Race Rock And Elvis
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| Author | : Michael T. Bertrand |
| Publisher | : University of Illinois Press |
| Total Pages | : 368 |
| Release | : 2000 |
| Genre | : Music and race |
| ISBN | : 9780252025860 |
In Race, Rock, and Elvis, Michael T. Bertrand contends that popular music, specifically Elvis Presley's brand of rock 'n' roll, helped revise racial attitudes after World War II. Observing that youthful fans of rhythm and blues, rock 'n' roll, and other black-inspired music seemed more inclined than their segregationist elders to ignore the color line, Bertrand links popular music with a more general relaxation, led by white youths, of the historical denigration of blacks in the South. The tradition of southern racism, successfully communicated to previous generations, failed for the first time when confronted with the demand for rock 'n' roll by a new, national, commercialized youth culture. In a narrative peppered with the colorful observations of ordinary southerners, Bertrand argues that appreciating black music made possible a new recognition of blacks as fellow human beings. Bertrand documents black enthusiasm for Elvis Presley and cites the racially mixed audiences that flocked to the new music at a time when adults expected separate performances for black audiences and white. He describes the critical role of radio and recordings in blurring the color line and notes that these media made black culture available to appreciative whites on an unprecedented scale. He also shows how music was used to define and express the values of a southern working-class youth culture in transition, as young whites, many of them trying to orient themselves in an unfamiliar urban setting, embraced black music and culture as a means of identifying themselves. By adding rock 'n' roll to the mix of factors that fed into civil rights advances in the South, Race, Rock, and Elvis shows how the music,with its rituals and vehicles, symbolized the vast potential for racial accord inherent in postwar society.
| Author | : Vernon Chadwick |
| Publisher | : Routledge |
| Total Pages | : 278 |
| Release | : 2018-02-12 |
| Genre | : Social Science |
| ISBN | : 0429979525 |
The International Conference on Elvis Presley, convened at the University of Mississippi in August, transformed a rock and roll icon into a scholarly phenomenon. Educators, artists, and Elvis aficionados from across the worldplus over one hundred internationally based reporterscollected on Oxford, Mississippi, soil to analyze and celebrate Elvis impact on the world stage.From this conference, which became front page New York Times Magazine news, springs this book, the best and brightest essays and artwork swirling around the cultural, social, political, and iconographic figure of Elvis Presley. Discussed within are such topics as Elvis as Southerner, Elvis as sign system, Elvis multicultural audiences, Elvis and rockabilly, Elvis as redneck, the Elvis oeuvre, and Elvis religious roots. Taken together, In Search of Elvis represents a daring and groundbreaking academic analysis. Richly illustrated with original Elvis-inspired artwork, this book captures the subterranean essence of one of the most phenomenal artists to have ever lived. }The International Conference on Elvis Presley, convened at the University of Mississippi in August, transformed a rock and roll icon into a scholarly phenomenon. Educators, artists, and Elvis aficionados from across the worldplus over one hundred internationally based reporterscollected on Oxford, Mississippi, soil to analyze and celebrate Elvis impact on the world stage.From this conference, which became front page New York Times Magazine news, springs this book, the best and brightest essays and artwork swirling around the cultural, social, political, and iconographic figure of Elvis Presley. Discussed within are such topics as Elvis as Southerner, Elvis as sign system, Elvis multicultural audiences, Elvis and rockabilly, Elvis as redneck, the Elvis oeuvre, and Elvis religious roots. Taken together, In Search of Elvis represents a daring and groundbreaking academic analysis. Richly illustrated with original Elvis-inspired artwork, this book captures the subterranean essence of one of the most phenomenal artists to have ever lived.
| Author | : Richard Aquila |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 369 |
| Release | : 2016-10-28 |
| Genre | : Music |
| ISBN | : 1442269375 |
Rock & roll was one of the most important cultural developments in post–World War II America, yet its origins are shrouded in myth and legend. Let’s Rock! reclaims the lost history of rock & roll. Based on years of research, as well as interviews with Bo Diddley, Pat Boone, and other rock & roll pioneers, the book offers new information and fresh perspectives about Elvis, the rise of rock & roll, and 1950s America. Rock & roll is intertwined with the rise of a post–World War II youth culture, the emergence of African Americans in society, the growth of consumer culture, technological change, the expansion of mass media, and the rise of a Cold War culture that endorsed traditional values to guard against communism. Richard Aquila’s book demonstrates that early rock & roll was not as rebellious as common wisdom has it. The new sound reflected the conservatism and conformity of the 1950s as much as it did the era’s conflict. Rock & roll supported centrist politics, traditional values, and mainstream attitudes toward race, gender, class, and ethnicity. The musical evidence proves that most teenagers of the 1950s were not that different from their parents and grandparents when it came to basic beliefs, interests, and pastimes. Young and old alike were preoccupied by the same concerns, tensions, and insecurities. Rock & roll continues to permeate the fabric of modern life, and understanding the music’s origins reminds us of the common history we all share. Music lovers who grew up during rock & roll’s early years as well as those who have come to it more recently will find Let’s Rock an exciting historical and musical adventure.
