Public Theatre And The Enslaved People Of Colonial Saint Domingue
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Author | : Julia Prest |
Publisher | : Springer Nature |
Total Pages | : 287 |
Release | : 2023-04-13 |
Genre | : Performing Arts |
ISBN | : 3031226917 |
The French colony of Saint-Domingue (now Haiti) was home to one of the richest public theatre traditions of the colonial-era Caribbean. This book examines the relationship between public theatre and the enslaved people of Saint-Domingue—something that is generally given short shrift owing to a perceived lack of documentation. Here, a range of materials and methodologies are used to explore pressing questions including the ‘mitigated spectatorship’ of the enslaved, portrayals of enslaved people in French and Creole repertoire, the contributions of enslaved people to theatre-making, and shifting attitudes during the revolutionary era. The book demonstrates that slavery was no mere backdrop to this portion of theatre history but an integral part of its story. It also helps recover the hidden experiences of some of the enslaved individuals who became entangled in that story.
Author | : Julia Prest |
Publisher | : Liverpool University Press |
Total Pages | : 280 |
Release | : 2023-10-15 |
Genre | : Performing Arts |
ISBN | : 1837644810 |
Cutting across academic boundaries, this volume brings together scholars from different disciplines who have explored together the richness and complexity of colonial-era Caribbean theatre. The volume offers a series of original essays that showcase individual expertise in light of broader group discussions. Asking how we can research effectively and write responsibly about colonial-era Caribbean theatre today, our primary concern is methodology. Key questions are examined via new research into individual case studies on topics ranging from Cuban blackface, commedia dell’arte in Suriname and Jamaican oratorio to travelling performers and the influence of the military and of enslaved people on theatre in Saint-Domingue. Specifically, we ask what particular methodological challenges we as scholars of colonial-era Caribbean theatre face and what methodological solutions we can find to meet those challenges. Areas addressed include our linguistic limitations in the face of Caribbean multilingualism; issues raised by national, geographical or imperial approaches to the field; the vexed relationship between metropole and colony; and, crucially, gaps in the archive. We also ask what implications our findings have for theatre performance today – a question that has led to the creation of a new work set in a colonial theatre and outlined in the volume’s concluding chapter.
Author | : Logan Connors |
Publisher | : Cambridge University Press |
Total Pages | : 267 |
Release | : 2023-11-30 |
Genre | : Drama |
ISBN | : 1009431218 |
The first study of French theater and war at a time of global revolutions, colonial violence, and radical social transformation.
Author | : Marie Vieux-Chauvet |
Publisher | : Archipelago |
Total Pages | : 518 |
Release | : 2017-01-10 |
Genre | : Fiction |
ISBN | : 0914671588 |
Dance on the Volcano tells the story of two sisters growing up during the Haitian Revolution in a culture that swings heavily between decadence and poverty, sensuality and depravity. One sister, because of her singing ability, is able to enter into the white colonial society otherwise generally off limits to people of color. Closely examining a society sagging under the white supremacy of the French colonist rulers, Dance on the Volcano is one of only novels to closely depict the seeds and fruition of the Haitian Revolution, tracking an elaborate hierarchy of skin color and class through the experiences of two young women. It is a story about hatred and fear, love and loss, and the complex tensions between colonizer and colonized, masterfully translated by Kaiama L. Glover.
Author | : Gauvin Alexander Bailey |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 619 |
Release | : 2018-06-06 |
Genre | : Architecture |
ISBN | : 0773553762 |
Spanning from the West African coast to the Canadian prairies and south to Louisiana, the Caribbean, and Guiana, France's Atlantic empire was one of the largest political entities in the Western Hemisphere. Yet despite France's status as a nation at the forefront of architecture and the structures and designs from this period that still remain, its colonial building program has never been considered on a hemispheric scale. Drawing from hundreds of plans, drawings, photographic field surveys, and extensive archival sources, Architecture and Urbanism in the French Atlantic Empire focuses on the French state's and the Catholic Church's ideals and motivations for their urban and architectural projects in the Americas. In vibrant detail, Gauvin Alexander Bailey recreates a world that has been largely destroyed by wars, natural disasters, and fires – from Cap-François (now Cap-Haïtien), which once boasted palaces in the styles of Louis XV and formal gardens patterned after Versailles, to failed utopian cities like Kourou in Guiana. Vividly illustrated with examples of grand buildings, churches, and gardens, as well as simple houses and cottages, this volume also brings to life the architects who built these structures, not only French military engineers and white civilian builders, but also the free people of colour and slaves who contributed so much to the tropical colonies. Taking readers on a historical tour through the striking landmarks of the French colonial landscape, Architecture and Urbanism in the French Atlantic Empire presents a sweeping panorama of an entire hemisphere of architecture and its legacy.
