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| Author | : Colette Moore |
| Publisher | : Cambridge University Press |
| Total Pages | : 231 |
| Release | : 2011-02-24 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0521199085 |
This study of speech representation in English texts from 1350-1600 examines the problems of interpreting discourse in these early works.
| Author | : Peter J. Grund |
| Publisher | : Oxford University Press |
| Total Pages | : 208 |
| Release | : 2020-10-21 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0190918071 |
Representing what someone else has said is an integral part of spoken and written communication. Speech representation occurs in many contexts from news reports and legal trials to everyday conversation. Although commonplace, it requires sophisticated choices regarding what to represent and how to represent it. These choices can highlight a speaker's voice, shape our perception of the reported speech, or support our claims of authority.While speech representation in Present-day English has been studied extensively, this book extends the discussion to historical periods. Speech Representation in the History of English explores speech representation of the past, providing in-depth analyses of how speakers and writers mark, structure, and discuss a previous speech event or fictional speech. Focusing on the Early Modern English and the Late Modern English periods (1500-1900), this volume covers topics such as parentheses as markers of represented speech, the development of like as a reporting expression, the gradual formation of free indirect speech reporting, and the interpersonal functions of represented speech. Chapters draw on a wide range of methodologies, including historical sociolinguistics, pragmatics, and corpus linguistics, and cover many genres from witness depositions, literary texts, and letters, to the spoken language of the recent past. In this comprehensive volume, Peter Grund and Terry Walker bring together a collection of works that use cutting-edge approaches to speech representation. Researchers and students of the history of English, sociolinguistics, and discourse studies alike will find Speech Representation in the History of English to be an invaluable addition to the field.
| Author | : Joseph Gibaldi |
| Publisher | : |
| Total Pages | : 384 |
| Release | : 1998 |
| Genre | : Academic writing |
| ISBN | : |
Since its publication in 1985, the "MLA Style Manual" has been the standard guide for graduate students, teachers, and scholars in the humanities and for professional writers in many fields. Extensively reorganized and revised, the new edition contains several added sections and updated guidelines on citing electronic works--including materials found on the World Wide Web.
| Author | : Ruth Finnegan |
| Publisher | : Open Book Publishers |
| Total Pages | : 350 |
| Release | : 2011-03-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1906924333 |
Quoting is all around us. But do we really know what it means? How do people actually quote today, and how did our present systems come about? This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the near.Drawing from anthropology, cultural history, folklore, cultural studies, sociolinguistics, literary studies and the ethnography of speaking, Ruth Finnegan 's fascinating study sets our present conventions into crosscultural and historical perspective. She traces the curious history of quotation marks, examines the long tradition of quotation collections with their remarkable recycling across the centuries, and explores the uses of quotation in literary, visual and oral traditions. The book tracks the changing defi nitions and control of quoting over the millennia and in doing so throws new light on ideas such as imitation, allusion, authorship, originality and plagiarism .
| Author | : Beatrix Busse |
| Publisher | : Oxford University Press |
| Total Pages | : 253 |
| Release | : 2020-07-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0190212373 |
Reference to or quotation from someone's speech, thoughts, or writing is a key component of narrative. These reports further a narrative, make it more interesting, natural, and vivid, ask the reader to engage with it, and reflect historical cultural understandings of modes of discourse presentation. To a large extent, the way we perceive a story depends on the ways it presents discourse, and along with it, speech, writing, and thought. In this book, Beatrix Busse investigates speech, writing, and thought presentation in a corpus of 19th-century narrative fiction including Frankenstein, Jane Eyre, Wuthering Heights, Oliver Twist, and many others. At the intersection between corpus linguistics and stylistics, this book develops a new corpus-stylistic approach for systematically analyzing the different narrative strategies of discourse presentation in key pieces of 19th-century narrative fiction. Speech, Writing, and Thought Presentation in 19th-Century Narrative Fiction identifies diachronic patterns as well as unique authorial styles, and places them within their cultural-historical context. It also suggests ways for automatically identifying forms of discourse presentation, and shows that the presentation of characters' minds reflects an ideological as well as an epistemological concern about what cannot be reported, portrayed, or narrated. Through insightful interdisciplinary analysis, Busse demonstrates that discourse presentation fulfills the function of prospection and encapsulation, marks narrative progression, and shapes readers' expectations.
