Quintet For Piano And Strings No1
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Author | : Johannes Brahms |
Publisher | : Courier Corporation |
Total Pages | : 306 |
Release | : 1985-01-01 |
Genre | : Music |
ISBN | : 048624900X |
Full scores of Quintet in F Minor, Op. 34; Quartet in G Minor, Op. 25; Quartet in A Major, Op. 26; Quartet in C Minor, Op. 60. Breitkopf & Härtel edition.
Author | : Gerald Abraham |
Publisher | : |
Total Pages | : 774 |
Release | : 1982 |
Genre | : Music |
ISBN | : 9780193163089 |
Covers forty years which saw profound changes in music, most of them dominated by Beethoven. Provides a detailed, scholarly critical survey of the music of the period with chapters on French, Italian and German opera and on opera in other countries, on Beethoven's orchestral and chamber music and of his contemporaries on the concerto, on piano music, on solo song and on choral music, as well as an introductory chapter on general musical conditions of the time.
Author | : Jennifer Ruth Doctor |
Publisher | : Cambridge University Press |
Total Pages | : 530 |
Release | : 1999 |
Genre | : Business & Economics |
ISBN | : 9780521661171 |
This book, first published in 2000, examines the BBC's attempts to manipulate critical and public responses to contemporary music between 1922 and 1936.
Author | : |
Publisher | : |
Total Pages | : 484 |
Release | : 1921 |
Genre | : Bowed stringed instruments |
ISBN | : |
Author | : R. Craggs Stewart |
Publisher | : Routledge |
Total Pages | : 214 |
Release | : 2017-11-30 |
Genre | : Music |
ISBN | : 1351125796 |
Alun Hoddinott is the most important living Welsh composer and one of the most distinguished and prolific composers of his generation internationally. His works have been performed in major centres as far afield as Tokyo and Berlin, Melbourne and Leipzig, New York and Venice as well as the major festivals in Wales and England. He is one of the very few composers to have been commissioned to compose a concerto for Mstislav Rostropovitch.Born in Bargoed, Glamorganshire, in August 1929, Alun Hoddinott started to play the violin and compose at an early age. Some of his works were performed and broadcast whilst he was a student at University College, Cardiff and he later studied with the Australian composer and pianist Arthur Benjamin. His first major success was his Clarinet Concerto No.1, given by Gervaise de Peyer and the Halle Orchestra under John Barbirolli at the 1954 Cheltenham Music Festival.This Source Book lists all Hoddinott's compositions from 1946 to 2005, almost 60 years of phenomenal output, and shows he has achieved a mastery of composition which embraces almost every musical medium. With information given on first performances, manuscript locations and recordings, in addition to details of composition dates, authors/librettists, durations, commissions and dedications amongst much else, this book is a key reference for all those interested in Alun Hoddinott and his music.
Author | : Patrick Kavanaugh |
Publisher | : Zondervan |
Total Pages | : 280 |
Release | : 1996 |
Genre | : Biography & Autobiography |
ISBN | : 0310208076 |
A unique guide to enhance and enrich your enjoyment of classical music, this book is for music lovers who want to better understand the works of the masters.
Author | : Kenyon C. Rosenberg |
Publisher | : Scarecrow Press |
Total Pages | : 278 |
Release | : 1987 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780810820418 |
No descriptive material is available for this title.
Author | : Oscar Thompson |
Publisher | : |
Total Pages | : 2506 |
Release | : 1975 |
Genre | : Music |
ISBN | : |
Author | : Thomas Frederick Dunhill |
Publisher | : |
Total Pages | : 338 |
Release | : 1913 |
Genre | : Chamber music |
ISBN | : |
Author | : Leonard B. Meyer |
Publisher | : University of Chicago Press |
Total Pages | : 396 |
Release | : 1996 |
Genre | : Music |
ISBN | : 9780226521527 |
Leonard Meyer proposes a theory of style and style change that relates the choices made by composers to the constraints of psychology, cultural context, and musical traditions. He explores why, out of the abundance of compositional possibilities, composers choose to replicate some patterns and neglect others. Meyer devotes the latter part of his book to a sketch-history of nineteenth-century music. He shows explicitly how the beliefs and attitudes of Romanticism influenced the choices of composers from Beethoven to Mahler and into our own time. "A monumental work. . . . Most authors concede the relation of music to its cultural milieu, but few have probed so deeply in demonstrating this interaction."—Choice "Probes the foundations of musical research precisely at the joints where theory and history fold into one another."—Kevin Korsyn, Journal of American Musicological Society "A remarkably rich and multifaceted, yet unified argument. . . . No one else could have brought off this immense project with anything like Meyer's command."—Robert P. Morgan, Music Perception "Anyone who attempts to deal with Romanticism in scholarly depth must bring to the task not only musical and historical expertise but unquenchable optimism. Because Leonard B. Meyer has those qualities in abundance, he has been able to offer fresh insight into the Romantic concept."—Donal Henahan, New York Times