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| Author | : Paul Williams |
| Publisher | : |
| Total Pages | : 278 |
| Release | : 2011 |
| Genre | : Ethnicity in literature |
| ISBN | : 9781846319792 |
Ranging across novels and poetry, critical theory and film comics and speeches, this title explores how writers, thinkers and filmmakers have unanswered the question: are nuclear weapons 'white'?
| Author | : Paul Williams |
| Publisher | : Liverpool University Press |
| Total Pages | : 289 |
| Release | : 2011-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1846317088 |
Ranging across fiction and poetry, critical theory and film, comics and speeches, Race, Ethnicity and Nuclear War explores how writers, thinkers, and filmmakers have tackled the question: Are nuclear weapons white? Paul Williams addresses myriad representations of nuclear weapons: the Manhattan Project, the destruction of Hiroshima and Nagasaki, nuclear tests across the globe, and the anxiety surrounding the superpowers' devastating arsenals. Ultimately, Williams concludes that many texts act as a reminder that the power enjoyed by the white Western world imperils the whole planet.
| Author | : Patrick B. Sharp |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 302 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : 9780806138220 |
Revisiting the racial origins of the conflict between “civilization” and “savagery” in twentieth-century America The atomic age brought the Bomb and spawned stories of nuclear apocalypse to remind us of impending doom. As Patrick Sharp reveals, those stories had their origins well before Hiroshima, reaching back to Charles Darwin and America’s frontier. In Savage Perils, Sharp examines the racial underpinnings of American culture, from the early industrial age to the Cold War. He explores the influence of Darwinism, frontier nostalgia, and literary modernism on the history and representations of nuclear weaponry. Taking into account such factors as anthropological race theory and Asian immigration, he charts the origins of a worldview that continues to shape our culture and politics. Sharp dissects Darwin’s arguments regarding the struggle between “civilization” and “savagery,” theories that fueled future-war stories ending in Anglo dominance in Britain and influenced Turnerian visions of the frontier in America. Citing George W. Bush’s “Axis of Evil,” Sharp argues that many Americans still believe in the racially charged opposition between civilization and savagery, and consider the possibility of nonwhite “savages” gaining control of technology the biggest threat in the “war on terror.” His insightful book shows us that this conflict is but the latest installment in an ongoing saga that has been at the heart of American identity from the beginning—and that understanding it is essential if we are to eradicate racist mythologies from American life.
| Author | : Jacqueline Foertsch |
| Publisher | : Vanderbilt University Press |
| Total Pages | : 404 |
| Release | : 2013-09-30 |
| Genre | : Social Science |
| ISBN | : 0826502865 |
Too often lost in our understanding of the American Cold War crisis, with its nuclear brinkmanship and global political chess game, is the simultaneous crisis on the nation's racial front. Reckoning Day is the first book to examine the relationship of African Americans to the atom bomb in postwar America. It tells the wide-ranging story of African Americans' response to the atomic threat in the postwar period. It examines the anti-nuclear writing and activism of major figures such as W.E.B. Du Bois, Dr. Martin Luther King Jr., and Lorraine Hansberry as well as the placement (or absence) of black characters in white-authored doomsday fiction and nonfiction. Author Jacqueline Foertsch analyzes the work of African American thinkers, activists, writers, journalists, filmmakers, and musical performers in the "atomic" decades of 1945 to 1965 and beyond. Her book tells the dynamic story of commitment and interdependence, as these major figures spoke with force and eloquence for nuclear disarmament, just as they argued unstintingly for racial equality on numerous other occasions. Foertsch also examines the location of African American characters in novels, science fiction, and survivalist nonfiction such as government-sponsored forecasts regarding post-nuclear survival. In these, black characters are often displaced or absented entirely: in doomsday narratives they are excluded from executive decision-making and the stories' often triumphant conclusions; in the nonfiction, they are rarely envisioned amongst the "typical American" survivors charged with rebuilding US society. Throughout Reckoning Day, issues of placement and positioning provide the conceptual framework: abandoned at "ground zero" (America's inner cities) during the height of the atomic threat, African Americans were figured in white-authored survival fiction as compliant servants aiding white victory over atomic adversity, while as historical figures they were often perceived as "elsewhere" (indifferent) to the atomic threat. In fact, African Americans' "position" on the bomb was rarely one of silence or indifference. Ranging from appreciation to disdain to vigorous opposition, atomic-era African Americans developed diverse and meaningful positions on the bomb and made essential contributions to a remarkably American dialogue.
