Queer Horror
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| Author | : Darren Elliott-Smith |
| Publisher | : University of Wales Press |
| Total Pages | : 258 |
| Release | : 2020-10-01 |
| Genre | : Fiction |
| ISBN | : 1786836270 |
This anthology comprises essays that study the form, aesthetics and representations of LGBTQ+ identities in an emerging sub-genre of film and television termed ‘New Queer Horror’. This sub-genre designates horror crafted by directors/producers who identify as gay, bi, queer or transgendered, or works like Jeepers Creepers (2001), Let the Right One In (2008), Hannibal (2013–15), or American Horror Story: Coven (2013–14), which feature homoerotic or explicitly homosexual narratives with ‘out’ LGBTQ+ characters. Unlike other studies, this anthology argues that New Queer Horror projects contemporary anxieties within LGBTQ+ subcultures onto its characters and into its narratives, building upon the previously figurative role of Queer monstrosity in the moving image. New Queer Horror thus highlights the limits of a metaphorical understanding of queerness in the horror film, in an age where its presence has become unambiguous. Ultimately, this anthology aims to show that in recent years New Queer Horror has turned the focus of fear on itself, on its own communities and subcultures.
| Author | : Darren Elliott-Smith |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2022-07-28 |
| Genre | : Performing Arts |
| ISBN | : 135025908X |
In recent years, the representation of alternative sexuality in the horror film and television has "outed" itself from the shadows from which it once lurked, via the embrace of an outrageously queer horror aesthetic where homosexuality is often unequivocally referenced. In this book, Darren Elliott-Smith departs from the analysis of the monster as a symbol of heterosexual anxiety and fear, and moves to focus instead on queer fears and anxieties within gay male subcultures. Furthermore, he examines the works of significant queer horror film, television producers, and directors to reveal gay men's anxieties about: acceptance and assimilation into Western culture, the perpetuation of self-loathing and gay shame, and further anxieties associations shameful femininity. This book focuses mainly on representations of masculinity, and gay male spectatorship in queer horror films and television post-2000. In titling this sub-genre "queer horror," Elliott-Smith designates horror that is crafted by male directors/producers who self-identify as gay, bi, queer, or transgendered and whose work features homoerotic, or explicitly homosexual, narratives with "out" gay characters. In terms of case studies, this book considers a variety of genres and forms from: video art horror; independently distributed exploitation films (A Far Cry from Home, Rowe Kelly, 2012); queer Gothic soap operas (Dante's Cove, 2005-7); satirical horror comedies (such as The Gay Bed and Breakfast of Terror (Thompson, 2008); low-budget slashers (Hellbent, Etheredge-Outzs, 2007); and contemporary representations of gay zombies in film and television from the pornographic LA Zombie (Bruce LaBruce, 2010)) to the melodramatic In the Flesh (BBC Three 2013-15). Moving from the margins to the mainstream, via the application of psychoanalytic theory, critical and cultural interpretation, interviews with key directors and close readings of classic, cult and modern horror, this book will be invaluable to students and researchers of gender and sexuality in horror film and television.
| Author | : Joe Vallese |
| Publisher | : Saraband |
| Total Pages | : 352 |
| Release | : 2023-06-15 |
| Genre | : Literary Collections |
| ISBN | : 1913393984 |
“Horror opened me up to new possibilities for survival … I saw power in freakery and transgression and wondered if it could be mine.” The relationship between horror films and the LGBTQ+ community? It’s complicated. Haunted houses, forbidden desires and the monstrous can have striking resonance for those who’ve been marginalised. But the genre’s murky history of an alarmingly heterosexual male gaze, queer-coded villains and sometimes blatant homophobia, is impossible to overlook. There is tension here, and there are as many queer readings of horror films as there are queer people. Edited by Joe Vallese, and with contributions by writers including Kirsty Logan and Carmen Maria Machado, the essays in It Came from the Closet bring the particulars of the writers’ own experiences, whether in relation to gender, sexuality, or both, to their unique interpretations of horror films from Jaws to Jennifer’s Body. Exploring a multitude of queer experiences from first kisses and coming out to transition and parenthood, this is a varied and accessible collection that leans into the fun of horror while taking its cultural impact and reciprocal relationship to the LGBTQ+ community seriously.
| Author | : Michael Rowe |
| Publisher | : arsenal pulp press |
| Total Pages | : 312 |
| Release | : 2002 |
| Genre | : Fiction |
| ISBN | : |
Building on the success of its groundbreaking predecessor, winner of the Queer Horror Award and a finalist for a Spectrum Award and two Lambda Literary Awards, this second volume includes new work by the stars of the first volume. Featured are International Horror Guild Award-winners Gemma Files and Michael Marano, Bram Stoker Award-winners David Nickle and Edo van Belkom, screenwriter Ron Oliver, and Aurora and Nebula Award-winner Robert J. Sawyer alongside fresh new talent and a new story by internationally acclaimed horror writer Poppy Z. Brite.
| Author | : Harry M. Benshoff |
| Publisher | : Manchester University Press |
| Total Pages | : 340 |
| Release | : 1997-11-15 |
| Genre | : Performing Arts |
| ISBN | : 9780719044731 |
Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.
