Radio Sound Effects

Radio Sound Effects
Author: Robert L. Mott
Publisher: McFarland
Total Pages: 308
Release: 2005-02-18
Genre: Performing Arts
ISBN: 9780786422661

To today's radio listener, it is difficult to imagine the influence radio once held over the American people. Unlike movies or newspapers, radio both informed and entertained its audience without requiring them to participate. Part of its success depended upon the people who created the sound effects--a squeaking door, the approach of a horse, or a typewriter. The author did live sound effects during the "Golden Age" of radio. He provides many insights into the early days of the medium as it grappled with entertaining an audience based on a single sense (hearing). How the sounds were produced is fully covered as are the artists responsible for their production. Stories of successful effects production are balanced by embarrassing or funny failures. A list of artists and their shows is included.

Sound Effects

Sound Effects
Author: Robert L. Mott
Publisher: McFarland
Total Pages: 241
Release: 2014-07-11
Genre: Performing Arts
ISBN: 0786494719

This work, first published in 1989, includes discussions of the history of sound effects, the different types of sound effects, creating sound effects from scratch, recording sounds in the studio and field, the advantages of live sounds over tape, knowing why and when to use sound effects, the difference between radio, TV and film sounds, Foleying and the Foley stage, and recording and editing equipment.

Radio and Television

Radio and Television
Author: Patricia Beall Hamill
Publisher:
Total Pages: 52
Release: 1960
Genre: Radio in education
ISBN:

Sixteen-year-old Tabitha, the daughter of a preacher who believes science is Satan's work, longs to study at a university and dig for dinosaur bones, but in South Dakota at the end of the nineteenth century such ambitions are discouraged.

Sound Studio

Sound Studio
Author: Alec Nisbett
Publisher: CRC Press
Total Pages: 401
Release: 2003-07-07
Genre: Music
ISBN: 1136116869

This classic work has inspired and informed a whole generation of artists and technicians working in all branches of the audio industry. Now in its seventh edition, The Sound Studio has been thoroughly revised to encompass the rapidly expanding range of possibilities offered by today's digital equipment. It now covers: the virtual studio; 5.1 surround sound; hard drive mixers and multichannel recorders; DVD and CD-RW. Alec Nisbett provides encyclopaedic coverage of everything from acoustics, microphones and loudspeakers, to editing, mixing and sound effects, as well as a comprehensive glossary. Through its six previous editions, The Sound Studio has been used for over 40 years as a standard work of reference on audio techniques. For a new generation, it links all the best techniques back to their roots: the unchanging guiding principles that have long been observed over a wide range of related media and crafts. The Sound Studio is intended for anyone with a creative or technical interest in sound - for radio, television, film and music recording - but has particularly strong coverage of audio in broadcasting, reflecting the author's prolific career.

P-Z

P-Z
Author: Library of Congress. Office for Subject Cataloging Policy
Publisher:
Total Pages: 1644
Release: 1990
Genre: Subject headings, Library of Congress
ISBN:

Don't Panic

Don't Panic
Author: Neil Gaiman
Publisher: Open Road Media
Total Pages: 199
Release: 2018-10-30
Genre: Humor
ISBN: 1504056280

The #1 New York Times–bestselling author’s “hilarious . . . idiosyncratic . . . delightful” and definitive companion to a global phenomenon (Publishers Weekly). Douglas Adams’s “six-part trilogy,” The Hitchhiker’s Guide to the Galaxy grew from a blip of a notion into an ever-expanding multimedia universe that amassed an unprecedented cult of followers and became an international sensation. As a young journalist, Neil Gaiman was given complete access to Adams’s life, times, gossip, unpublished outtakes, and files (and became privy to his writing process, insecurities, disillusionments, challenges, and triumphs). The resulting volume illuminates the unique, funny, dramatic, and improbable chronicle of an idea, an incredibly tall man, and a mind-boggling success story. In Don’t Panic, Gaiman celebrates everything Hitchhiker: the original radio play, the books, comics, video and computer games, films, television series, record albums, stage musicals, one-man shows, the Great One himself, and towels. And as Douglas Adams himself attested: “It’s all absolutely devastatingly true—except the bits that are lies.” Updated several times in the thirty years since its original publication, Don’t Panic is available for the first time in digital form. Part biography, part tell-all parody, part pop-culture history, part guide to a guide, Don’t Panic “deserves as much cult success as the Hitchhiker’s books themselves” (Time Out).