| Author | : David L. Pike |
| Publisher | : Oxford University Press |
| Total Pages | : 320 |
| Release | : 2022-01-02 |
| Genre | : Literary Criticism |
| ISBN | : 0192846167 |
Cold War Space and Culture in the 1960s and 1980s: The Bunkered Decades studies the two periods in which Americans were actively encouraged to excavate their own backyards while governments the world over exhausted their budgets on fortified super-shelters and megaton bombs. The dreams and nightmares inspired by the spectre of nuclear destruction were expressed in images and forms from comics, movies, and pulp paperbacks to policy documents, protest movements, and survivalist tracts. Illustrated with photographs, artwork, and movie and television stills of real and imagined fallout shelters and other bunker fantasies, award-winning author David L. Pike's continues his decades-long exploration of the meanings of modern undergrounds. Ranging widely across disciplines, this volume finds unexpected connections between cultural icons and forgotten texts, plumbs the bunker's stratifications of class, region, race, and gender, and traces the often unrecognized through-lines leading from the 1960s and the less-studied 1980s into the present. Although the Cold War ended over 30 years ago, its legacy looms large in anxieties around security, borders, and all manners of imminent apocalypse. Treating the bunker in its concrete presence and in its flightiest fantasies while attending equally to its uniquely American desires and pathologies and to its global impact, Cold War Space and Culture in the 1960s and 1980s proposes a new way to understand the outsized afterlife of the bunkered decades.
| Author | : Sarah Daw |
| Publisher | : Edinburgh University Press |
| Total Pages | : 335 |
| Release | : 2018-05-31 |
| Genre | : Literary Criticism |
| ISBN | : 1474430058 |
Explores the neglected subject of Gothic B-movies in the Americas, Europe, Asia and Africa
| Author | : Gabriele Schwab |
| Publisher | : U of Minnesota Press |
| Total Pages | : 395 |
| Release | : 2020-10-20 |
| Genre | : History |
| ISBN | : 1452961441 |
A pioneering examination of nuclear trauma, the continuing and new nuclear peril, and the subjectivities they generate Amid resurgent calls for widespread nuclear energy and “limited nuclear war,” the populations that must live with the consequences of these decisions are increasingly insecure. The nuclear peril combined with the looming threat of climate change means that we are seeing the formation of a new kind of subjectivity: humans who are in a position of perpetual ontological insecurity. In Radioactive Ghosts, Gabriele Schwab articulates a vision of these “nuclear subjectivities” that we all live with. Focusing on the legacies of the Manhattan Project, Hiroshima, and nuclear energy politics, Radioactive Ghosts takes us on a tour of the little-seen sides of our nuclear world. Examining devastating uranium mining on Native lands, nuclear sacrifice zones, the catastrophic accidents at Chernobyl and Fukushima, and the formation of a new transspecies ethics, Schwab shows how individuals threatened with extinction are creating new adaptations, defenses, and communal spaces. Ranging from personal accounts of experiences with radiation to in-depth readings of literature, film, art, and scholarly works, Schwab gives us a complex, idiosyncratic, and personal analysis of one of the most overlooked issues of our time.