| Author | : Andrew Robertson |
| Publisher | : Riverdale Avenue Books LLC |
| Total Pages | : 130 |
| Release | : 2018-10-18 |
| Genre | : Fiction |
| ISBN | : 1626014841 |
There has always been a special relationship between queer culture and horror. Horror is a genre about the ‘other’ and being a part of queer culture often comes with feelings of ‘otherness’ or being an outsider based on your desires…maybe you see a freak onscreen during a midnight madness screening and you think to yourself, Well, I feel like a freak too. Maybe the monster is just misunderstood…we all hunger for something, right? Dark Rainbow: Queer Erotic Horror is the first volume of a short fiction anthology series edited by award-wining queer writer and editor Andrew Robertson. Published under Riverdale Avenue Books’ Afraid imprint, it features many members of the Horror Writers Association along with writers from all over the world. Dark Rainbow contains 15 tales of dark appetites, hidden fantasies, sex and slashers including new work from Angel Leigh McCoy, Jeff C. Stevenson, Sèphera Girón, Julianne Snow, Derek Clendening, Spinster Eskie, Lindsay King-Miller and many more.
| Author | : R. S. Belcher |
| Publisher | : Macmillan + ORM |
| Total Pages | : 373 |
| Release | : 2013-01-22 |
| Genre | : Fiction |
| ISBN | : 1429946989 |
Six-Gun Tarot is the first book in the twisted weird west world of the Golgotha series by R.S. Belcher. Nevada, 1869: Beyond the pitiless 40-Mile Desert lies Golgotha, a cattle town that hides more than its share of unnatural secrets. The sheriff bears the mark of the noose around his neck; some say he is a dead man whose time has not yet come. His half-human deputy is kin to coyotes. The mayor guards a hoard of mythical treasures. A banker's wife belongs to a secret order of assassins. And a shady saloon owner, whose fingers are in everyone's business, may know more about the town's true origins than he's letting on. A haven for the blessed and the damned, Golgotha has known many strange events, but nothing like the primordial darkness stirring in the abandoned silver mine overlooking the town. Bleeding midnight, an ancient evil is spilling into the world, and unless the sheriff and his posse can saddle up in time, Golgotha will have seen its last dawn...and so will all of Creation. R.S. Belcher's The Six-Gun Tarot is "an astonishing blend of first-rate steampunk fantasy and Western adventure." (Library Journal, Starred Review) Other Books by R.S. Belcher: The Golgotha Series The Six-Gun Tarot The Shotgun Arcana Nightwise The Brotherhood of the Wheel At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
| Author | : Indra Das |
| Publisher | : Del Rey |
| Total Pages | : 322 |
| Release | : 2016 |
| Genre | : Fiction |
| ISBN | : 110196751X |
"A dreamlike novel about a young historian and a persuasive and beguiling stranger coming together in modern-day Kolkata, India to transcribe an ancient journal. A collection of paper, parchment, and skins, the journal tells of bloodshed, kidnapping, magic and shapeshifting, set against the harsh landscapes of the 17th-Century Mughal Empire. It reveals the story of hunters and prey, lovers and the beloved, and, in the end, the choice to be transformed, or be quarry"--
| Author | : Darren Elliott-Smith |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 283 |
| Release | : 2016-09-30 |
| Genre | : Performing Arts |
| ISBN | : 1786721376 |
In recent years, the representation of alternative sexuality in the horror film and television has "outed" itself from the shadows from which it once lurked, via the embrace of an outrageously queer horror aesthetic where homosexuality is often unequivocally referenced. In this book, Darren Elliott-Smith departs from the analysis of the monster as a symbol of heterosexual anxiety and fear, and moves to focus instead on queer fears and anxieties within gay male subcultures. Furthermore, he examines the works of significant queer horror film, television producers, and directors to reveal gay men's anxieties about: acceptance and assimilation into Western culture, the perpetuation of self-loathing and gay shame, and further anxieties associations shameful femininity. This book focuses mainly on representations of masculinity, and gay male spectatorship in queer horror films and television post-2000. In titling this sub-genre "queer horror," Elliott-Smith designates horror that is crafted by male directors/producers who self-identify as gay, bi, queer, or transgendered and whose work features homoerotic, or explicitly homosexual, narratives with "out" gay characters. In terms of case studies, this book considers a variety of genres and forms from: video art horror; independently distributed exploitation films (A Far Cry from Home, Rowe Kelly, 2012); queer Gothic soap operas (Dante's Cove, 2005-7); satirical horror comedies (such as The Gay Bed and Breakfast of Terror (Thompson, 2008); low-budget slashers (Hellbent, Etheredge-Outzs, 2007); and contemporary representations of gay zombies in film and television from the pornographic LA Zombie (Bruce LaBruce, 2010)) to the melodramatic In the Flesh (BBC Three 2013-15). Moving from the margins to the mainstream, via the application of psychoanalytic theory, critical and cultural interpretation, interviews with key directors and close readings of classic, cult and modern horror, this book will be invaluable to students and researchers of gender and sexuality in horror film and television.
| Author | : Caitlin R. Kiernan |
| Publisher | : Penguin |
| Total Pages | : 372 |
| Release | : 1998-06-01 |
| Genre | : Fiction |
| ISBN | : 9780451456687 |
To the residents of her small southern city, second-hand store owner Spyder Baxter is crazy. But her friends and followers know better. Something lives within Spder's brain. Something powerful. Something wonderful. Something dangerous. Pray it never escapes.
