Radiation Sounds
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Author | : Jessica A. Schwartz |
Publisher | : Duke University Press |
Total Pages | : 176 |
Release | : 2021-09-10 |
Genre | : Music |
ISBN | : 1478021918 |
On March 1, 1954, the US military detonated “Castle Bravo,” its most powerful nuclear bomb, at Bikini Atoll in the Marshall Islands. Two days later, the US military evacuated the Marshallese to a nearby atoll where they became part of a classified study, without their consent, on the effects of radiation on humans. In Radiation Sounds Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to US nuclear militarism on their homeland. Schwartz shows how Marshallese singing draws on religious, cultural, and political practices to make heard the deleterious effects of US nuclear violence. Schwartz also points to the literal silencing of Marshallese voices and throats compromised by radiation as well as the United States’ silencing of information about the human radiation study. By foregrounding the centrality of the aural and sensorial in understanding nuclear testing’s long-term effects, Schwartz offers new modes of understanding the relationships between the voice, sound, militarism, indigeneity, and geopolitics.
Author | : Jessica Schwartz |
Publisher | : |
Total Pages | : |
Release | : 2021 |
Genre | : HISTORY |
ISBN | : 9781478091813 |
"On March 1, 1954, the US military detonated "Castle Bravo," its most powerful nuclear bomb, at Bikini Atoll in the Marshall Islands. Two days later, the US military evacuated the Marshallese to a nearby atoll where they became part of a classified study, without their consent, on the effects of radiation on humans. In Radiation Sounds Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to US nuclear militarism on their homeland. Schwartz shows how Marshallese singing draws on religious, cultural, and political practices to make heard the deleterious effects of US nuclear violence. Schwartz also points to the literal silencing of Marshallese voices and throats compromised by radiation as well as the United States' silencing of information about the human radiation study. In foregrounding the centrality of the aural and sensorial in understanding nuclear testing's long-term effects, Schwartz offers new modes of understanding the relationships between the voice, sound, militarism, indigeneity, and geopolitics"--
Author | : Leonid M. Lyamshev |
Publisher | : CRC Press |
Total Pages | : 381 |
Release | : 2004-04-14 |
Genre | : Science |
ISBN | : 0203402707 |
Radiation acoustics is a developing field lying at the intersection of acoustics, high-energy physics, nuclear physics, and condensed matter physics. Radiation Acoustics is among the first books to address this promising field of study, and the first to collect all of the most significant results achieved since research in this area began in earnest in the 1970s. The book begins by reviewing the data on elementary particles, absorption of penetrating radiation in a substance, and the mechanisms of acoustic radiation excitation. The next seven chapters present a theoretical treatment of thermoradiation sound generation in condensed media under the action of modulated penetrating radiation and radiation pulses. The author explores particular features of the acoustic fields of moving thermoradiation sound sources, sound excitation by single high-energy particles, and the efficiency and optimal conditions of thermoradiation sound generation. Experimental results follow the theoretical discussions, and these clearly demonstrate the validity of the thermoradiation theory. The book concludes with discussions on applications, including the large-scale DUMAND and GENIUS projects now on the horizon. Radiation acoustics holds enormous potential for applications in areas such as microelectronics, geophysics, and astrophysics. This book offers a unique opportunity to benefit from the approach and extensive experience of author Leonid N. Lyamshev, who in this, his last book, shows how he left an indelible mark on the world of acoustics.
Author | : F.P. Mechel |
Publisher | : Springer Science & Business Media |
Total Pages | : 1197 |
Release | : 2013-06-29 |
Genre | : Technology & Engineering |
ISBN | : 3662072963 |
This application-orientated collection of formulas has been written by applied scientists and industrial engineers for design professionals and students who work in engineering acoustics. It is subdivided into the most important fields of applied acoustics, each dealing with a well-defined type of problem. It provides easy and rapid access to profound and comprehensive information. In order to keep the text as concise as possible, the derivation of a formula is described as briefly as possible and the reader is referred to the original source. Besides the formulas, useful principles and computational procedures are given.
Author | : Harold Levine |
Publisher | : |
Total Pages | : 22 |
Release | : 1979 |
Genre | : Boundary layer noise |
ISBN | : |
Author | : Frank J. Fahy |
Publisher | : Elsevier |
Total Pages | : 666 |
Release | : 2007-01-12 |
Genre | : Technology & Engineering |
ISBN | : 0080471102 |
The first edition of Sound and Structural Vibration was written in the early 1980s. Since then, two major developments have taken place in the field of vibroacoustics. Powerful computational methods and procedures for the numerical analysis of structural vibration, acoustical fields and acoustical interactions between fluids and structures have been developed and these are now universally employed by researchers, consultants and industrial organisations. Advances in signal processing systems and algorithms, in transducers, and in structural materials and forms of construction, have facilitated the development of practical means of applying active and adaptive control systems to structures for the purposes of reducing or modifying structural vibration and the associated sound radiation and transmission. In this greatly expanded and extensively revised edition, the authors have retained most of the analytically based material that forms the pedagogical content of the first edition, and have expanded it to present the theoretical foundations of modern numerical analysis. Application of the latter is illustrated by examples that have been chosen to complement the analytical approaches to solving fairly simple problems of sound radiation, transmission and fluid-structural coupling that are presented in the first edition. The number of examples of experimental data that relate to the theoretical content, and illustrate important features of vibroacoustic interaction, has been augmented by the inclusion of a selection from the vast amount of material published during the past twenty five years. The final chapter on the active control of sound and vibration has no precursor in the first edition. * Covers theoretical approaches to modeling and analysis* Highly applicable to challenges in industry and academia* For engineering students to use throughout their career
Author | : Marian Elaine Smith |
Publisher | : |
Total Pages | : 149 |
Release | : 1985 |
Genre | : |
ISBN | : |
Author | : Lothar Cremer |
Publisher | : Springer Science & Business Media |
Total Pages | : 544 |
Release | : 2013-06-29 |
Genre | : Technology & Engineering |
ISBN | : 3662101181 |
Whcn the original German edition of this book first appeared in print, the undcrsigned was asked to review it for an English-language journal. In the course of this review process he was so struck by the book's unusual approach, as well as by the realization that no similar collection of information was available in English, that he conceived thc idea of undertaking this translation. Arrangements with the original authors and with the publisher were completed late in 1969; the translation task was begun at that. time and occupied nearly two and onc-half years-largcly because the undersigned's other professional act.ivities permitted him toderote only hisspare time to the translation effort. Because this passage of time also brought with it some advances in the state of t.he art, an attempt was made to include the most significant of these aclvances, as well as newer references and some minor correc tions, in the translatecl rersion. Except for these changes, which were macle with the enthusiastic endorsement and collaboration of the origi nal authors, the translatecl rersion remains very close to the original. In fact, the translator took special care to preserve not only the mean ing, but also the "flaror", of the original text. The translator is most grateful to Professor L. Cremer and Dr
Author | : Andrew Solway |
Publisher | : The Rosen Publishing Group, Inc |
Total Pages | : 52 |
Release | : 2007-12-15 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781404237469 |
Explores the principals of sound, light, and radiation waves, explaining how they travel and carry energy from one place to another.
Author | : Steve Goodman |
Publisher | : MIT Press |
Total Pages | : 291 |
Release | : 2012-08-17 |
Genre | : Music |
ISBN | : 0262517957 |
An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.