social problems. As industry professionals worked overtime to understand audiences and to generate formats, they also laid the groundwork for market segmentation. Audiences, meanwhile, approached these formats as safe havens wherein they could re-imagine and redefine key issues of identity. A fresh and accessible exercise in audience interpretation, Early '70s Radio is organized according to the era's five prominent formats and analyzes each of these in relation to their targeted demographics, including Top 40, "soft rock", album-oriented rock, soul and country. The book closes by making a case for the significance of early '70s formatting in light of commercial radio today.