Author | : David Patrick Geggus |
Publisher | : Indiana University Press |
Total Pages | : 439 |
Release | : 2009-01-21 |
Genre | : History |
ISBN | : 0253220173 |
These essays deepen our understanding of Haiti during the period from 1791 to 1815. They consider the colony's history and material culture as well as it 'free people of colour' and the events leading up to the revolution and its violent unfolding.
Author | : Jeffrey M. Leichman |
Publisher | : |
Total Pages | : 368 |
Release | : 2021-03-08 |
Genre | : |
ISBN | : 9781800348042 |
Colonialism and Slavery in Performance brings together original archival research with recent critical perspectives to argue for the importance of theatrical culture to the understanding of the French Caribbean sugar colonies in the eighteenth century. Fifteen English-language essays from both established and emerging scholars apply insights and methodologies from performance studies and theatre history in order to propose a new understanding of Old Regime culture and identity as a trans-Atlantic continuum that includes the Antillean possessions whose slave labour provided enormous wealth to the metropole. Carefully documented studies of performances in Saint-Domingue, the most prosperous French colony, illustrate how the crucible of a brutally racialized colonial space gave rise to a new French identity by adapting many of the cherished theatrical traditions that colonists imported directly from the mainland, resulting in a Creole performance culture that reflected the strong influence of African practices brought to the islands by plantation slaves. Other essays focus on how European theatregoers reconciled the contradiction inherent in the eighteenth century's progressive embrace of human rights, with an increasing dependence on the economic spoils of slavery, thus illustrating how the stage served as a means to negotiate new tensions within "French" identity, in the metropole as well as in the colonies. In the final section of the volume, essays explore the enduring legacy of the Old Regime in contemporary Antillean stage culture, illustrating how performance traditions continue to structure the understanding of what it means to be French in France's former Atlantic slave colonies.
Author | : David M. Powers |
Publisher | : MSU Press |
Total Pages | : 290 |
Release | : 2014-05-01 |
Genre | : History |
ISBN | : 1628950226 |
In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre–French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, décor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of créole texts and white actors/singers à visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States.
Author | : Laura Kressly |
Publisher | : Taylor & Francis |
Total Pages | : 254 |
Release | : 2022-12-30 |
Genre | : Performing Arts |
ISBN | : 1000828360 |
This collection of short, accessible essays serves as a supplementary text to Morgan Lloyd Malcolm’s play, Emilia. Critically acclaimed and beloved by audiences, this innovative and ground-breaking show is a speculative history, an imaginative (re)telling of the life of English Renaissance poet Aemilia Bassano Lanyer. This book features essays by theatre practitioners, activists, and scholars and informed by intersectional feminist, critical race, queer, and postcolonial analyses will enable students and their teachers across secondary school and higher education to consider the play’s major themes from a wide variety of theoretical and interdisciplinary perspectives. This volume explores the current events and cultural contexts that informed the writing and performing of Emilia between 2017 and 2019, various aspects of the professional London productions, critical and audience responses, and best practices for teaching the play to university and secondary school students. It includes a foreword by Emilia playwright Morgan Lloyd Malcolm This book will be of great interest to students and scholars of theatre, arts activism, feminist literature, and theory.
Author | : Paul Clammer |
Publisher | : Hurst Publishers |
Total Pages | : 465 |
Release | : 2023-01-19 |
Genre | : Biography & Autobiography |
ISBN | : 1787389979 |
How did a man born enslaved on a plantation triumph over Napoleon’s invading troops and become king of the first free black nation in the Americas? This is the forgotten, remarkable story of Henry Christophe. Christophe fought as a child soldier in the American War of Independence, before serving in the Haitian Revolution as one of Toussaint Louverture’s top generals. Following Haitian independence, Christophe crowned himself King Henry I. His attempts to build a modern black state won the support of leading British abolitionists—but his ambition helped to plunge his country into civil war. Christophe saw himself as an Enlightenment ruler, and his kingdom produced great literary works, epic fortresses and opulent palaces. He was a proud anti-imperialist and fought off French plots against him. Yet the Haitian people chafed under his authoritarian rule. Today, all that remains is Christophe’s mountaintop Citadelle, Haiti’s sole World Heritage site—a monument to a revolutionary black monarchy, in a world of empire and slavery.