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| Author | : Warren Hoffman |
| Publisher | : Rutgers University Press |
| Total Pages | : 303 |
| Release | : 2020-02-14 |
| Genre | : Business & Economics |
| ISBN | : 1978807112 |
An investigation into the ways in which race and ethnicity have shaped the American musical over the course of the twentieth century up through today
| Author | : Richard Kislan |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 324 |
| Release | : 1995 |
| Genre | : Music |
| ISBN | : 9781557832177 |
(Applause Books). This revised and expanded edition of Kislan's acclaimed study of America's musical theater includes a new section on "Recent Musical Theater: Issues and Problems." "The ancient union of drama and song, known as musical theater, comes in many forms vaudeville, burlesque, comic opera, minstrels, etc. The author reviews these and other highlights of American musicals ... with a fascinating background on the elements that contribute to the success of a Showboat ." King Features * "Worth study by anyone who still thinks that the musical is a collection of songs." The Stage
| Author | : Todd Decker |
| Publisher | : Oxford University Press |
| Total Pages | : 328 |
| Release | : 2015 |
| Genre | : Biography & Autobiography |
| ISBN | : 0190250534 |
Show Boat: Performing Race in an American Musical draws on exhaustive archival research to tell the story of how Jerome Kern, Oscar Hammerstein II, and a host of directors, choreographers, producers, and performers -- among them Paul Robeson -- made and remade the most important musical in Broadway history.
| Author | : Josephine Lee |
| Publisher | : |
| Total Pages | : 96 |
| Release | : 2022 |
| Genre | : Music and race |
| ISBN | : 9781350248243 |
"While most discussions of race in American theatre emphasize the representation of race mainly in terms of character, plot, and action, Race in American Musical Theatre highlights elements of theatrical production and reception that are particular to musical theatre. This introductory book examines how race functions not only through the recurrence of particular character types and storylines, but also in musical style and song lyrics, in the staging of the chorus line, and in the use of cross-racial casting. Each chapter identifies a particular set of questions that encourages readers to look at works of musical theatre more critically and place them in a broader historical and social context. Drawing on problematic examples such as Thoroughly Modern Millie and Miss Saigon through to integrated shows such as Dreamgirls, Bring in Da Noise, Bring in Da Funk and Hamilton , it serves as a critical survey and analysis of the topic within the American musical theatre canon. Published within the Topics in Musical Theatre series, this volume also includes an appendix that provides background information and plot summaries for its key examples and a list of additional readings related to the topic."--
| Author | : John Bush Jones |
| Publisher | : Brandeis University Press |
| Total Pages | : 650 |
| Release | : 2011-04-17 |
| Genre | : Performing Arts |
| ISBN | : 1611682231 |
Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapersÕ front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the ÒgunboatÓ musicals of the Teddy Roosevelt era and the ÒCinderella showsÓ and Òleisure time musicalsÓ of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, JonesÕs book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, JonesÕs comprehensive social history will appeal to both students and fans of Broadway.
| Author | : Jesse A Shipp |
| Publisher | : Literary Licensing, LLC |
| Total Pages | : 136 |
| Release | : 2014-08-07 |
| Genre | : |
| ISBN | : 9781498183055 |
This Is A New Release Of The Original 1902 Edition.
| Author | : Raymond Knapp |
| Publisher | : Oxford University Press |
| Total Pages | : 481 |
| Release | : 2011-11-04 |
| Genre | : Music |
| ISBN | : 0199874727 |
The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today. Each essay traces the genealogy of the term or issue it addresses, including related issues and controversies, positions and problematizes those issues within larger bodies of scholarship, and provides specific examples drawn from shows and films. Essays both re-examine traditional topics and introduce underexplored areas. Reflecting the concerns of scholars and students alike, the authors emphasize critical and accessible perspectives, and supplement theory with concrete examples that may be accessed through links to the handbook's website. Taking into account issues of composition, performance, and reception, the book's contributors bring a wide range of practical and theoretical perspectives to bear on their considerations of one of America's most lively, enduring artistic traditions. The Oxford Handbook of The American Musical will engage all readers interested in the form, from students to scholars to fans and aficionados, as it analyses the complex relationships among the creators, performers, and audiences who sustain the genre.
| Author | : Raymond Knapp |
| Publisher | : Princeton University Press |
| Total Pages | : 384 |
| Release | : 2018-06-05 |
| Genre | : Music |
| ISBN | : 0691186200 |
The American musical has achieved and maintained relevance to more people in America than any other performance-based art. This thoughtful history of the genre, intended for readers of all stripes, offers probing discussions of how American musicals, especially through their musical numbers, advance themes related to American national identity. Written by a musicologist and supported by a wealth of illustrative audio examples (on the book's website), the book examines key historical antecedents to the musical, including the Gilbert and Sullivan operetta, nineteenth and early twentieth-century American burlesque and vaudeville, Tin Pan Alley, and other song types. It then proceeds thematically, focusing primarily on fifteen mainstream shows from the twentieth century, with discussions of such notable productions as Show Boat (1927), Porgy and Bess (1935), Oklahoma! (1943), West Side Story (1957), Hair (1967), Pacific Overtures (1976), and Assassins (1991). The shows are grouped according to their treatment of themes that include defining America, mythologies, counter-mythologies, race and ethnicity, dealing with World War II, and exoticism. Each chapter concludes with a brief consideration of available scholarship on related subjects; an extensive appendix provides information on each show discussed, including plot summaries and song lists, and a listing of important films, videos, audio recordings, published scores, and libretti associated with each musical.
| Author | : Andrea Most |
| Publisher | : Belknap Press |
| Total Pages | : 280 |
| Release | : 2004 |
| Genre | : History |
| ISBN | : |
From 1925 to 1951--three chaotic decades of depression, war, and social upheaval--Jewish writers brought to the musical stage a powerfully appealing vision of America fashioned through song and dance. It was an optimistic, meritocratic, selectively inclusive America in which Jews could at once lose and find themselves--assimilation enacted onstage and off, as Andrea Most shows. This book examines two interwoven narratives crucial to an understanding of twentieth-century American culture: the stories of Jewish acculturation and of the development of the American musical. Here we delve into the work of the most influential artists of the genre during the years surrounding World War II--Irving Berlin, Eddie Cantor, Dorothy and Herbert Fields, George and Ira Gershwin, Oscar Hammerstein, Lorenz Hart, and Richard Rodgers--and encounter new interpretations of classics such as The Jazz Singer, Whoopee, Girl Crazy, Babes in Arms, Oklahoma!, Annie Get Your Gun, South Pacific, and The King and I. Most's analysis reveals how these brilliant composers, librettists, and performers transformed the experience of New York Jews into the grand, even sacred acts of being American. Read in the context of memoirs, correspondence, production designs, photographs, and newspaper clippings, the Broadway musical clearly emerges as a form by which Jewish artists negotiated their entrance into secular American society. In this book we see how the communities these musicals invented and the anthems they popularized constructed a vision of America that fostered self-understanding as the nation became a global power.
