Racial Spectacles
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Author | : Jonathan Markovitz |
Publisher | : Taylor & Francis |
Total Pages | : 237 |
Release | : 2011-06 |
Genre | : History |
ISBN | : 113691126X |
Racial Spectacles: Explorations in Media, Race, and Justice examines the crucial role the media has played in circulating and shaping national dialogues about race through representations of crime and racialized violence. Jonathan Markovitz argues that mass media "racial spectacles" often work to shore up racist stereotypes, but that they also provide opportunities to challenge prevalent conceptions of race, and can be seized upon as vehicles for social protest. This book explores a series of mass media spectacles revolving around the news, prime-time television, Hollywood cinema, and the internet that have either relied upon, reconfigured, or helped to construct collective memories of race, crime, and (in)justice. The case studies explored include the Scottsboro interracial rape case of the 1930s, the Kobe Bryant rape case, the Los Angeles Police Department’s "Rampart scandal," the Abu Ghraib photographs, and a series of racist incidents at the University of California. This book will prove to be important not only for courses on race and media, but also for any reader interested in issues of the media's role in social justice.
Author | : Amy Louise Wood |
Publisher | : Univ of North Carolina Press |
Total Pages | : 366 |
Release | : 2011-02-01 |
Genre | : History |
ISBN | : 0807878111 |
Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled the momentum of the antilynching movement and the decline of the practice. Using a wide range of sources, including photos, newspaper reports, pro- and antilynching pamphlets, early films, and local city and church records, Wood reconfigures our understanding of lynching's relationship to modern life. Wood expounds on the critical role lynching spectacles played in establishing and affirming white supremacy at the turn of the century, particularly in towns and cities experiencing great social instability and change. She also shows how the national dissemination of lynching images fueled the momentum of the antilynching movement and ultimately led to the decline of lynching. By examining lynching spectacles alongside both traditional and modern practices and within both local and national contexts, Wood reconfigures our understanding of lynching's relationship to modern life.
Author | : Mark A. Johnson |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 244 |
Release | : 2021-05-28 |
Genre | : History |
ISBN | : 1496832868 |
In Rough Tactics: Black Performance in Political Spectacles, 1877–1932, author Mark A. Johnson examines three notable cases of Black participation in the spectacles of politics: the 1885–1898 local-option prohibition contests of Atlanta and Macon, Georgia; the United Confederate Veterans conflict with the Musicians’ Union prior to the 1903 UCV Reunion in New Orleans; and the 1909 Memphis mayoral election featuring Edward Hull Crump and W. C. Handy. Through these case studies, Johnson explains how white politicians and Black performers wielded and manipulated racist stereotypes and Lost Cause mythology to achieve their respective goals. Ultimately, Johnson portrays the vibrant, exuberant political culture of the New South and the roles played by both Black and white southerners. During the nadir of race relations in the United States South from 1877 to 1932, African Americans faced segregation, disfranchisement, and lynching. Among many forms of resistance, African Americans used their musical and theatrical talents to challenge white supremacy, attain economic opportunity, and transcend segregation. In Rough Tactics, Johnson argues that African Americans, especially performers, retooled negative stereotypes and segregation laws to their advantage. From 1877 to 1932, African Americans spoke at public rallies, generated enthusiasm with music, linked party politics to the memory of the Civil War, honored favorable candidates, and openly humiliated their opposition.
Author | : Austin Sarat |
Publisher | : Emerald Group Publishing |
Total Pages | : 213 |
Release | : 2011-06-14 |
Genre | : Law |
ISBN | : 1780520808 |
This volume Studies in Law, Politics and Society contains a symposium on indigenous peoples in Latin America. It examines the ways rights are negotiated between those groups and the states in which they live.
Author | : Emily Roxworthy |
Publisher | : |
Total Pages | : 231 |
Release | : 2008 |
Genre | : Concentration camps |
ISBN | : 9780824869359 |
In this work, Emily Roxworthy contests the notion that the US government's internment policies during World War II had little impact on the postwar lives of most Japanese Americans.
Author | : C. Richard King |
Publisher | : SUNY Press |
Total Pages | : 228 |
Release | : 2001-06-07 |
Genre | : Sports & Recreation |
ISBN | : 9780791450055 |
From mascots to half-time shows to media coverage, Beyond the Cheers critically and honestly assesses the role of race in big time college sports.
