Questions On Shakespeares A Midsummer Nights Dream
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Author | : William Shakespeare |
Publisher | : |
Total Pages | : 72 |
Release | : 1734 |
Genre | : English drama (Comedy) |
ISBN | : |
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
Author | : George Carter |
Publisher | : |
Total Pages | : 86 |
Release | : 1902 |
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ISBN | : |
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 0 |
Release | : 2024-05-13 |
Genre | : Fiction |
ISBN | : 9789361449710 |
Author | : Sonya Shafer |
Publisher | : |
Total Pages | : 110 |
Release | : 2015-02 |
Genre | : |
ISBN | : 9781616342791 |
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1617 |
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Author | : William Shakespeare |
Publisher | : HarperCollins |
Total Pages | : 104 |
Release | : 2014-12-16 |
Genre | : Drama |
ISBN | : 1443441554 |
Among the most enduring poetry of all time, William Shakespeare’s 154 sonnets address such eternal themes as love, beauty, honesty, and the passage of time. Written primarily in four-line stanzas and iambic pentameter, Shakespeare’s sonnets are now recognized as marking the beginning of modern love poetry. The sonnets have been translated into all major written languages and are frequently used at romantic celebrations. Known as “The Bard of Avon,” William Shakespeare is arguably the greatest English-language writer known. Enormously popular during his life, Shakespeare’s works continue to resonate more than three centuries after his death, as has his influence on theatre and literature. Shakespeare’s innovative use of character, language, and experimentation with romance as tragedy served as a foundation for later playwrights and dramatists, and some of his most famous lines of dialogue have become part of everyday speech. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Author | : Jeffrey Kahan |
Publisher | : Routledge |
Total Pages | : 385 |
Release | : 2008-04-18 |
Genre | : Literary Criticism |
ISBN | : 1135973652 |
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
Author | : Jillian Keenan |
Publisher | : HarperCollins |
Total Pages | : 252 |
Release | : 2016-04-26 |
Genre | : Biography & Autobiography |
ISBN | : 0062378732 |
A provocative, moving, kinky, and often absurdly funny memoir about Shakespeare, love, obsession, and spanking When it came to understanding love, a teenage Jillian Keenan had nothing to guide her—until a production of The Tempest sent Shakespeare’s language flowing through her blood for the first time. In Sex with Shakespeare, she tells the story of how the Bard’s plays helped her embrace her unusual sexual identity and find a love story of her own. Four hundred years after Shakespeare’s death, Keenan’s smart and passionate memoir brings new life to his work. With fourteen of his plays as a springboard, she explores the many facets of love and sexuality—from desire and communication to fetish and fantasy. In A Midsummer Night’s Dream, Keenan unmasks Helena as a sexual masochist—like Jillian herself. In Macbeth, she examines criminalized sexual identities and the dark side of “privacy.” The Taming of the Shrew goes inside the secret world of bondage, domination, and sadomasochism, while King Lear exposes the ill-fated king as a possible sexual predator. Moving through the canon, Keenan makes it abundantly clear that literature is a conversation. In Sex with Shakespeare, words are love. As Keenan wanders the world in search of connection, from desert dictatorships to urban islands to disputed territories, Shakespeare goes with her —and provokes complex, surprising, and wildly important conversations about sexuality, consent, and the secrets that simmer beneath our surfaces.
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 328 |
Release | : 1807 |
Genre | : |
ISBN | : |
Author | : Emma Smith |
Publisher | : Vintage |
Total Pages | : 263 |
Release | : 2020-03-31 |
Genre | : Literary Criticism |
ISBN | : 1524748552 |
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.