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| Author | : John W. Barker |
| Publisher | : Boydell & Brewer |
| Total Pages | : 368 |
| Release | : 2017 |
| Genre | : Biography & Autobiography |
| ISBN | : 158046906X |
An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.
| Author | : Ludwig van Beethoven |
| Publisher | : Courier Corporation |
| Total Pages | : 448 |
| Release | : 1970-01-01 |
| Genre | : Music |
| ISBN | : 0486223612 |
This affordable study score features Beethoven's entire oeuvre of string quartets. Includes: 6 quartets of Opus 18; 3 quartets of Opus 59; Opuses 74, 95, 127, 130, 131, 132, 135, and Grosse Fuge. Meticulously reprinted from the authoritative Breitkopf & Härtel edition.
| Author | : |
| Publisher | : |
| Total Pages | : 138 |
| Release | : 1998-02 |
| Genre | : |
| ISBN | : |
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
| Author | : Sabby Sagall |
| Publisher | : Springer Nature |
| Total Pages | : 368 |
| Release | : 2021-10-06 |
| Genre | : Political Science |
| ISBN | : 1137520957 |
This book argues that the need for music, and the ability to produce and enjoy it, is an essential element in human nature. Every society in history has produced some characteristic style of music. Music, like the other arts, tells us truths about the world through its impact on our emotional life. There is a structural correspondence between society and music. The emergence of 'modern art music' and its stylistic changes since the rise of capitalist social relations reflect the development of capitalist society since the decline of European feudalism. The leading composers of the different eras expressed in music the aspirations of the dominant or aspiring social classes. Changes in musical style not only reflect but in turn help to shape changes in society. This book analyses the stylistic changes in music from the emergence of ‘tonality’ in the late seventeenth century until the Second World War.
| Author | : |
| Publisher | : Edel Germany GmbH |
| Total Pages | : 112 |
| Release | : 2003 |
| Genre | : |
| ISBN | : 3937406085 |
Pure Senses accompanies viewers in images and music on their path to a deeper emotional level. This is an invitation to open one's senses and to find time in the hurly-burly of everyday life to keep an eye on what is most important: oneself. Pictures of people, nature and architecture in an atmosphere of peace and quiet concentration are accompanied by soft classical music and chill-out.
| Author | : James Wierzbicki |
| Publisher | : Routledge |
| Total Pages | : 272 |
| Release | : 2019-02-08 |
| Genre | : Music |
| ISBN | : 0429671490 |
Double Lives: Film Composers in the Concert Hall is a collection of fifteen essays dealing with ‘iconic’ film composers who, perhaps to the surprise of many fans of film music, nevertheless maintained lifelong careers as composers for the concert hall. Featured composers include Erich Wolfgang Korngold, Franz Waxman, Miklós Rózsa, Bernard Herrmann, Nino Rota, Leonard Rosenman, and Ennio Morricone. Progressing in chronological order, the chapters offer accounts of the various composers’ concert-hall careers and descriptions of their concert-hall styles. Each chapter compares the composer’s music for films with his or her music for the concert hall, and speculates as to how music in one arena might have affected music in the other. For each composer discussed in the book, complete filmographies and complete works lists are included as appendices. Double Lives: Film Composers in the Concert Hall is accessible for scholars, researchers, and general readers with an interest in film music and concert music.
| Author | : Charles Rosen |
| Publisher | : Harvard University Press |
| Total Pages | : 449 |
| Release | : 2012-04-04 |
| Genre | : Literary Criticism |
| ISBN | : 0674065492 |
"Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work. Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state.
| Author | : Pierre Baillot |
| Publisher | : Northwestern University Press |
| Total Pages | : 658 |
| Release | : 1991-06-01 |
| Genre | : Music |
| ISBN | : 0810133016 |
Never before available in English, this classic work is a major contribution to the art and technique of violin playing and an important document in the history of performance practice. A contemporary of Kreutzer and Rode, Pierre Marie Francois de Sales Baillot provides in his treatise many insights into the style of nineteenth-century fingering, bowing, ornamentation, and expressiveness that are not apparent from the directions and markings found in scores of that time. Such information will be invaluable for performers interested in understanding the intentions of composers such as Viotti, Haydn, Mozart, Beethoven, and Mendelssohn. This complete, unabridged translation, which includes an extensive introduction by the translator, Louise Goldberg, and a foreword by Zvi Zeitlin, will be indispensable for musicologists, performers, and lovers of eighteenth- and nineteenth-century classical music.
