Race Ing Art History
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| Author | : Kymberly N. Pinder |
| Publisher | : Routledge |
| Total Pages | : 446 |
| Release | : 2013-04-15 |
| Genre | : Art |
| ISBN | : 1136056661 |
Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.
| Author | : Kymberly N. Pinder |
| Publisher | : Routledge |
| Total Pages | : 439 |
| Release | : 2013-04-15 |
| Genre | : Art |
| ISBN | : 1136056580 |
Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.
| Author | : Jennifer Erickson |
| Publisher | : Cornell University Press |
| Total Pages | : 186 |
| Release | : 2020-10-15 |
| Genre | : Social Science |
| ISBN | : 1501751190 |
Tracing the history of refugee settlement in Fargo, North Dakota, from the 1980s to the present day, Race-ing Fargo focuses on the role that gender, religion, and sociality play in everyday interactions between refugees from South Sudan and Bosnia-Herzegovina and the dominant white Euro-American population of the city. Jennifer Erickson outlines the ways in which refugees have impacted this small city over the last thirty years, showing how culture, political economy, and institutional transformations collectively contribute to the racialization of white cities like Fargo in ways that complicate their demographics. Race-ing Fargo shows that race, religion, and decorum prove to be powerful forces determining worthiness and belonging in the city and draws attention to the different roles that state and private sectors played in shaping ideas about race and citizenship on a local level. Through the comparative study of white secular Muslim Bosnians and Black Christian Southern Sudanese, Race-ing Fargo demonstrates how cross-cultural and transnational understandings of race, ethnicity, class, and religion shape daily citizenship practices and belonging.
| Author | : Kymberly N Pinder |
| Publisher | : University of Illinois Press |
| Total Pages | : 0 |
| Release | : 2016-03-01 |
| Genre | : Social Science |
| ISBN | : 9780252081439 |
Innovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity. Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery. Painting the Gospel includes maps and tour itineraries that allow readers to make conceptual, historical, and geographical connections among the works.
| Author | : Mia L. Bagneris |
| Publisher | : Manchester University Press |
| Total Pages | : 376 |
| Release | : 2017-12-04 |
| Genre | : Art |
| ISBN | : 152612047X |
Colouring the Caribbean offers the first comprehensive study of Agostino Brunias’s intriguing pictures of colonial West Indians of colour – so called ‘Red’ and ‘Black’ Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race – made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias’s paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by eighteenth-century Britons, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. The book offers provocative new insights about Brunias’s work gleaned from a broad survey of his paintings, many of which are reproduced here for the first time.
| Author | : Dr. Seuss |
| Publisher | : Random House Books for Young Readers |
| Total Pages | : 63 |
| Release | : 1950 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0394800818 |
Gerald tells of the very unusual animals he would add to the zoo, if he were in charge.
| Author | : Eleanor M. Hight |
| Publisher | : Routledge |
| Total Pages | : 343 |
| Release | : 2013-06-17 |
| Genre | : History |
| ISBN | : 1136473874 |
Colonialist Photography is an absorbing collection of essays and photographs exploring the relationship between photography and European and American colonialism. The book is packed with well over a hundred captivating images, ranging from the first experiments with photography as a documentary medium up to the decolonization of many regions after World War II. Reinforcing a broad range of Western assumptions and prejudices, Eleanor M. Hight and Gary D. Sampson argue that such images often assisted in the construction of a colonial culture.
| Author | : Guthrie P. Ramsey |
| Publisher | : Univ of California Press |
| Total Pages | : 296 |
| Release | : 2004-11-22 |
| Genre | : Music |
| ISBN | : 0520243331 |
Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
| Author | : Sasha Torres |
| Publisher | : Duke University Press |
| Total Pages | : 294 |
| Release | : 1998 |
| Genre | : Performing Arts |
| ISBN | : 9780822321958 |
Recent media events like the beating of Rodney King and the murder trial of O.J. Simpson have trained our collective eye on the televised spectacle of race. LIVING COLOR combines media studies, cultural studies, and critical race theory to investigate the representation of race on American television. LIVING COLOR makes explicit the centrality of race and ethnicity to American life. 54 photos.
| Author | : Ibram X. Kendi |
| Publisher | : Bold Type Books |
| Total Pages | : 594 |
| Release | : 2016-04-12 |
| Genre | : History |
| ISBN | : 1568584644 |
The National Book Award winning history of how racist ideas were created, spread, and deeply rooted in American society. Some Americans insist that we're living in a post-racial society. But racist thought is not just alive and well in America -- it is more sophisticated and more insidious than ever. And as award-winning historian Ibram X. Kendi argues, racist ideas have a long and lingering history, one in which nearly every great American thinker is complicit. In this deeply researched and fast-moving narrative, Kendi chronicles the entire story of anti-black racist ideas and their staggering power over the course of American history. He uses the life stories of five major American intellectuals to drive this history: Puritan minister Cotton Mather, Thomas Jefferson, abolitionist William Lloyd Garrison, W.E.B. Du Bois, and legendary activist Angela Davis. As Kendi shows, racist ideas did not arise from ignorance or hatred. They were created to justify and rationalize deeply entrenched discriminatory policies and the nation's racial inequities. In shedding light on this history, Stamped from the Beginning offers us the tools we need to expose racist thinking. In the process, he gives us reason to hope.