| Author | : Rhys Crilley |
| Publisher | : Manchester University Press |
| Total Pages | : 146 |
| Release | : 2023-09-12 |
| Genre | : History |
| ISBN | : 1526170434 |
After the first use of nuclear weapons in 1945, Albert Einstein warned that 'we thus drift towards unparalleled catastrophe'. Today we are no longer drifting but racing toward catastrophe at breakneck speed. This book analyses recent events that have brought about a dangerous Third Nuclear Age. From the collapse of arms control treaties and the development of hypersonic missiles, to the pop culture that shapes how we think about nuclear weapons, via how nuclear weapons intersect with the global threats posed by pandemics, populism, climate change, corruption, militarism, and racism, this book explores the nuclear zeitgeist of today. It presents the case for critical nuclear studies, and provides an important intervention into debates about nuclear weapons and international security. Today, the planet stands on the brink of catastrophe. This book tells you why, and what we can do about it.
| Author | : Jessica Hurley |
| Publisher | : U of Minnesota Press |
| Total Pages | : 326 |
| Release | : 2020-10-13 |
| Genre | : Literary Criticism |
| ISBN | : 1452962677 |
A new approach to the vast nuclear infrastructure and the apocalypses it produces, focusing on Black, queer, Indigenous, and Asian American literatures Since 1945, America has spent more resources on nuclear technology than any other national project. Although it requires a massive infrastructure that touches society on myriad levels, nuclear technology has typically been discussed in a limited, top-down fashion that clusters around powerful men. In Infrastructures of Apocalypse, Jessica Hurley turns this conventional wisdom on its head, offering a new approach that focuses on neglected authors and Black, queer, Indigenous, and Asian American perspectives. Exchanging the usual white, male “nuclear canon” for authors that include James Baldwin, Leslie Marmon Silko, and Ruth Ozeki, Infrastructures of Apocalypse delivers a fresh literary history of post-1945 America that focuses on apocalypse from below. Here Hurley critiques the racialized urban spaces of civil defense and reads nuclear waste as a colonial weapon. Uniting these diverse lines of inquiry is Hurley’s belief that apocalyptic thinking is not the opposite of engagement but rather a productive way of imagining radically new forms of engagement. Infrastructures of Apocalypse offers futurelessness as a place from which we can construct a livable world. It fills a blind spot in scholarship on American literature of the nuclear age, while also offering provocative, surprising new readings of such well-known works as Atlas Shrugged, Infinite Jest, and Angels in America. Infrastructures of Apocalypse is a revelation for readers interested in nuclear issues, decolonial literature, speculative fiction, and American studies.
| Author | : Duncan Bell |
| Publisher | : Princeton University Press |
| Total Pages | : 484 |
| Release | : 2022-06-07 |
| Genre | : Political Science |
| ISBN | : 0691235112 |
How transatlantic thinkers in the late nineteenth and early twentieth centuries promoted the unification of Britain and the United States Between the late nineteenth century and the First World War an ocean-spanning network of prominent individuals advocated the unification of Britain and the United States. They dreamt of the final consolidation of the Angloworld. Scholars, journalists, politicians, businessmen, and science fiction writers invested the “Anglo-Saxons” with extraordinary power. The most ambitious hailed them as a people destined to bring peace and justice to the earth. More modest visions still imagined them as likely to shape the twentieth century. Dreamworlds of Race explores this remarkable moment in the intellectual history of racial domination, political utopianism, and world order. Focusing on a quartet of extraordinary figures—Andrew Carnegie, W. T. Stead, Cecil J. Rhodes, and H. G. Wells—Duncan Bell shows how unionists on both sides of the Atlantic reimagined citizenship, empire, patriotism, race, war, and peace in their quest to secure global supremacy. Yet even as they dreamt of an Anglo-dominated world, the unionists disagreed over the meaning of race, the legitimacy of imperialism, the nature of political belonging, and the ultimate form and purpose of unification. The racial dreamworld was an object of competing claims and fantasies. Exploring speculative fiction as well as more conventional forms of political writing, Bell reads unionist arguments as expressions of the utopianism circulating through fin-de-siècle Anglo-American culture, and juxtaposes them with pan-Africanist critiques of racial domination and late twentieth-century fictional narratives of Anglo-American empire. Tracing how intellectual elites promoted an ambitious project of political and racial unification between Britain and the United States, Dreamworlds of Race analyzes ideas of empire and world order that reverberate to this day.