| Author | : J. K. Chambers |
| Publisher | : John Wiley & Sons |
| Total Pages | : 628 |
| Release | : 2018-05-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1119457084 |
Reflecting a multitude of developments in the study of language change and variation over the last ten years, this extensively updated second edition features a number of new chapters and remains the authoritative reference volume on a core research area in linguistics. A fully revised and expanded edition of this acclaimed reference work, which has established its reputation based on its unrivalled scope and depth of analysis in this interdisciplinary field Includes seven new chapters, while the remainder have undergone thorough revision and updating to incorporate the latest research and reflect numerous developments in the field Accessibly structured by theme, covering topics including data collection and evaluation, linguistic structure, language and time, language contact, language domains, and social differentiation Brings together an experienced, international editorial and contributor team to provides an unrivalled learning, teaching and reference tool for researchers and students in sociolinguistics
| Author | : Jenny Arendholz |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 396 |
| Release | : 2015-07-31 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3110427621 |
In examining the phenomenon of quoting from multiple angles, The Pragmatics of Quoting Now and Then offers a fresh view on the forms, functions and usage of quoting as a meta-communicative act in various forms of old (printed) and new (electronically mediated) communication, setting it apart from (seemingly) related acts like repeating or referring. Recent interest in the formal (copy-paste quoting) and ethical (quoting as plagiarizing) aspects of quoting has been gaining considerable momentum in linguistics (and other disciplines), predominantly fuelled by enormous technological progress and the impact on both the procedure of quoting itself and its appraisal in public discourse. Embracing a broad, interdisciplinary perspective, the authors pay special tribute to the inherent complementarity of both synchronic and diachronic perspectives. With contributions pinpointing the formal and functional evolution of quoting and tracing trends in linguistic variation, this volume brings together interpersonal pragmatics, sociolinguistics, historical, cognitive and text linguistics as well as cultural studies. In this way, the present title provides a more comprehensive and integral understanding of the nature of quoting.
| Author | : Tim William Machan |
| Publisher | : Cambridge University Press |
| Total Pages | : 339 |
| Release | : 2016-01-25 |
| Genre | : Literary Criticism |
| ISBN | : 1316462498 |
Imagining Medieval English is concerned with how we think about language, and simply through the process of thinking about it, give substance to an array of phenomena, including grammar, usage, variation, change, regional dialects, sociolects, registers, periodization, and even language itself. Leading scholars in the field explore conventional conceptualizations of medieval English, and consider possible alternatives and their implications for cultural as well as linguistic history. They explore not only the language's structural traits, but also the sociolinguistic and theoretical expectations that frame them and make them real. Spanning the period from 500 to 1500, and drawing on a wide range of examples, the chapters discuss topics such as medieval multilingualism, colloquial medieval English, standard and regional varieties, and the post-medieval reception of Old and Middle English. Together, they argue that what medieval English is, depends, in part, on who's looking at it, how, when and why.
| Author | : Mel Evans |
| Publisher | : Cambridge University Press |
| Total Pages | : 283 |
| Release | : 2020-03-19 |
| Genre | : History |
| ISBN | : 1107131219 |
The Tudors are one of the most well-known and powerful dynasties in English history. How they constructed and maintained their social magnificence and status, against a background of political upheaval, has fascinated people for centuries. This book argues that Tudor royal power was, to a large degree, textual. By examining examples of correspondence alongside lesser-studied texts such as proclamations and historical chronicles, the book explores the material and linguistic practices that came to symbolise monarchic authority in the Tudor era, and provides fascinating insights into well-known figures including Henry VII, Henry VIII, Edward VI, Mary I and Elizabeth I. Mel Evans applies contemporary sociolinguistic and pragmatic concepts, as well as methods developed in corpus linguistics, to map out the textual similarities across the sixteenth century that highlight this symbolic 'royal voice', crucial to the power and might of the Tudor dynasty.
| Author | : David Lawton |
| Publisher | : Oxford University Press |
| Total Pages | : 314 |
| Release | : 2016-12-22 |
| Genre | : Literary Criticism |
| ISBN | : 0192510851 |
David Lawton approaches later medieval English vernacular culture in terms of voice. As texts and discourses shift in translation and in use from one language to another, antecedent texts are revoiced in ways that recreate them (as 'public interiorities') without effacing their history or future. The approach yields important insights into the voice work of late medieval poets, especially Langland and Chaucer, and also their fifteenth-century successors, who treat their work as they have treated their precursors. It also helps illuminate vernacular religious writing and its aspirations, and it addresses literary and cultural change, such as the effect of censorship and increasing political instability in and beyond the fifteenth century. Lawton also proposes his emphasis on voice as a literary tool of broad application, and his book has a bold and comparative sweep that encompasses the Pauline letters, Augustine's Confessions, the classical precedents of Virgil and Ovid, medieval contemporaries like Machaut and Petrarch, extra-literary artists like Monteverdi, later poets such as Wordsworth, Heaney and Paul Valéry, and moderns such as Jarry and Proust. What justifies such parallels, the author claims, is that late medieval texts constitute the foundation of a literary history of voice that extends to modernity. The book's energy is therefore devoted to the transformative reading of later medieval texts, in order to show their original and ongoing importance as voice work.
