Quartet Op 41 No 3
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Quartet, op. 41, No. 3
Author | : Robert Schumann |
Publisher | : |
Total Pages | : 46 |
Release | : 1975 |
Genre | : Brass quartets (Horn, trombone, trumpets (2)), Arranged |
ISBN | : |
Quartet A major, op. 41 no. 3, for 2 violins, viola and violoncello
Author | : Robert Schumann |
Publisher | : |
Total Pages | : 38 |
Release | : 1940* |
Genre | : String quartets |
ISBN | : |
Quartet for 2 violins, viola and violoncello, A major
Author | : Robert Schumann |
Publisher | : Schott & Company Limited |
Total Pages | : 38 |
Release | : 1986-03 |
Genre | : Music |
ISBN | : 9783795767488 |
inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire of•Bach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
Robert Schumann
Author | : John Daverio |
Publisher | : Oxford University Press |
Total Pages | : 624 |
Release | : 1997-04-10 |
Genre | : Biography & Autobiography |
ISBN | : 0198025211 |
Forced by a hand injury to abandon a career as a pianist, Robert Schumann went on to become one of the world's great composers. Among many works, his Spring Symphony (1841), Piano Concerto in A Minor (1841/1845), and the Third, or Rhenish, Symphony (1850) exemplify his infusion of classical forms with intense, personal emotion. His musical influence continues today and has inspired many other famous composers in the century since his death. Indeed Brahms, in a letter of January 1873, wrote: "The remembrance of Schumann is sacred to me. I will always take this noble pure artist as my model." Now, in Robert Schumann: Herald of a "New Poetic Age," John Daverio presents the first comprehensive study of the composer's life and works to appear in nearly a century. Long regarded as a quintessentially romantic figure, Schumann also has been portrayed as a profoundly tragic one: a composer who began his career as a genius and ended it as a mere talent. Daverio takes issue with this Schumann myth, arguing instead that the composer's entire creative life was guided by the desire to imbue music with the intellectual substance of literature. A close analysis of the interdependence among Schumann's activities as reader, diarist, critic, and musician reveals the depth of his literary sensibility. Drawing on documents only recently brought to light, the author also provides a fresh outlook on the relationship between Schumann's mental illness--which brought on an extended sanitarium stay and eventual death in 1856--and his musical creativity. Schumann's character as man and artist thus emerges in all its complexity. The book concludes with an analysis of the late works and a postlude on Schumann's influence on successors from Brahms to Berg. This well-researched study of Schumann interprets the composer's creative legacy in the context of his life and times, combining nineteenth-century cultural and intellectual history with a fascinating analysis of the works themselves.
The University Musical Society
Author | : University of Michigan. University Musical Society |
Publisher | : UM Libraries |
Total Pages | : 184 |
Release | : 1954 |
Genre | : Concerts |
ISBN | : |