Quartet No 3 In C Minor For Piano And Strings Op 60
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Piano Quartet No. 3 in C Minor, Op. 60
Author | : Johannes Brahms |
Publisher | : Warner Bros Publications |
Total Pages | : 96 |
Release | : 1985-03-01 |
Genre | : Music |
ISBN | : 9780757915529 |
Quartet for piano, violin, viola, & cello.
Quartet No. 3
Author | : Johannes Brahms |
Publisher | : |
Total Pages | : 64 |
Release | : 19?? |
Genre | : Piano quartets |
ISBN | : |
Quintet and Quartets for Piano and Strings
Author | : Johannes Brahms |
Publisher | : Courier Corporation |
Total Pages | : 306 |
Release | : 2013-07-02 |
Genre | : Music |
ISBN | : 0486318834 |
Full scores of Quintet in F Minor, Op. 34; Quartet in G Minor, Op. 25; Quartet in A Major, Op. 26; Quartet in C Minor, Op. 60. Breitkopf & Härtel edition.
Brahms Studies
Author | : Brahms Studies |
Publisher | : U of Nebraska Press |
Total Pages | : 272 |
Release | : 2001-01-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780803261969 |
A publication of the American Brahms Society, Brahms Studies publishes essays on the life, work, and artistic milieu of Johannes Brahms. Each volume collects the best in Brahms scholarship, including criticism, analysis, theory, biography, archival and documentary studies, and translations of important studies that have appeared in foreign languages.
Brahms Studies
Author | : David Lee Brodbeck |
Publisher | : U of Nebraska Press |
Total Pages | : 268 |
Release | : 1998-12-01 |
Genre | : Music |
ISBN | : 9780803212879 |
The eight essays in Brahms Studies 2 provide a rich sampling of contemporary Brahms research. In his examination of editions of Brahms?s music, George Bozarth questions the popular notion that most of the composer?s music already exists in reliable critical editions. Daniel Beller-McKenna reconsiders the younger Brahms?s involvement in musical politics at midcentury. The cantata Rinaldo is the centerpiece of Carol Hess?s consideration of Brahms?s music as autobiographical statement. Heather Platt?s exploration of the twentieth-century reception of Brahms?s Lieder reveals that advocates of Hugo Wolf?s aesthetics have shaped the discourse concerning the composer?s songs and calls for an approach more clearly based on Brahms?s aesthetics. In his examination of the rise of the ?great symphony? as a critical category that carried with it a nearly impossible standard to meet, Walter Frisch provides a rich context in which to understand Brahms?s well-known early struggle with the genre. Kenneth Hull suggests that Brahms used ironic allusions to Bach and Beethoven in the tragic Fourth Symphony in order to subvert the enduring assumption that a minor-key symphony will end triumphantly in the major mode. Peter H. Smith examines Brahms?s late style by concentrating on Neapolitan tonal relations in the Clarinet Sonata in F Minor. Finally, David Brodbeck delineates the complex evolution of Brahms?s reception of Mendels-sohn?s music.