Author | : Suvi Keskinen |
Publisher | : Manchester University Press |
Total Pages | : 317 |
Release | : 2024-06-04 |
Genre | : Social Science |
ISBN | : 1526165546 |
Developing the concept of 'disobedient knowledge', this book provides new perspectives on activism and everyday struggles against racism and bordering. Drawing on empirical material from distinct contexts in Northern, Western and Southern Europe, the chapters explore how different kinds of (b)orders are challenged and possibly also maintained in everyday antiracism, activism and struggles against borders. The book examines resistance and disobedience in relation to borders, social orders, conventional practices and hegemonic discourses. It underscores the importance of studying racism and bordering as intertwined phenomena. With a focus on the historical layers of resistance, disobedient practices and ways of building shared struggles, the book provides invaluable knowledge about postcolonial Europe and its future possibilities.
Author | : Jonathan Markovitz |
Publisher | : Routledge |
Total Pages | : 255 |
Release | : 2011-06-01 |
Genre | : Social Science |
ISBN | : 1136911251 |
Racial Spectacles: Explorations in Media, Race, and Justice examines the crucial role the media has played in circulating and shaping national dialogues about race through representations of crime and racialized violence. Jonathan Markovitz argues that mass media "racial spectacles" often work to shore up racist stereotypes, but that they also provide opportunities to challenge prevalent conceptions of race, and can be seized upon as vehicles for social protest. This book explores a series of mass media spectacles revolving around the news, prime-time television, Hollywood cinema, and the internet that have either relied upon, reconfigured, or helped to construct collective memories of race, crime, and (in)justice. The case studies explored include the Scottsboro interracial rape case of the 1930s, the Kobe Bryant rape case, the Los Angeles Police Department’s "Rampart scandal," the Abu Ghraib photographs, and a series of racist incidents at the University of California. This book will prove to be important not only for courses on race and media, but also for any reader interested in issues of the media's role in social justice.
Author | : Kerry Connelly |
Publisher | : Westminster John Knox Press |
Total Pages | : 185 |
Release | : 2020-03-17 |
Genre | : Social Science |
ISBN | : 1611649900 |
"A no-nonsense call to action for all those willing to confront their complicity, Good White Racist? promises 'This is going to be hard, and you are going to be uncomfortable. But it will be worth it.'" – Foreword Reviews \ good · white · racist \ noun A well-intentioned person of European descent who is nonetheless complicit in a culture of systemic racism A white person who would rather stay comfortable than do the work of antiracism When it comes to race, most white Americans are obsessed with two things: defending our own inherent goodness and maintaining our own comfort levels. Too often, this means white people assume that to be racist, one has to be openly hateful and willfully discriminatory—you know, a bad person. And we know we're good, Christian people, right? But you don't have to be wearing a white hood or shouting racial epithets to be complicit in America’s racist history and its ongoing systemic inequality. In Good White Racist?, Kerry Connelly exposes the ways white people participate in, benefit from, and unknowingly perpetuate racism—despite their best "good person" intentions. Good White Racist? unpacks the systems that maintain the status quo, keep white people comfortable and complicit, and perpetuate racism in the United States and elsewhere. Combining scholarly research with her trademark New Jersey snark, Connelly shows us that even though it may not be our fault or choice to participate in a racist system, we all do, and it’s our responsibility to do something about it.
Author | : Autumn Womack |
Publisher | : University of Chicago Press |
Total Pages | : 287 |
Release | : 2022-04-04 |
Genre | : History |
ISBN | : 022680691X |
"What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in the decades between 1880 and 1930. Womack describes nothing less than a "racial data revolution," one in which social scientists, reformers, and theorists rendered Black life an inanimate object of inquiry. At the very same time, Black cultural producers staged their own kind of revolution, undisciplining racial data in ways that challenged normative visual regimes and capturing the dynamism of Black social life. Womack focuses on figures like W.E.B DuBois, Kelly Miller, Sutton Griggs, and Zora Neale Hurston, as well as lesser-known editors, social reformers, and performers. She shows how they harnessed media as diverse as the social survey, the novel, the stage, and early motion pictures to reform visual practices and recalibrate the relationship between data and black life"--