| Author | : Jack Hamilton |
| Publisher | : Harvard University Press |
| Total Pages | : 351 |
| Release | : 2016-09-26 |
| Genre | : Biography & Autobiography |
| ISBN | : 0674416597 |
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.
| Author | : Maureen Mahon |
| Publisher | : Duke University Press |
| Total Pages | : 340 |
| Release | : 2004-06-23 |
| Genre | : Music |
| ISBN | : 9780822333173 |
The original architects of rock 'n roll were black musicians, but by the 1980s, rock music produced by African Americans was no longer "authentically black." Mahon offers an in-depth account of how, since 1985, members of the Black Rock Coalition have broadened understandings of black identity and culture through rock music.
| Author | : Bonnie Christensen |
| Publisher | : Henry Holt and Company (BYR) |
| Total Pages | : 36 |
| Release | : 2015-04-21 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1627795871 |
An only child, a mama's boy-Elvis was a shy kid who struggled to make friends and found comfort singing in church and learning guitar. While in high school, he continued his music but was often ridiculed by students. On a whim, he recorded a song for his mom's birthday at Sun Record Studios as part of a customer promotion. The studio loved it so much that they sent it to local record stations . . . and the rest is history. Here is the story of how a poor kid from Tupelo, Mississippi, became an American legend.
| Author | : Glenn C. Altschuler |
| Publisher | : Oxford University Press |
| Total Pages | : 241 |
| Release | : 2003-08-07 |
| Genre | : History |
| ISBN | : 0198031912 |
The birth of rock 'n roll ignited a firestorm of controversy--one critic called it "musical riots put to a switchblade beat"--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought "race music" into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties.
| Author | : Louis Cantor |
| Publisher | : University of Illinois Press |
| Total Pages | : 322 |
| Release | : 2010-10-01 |
| Genre | : Music |
| ISBN | : 025209073X |
Beginning in 1949, while Elvis Presley and Sun Records were still virtually unknown--and two full years before Alan Freed famously "discovered" rock 'n' roll--Dewey Phillips brought the budding new music to the Memphis airwaves by playing Howlin' Wolf, B. B. King, and Muddy Waters on his nightly radio show Red, Hot and Blue. The mid-South's most popular white deejay, "Daddy-O-Dewey" soon became part of rock 'n' roll history for being the first major disc jockey to play Elvis Presley and, subsequently, to conduct the first live, on-air interview with the singer. Louis Cantor illuminates Phillips's role in turning a huge white audience on to previously forbidden race music. Phillips's zeal for rhythm and blues legitimized the sound and set the stage for both Elvis's subsequent success and the rock 'n' roll revolution of the 1950s. Using personal interviews, documentary sources, and oral history collections, Cantor presents a personal view of the disc jockey while restoring Phillips's place as an essential figure in rock 'n' roll history.
| Author | : Michael T. Bertrand |
| Publisher | : |
| Total Pages | : 327 |
| Release | : 2000 |
| Genre | : Music and race |
| ISBN | : |
| Author | : David R. Roediger |
| Publisher | : Univ of California Press |
| Total Pages | : 339 |
| Release | : 2003-11 |
| Genre | : History |
| ISBN | : 0520240707 |
"In this splendid book, David Roediger shows the need for political activism aimed at transforming the social and political meaning of race…. No other writer on whiteness can match Roediger's historical breadth and depth: his grasp of the formative role played by race in the making of the nineteenth century working class, in defining the contours of twentieth-century U.S. citizenship and social membership, and in shaping the meaning of emerging social identities and cultural practices in the twenty-first century."—George Lipsitz, author of The Possessive Investment in Whiteness "David Roediger has been showing us all for years how whiteness is a marked and not a neutral color in the history of the United States. Colored White, with its synthetic sweep and new historical investigations, marks yet another advance. In the burgeoning literature on whiteness, this book stands out for its lucid, unjargonridden, lively prose, its groundedness, its analytic clarity, and its scope."—Michael Rogin, author of Blackface, White Noise
