Proposal for a Council Directive on the Legal Protection of Computer Programs
Author | : Commission of the European Communities |
Publisher | : |
Total Pages | : 58 |
Release | : 1988 |
Genre | : Copyright |
ISBN | : |
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Author | : Commission of the European Communities |
Publisher | : |
Total Pages | : 58 |
Release | : 1988 |
Genre | : Copyright |
ISBN | : |
Author | : European Parliament. Committee on Legal Affairs and Citizens' Rights (CLACR) |
Publisher | : |
Total Pages | : |
Release | : 1989 |
Genre | : |
ISBN | : |
Author | : Commission of the European Communities |
Publisher | : |
Total Pages | : 32 |
Release | : 1990 |
Genre | : Computer programs |
ISBN | : 9789277650064 |
Author | : Bridget Czarnota |
Publisher | : Lexis Law Publishing (Va) |
Total Pages | : 240 |
Release | : 1991 |
Genre | : Law |
ISBN | : |
This book combines an authoritative interpretation of the EC Council Directive on the legal protection of software adopted in May 1991, with a practitioner's view on how to deal with the issues it raises for industry and the legal profession. Legal Protection of Computer Programmes in Europe provides a valuable comparison of the Directive to the corresponding laws of the US, Japan and Eastern Europe and should prove of great use to all those who are legal advisers to software developers and distributors, as well as to those in the software industry itself involved in the drafting of licences.
Author | : Ashwin van Rooijen |
Publisher | : Kluwer Law International B.V. |
Total Pages | : 314 |
Release | : 2010-01-01 |
Genre | : Law |
ISBN | : 9041131930 |
The success of computer programs often depends on their ability to interoperate ' or communicate ' with other systems. In proprietary software development, however, the need to protect access to source code, including the interface information
Author | : Josef Drexl |
Publisher | : Wiley-VCH |
Total Pages | : 152 |
Release | : 1994-11-29 |
Genre | : Computers |
ISBN | : |
The first few years of the 90s have been extremely important for the development of software copyright both in the United States and Europe. In the United States, major decisions redefined the idea/expression dichotomy in different cases. In Europe, countries are still in the process of harmonizing their national laws with the EC Software Directive. The study compares traditional and evolving copyright standards as applied to computer programs on both sides of the Atlantic. It may well be said that recent case law has brought America closer to Europe. On the other hand, American experience turns out to be a useful guideline for distinguishing between the concepts of idea and expression in the sense of the software directive.
Author | : Europæiske Fællesskaber. Kommissionen |
Publisher | : |
Total Pages | : 74 |
Release | : 1992 |
Genre | : Copyright |
ISBN | : 9789277413737 |
Author | : Cláudio Lucena |
Publisher | : Springer |
Total Pages | : 0 |
Release | : 2015-03-25 |
Genre | : Law |
ISBN | : 9783319159096 |
This book starts with an exercise, proposing a theoretical reflection on the technological path that, over time, has transformed the ways we produce, consume and manage intellectual content subject to copyright protection. This lays the groundwork for a further analysis of the main legal aspects of the new European Directive, its improvements, its tendencies and its points of controversy, with special and more concrete attention to how it proposes to address the issues of competition, transparency and multi-territorial licensing. Digital technologies, networks and communication have boosted the production and distribution of intellectual content. These activities are based on a renewable and infinite resource – creativity – which turns this content into strategic artistic, cultural, social, economic and informational assets. Managing the rights and obligations that emerge in this system has never been an easy task; managing them collectively, which is more often than not the case, adds even more complexity. The European Directive on collective management of copyright and related rights and multi-territorial licensing of rights in musical works for online use in the internal market is a policy initiative that seeks to establish an adequate legal framework for the collective management of authors’ rights in a digital environment, recognizing this goal as crucial to achieving a fully integrated Single Market. Part of the Digital Agenda for Europe, it is an effort to promote simplification and to enhance the efficiency of collective rights management by tackling three of the main issues that are currently undermining the business model of collecting societies: competition, transparency and multi-territorial licensing. The book is intended to support students, academics and practitioners by enhancing their general and legal grasp of these phenomena, while also encouraging their collaboration with policymakers and other interested parties in the ongoing task of transposing the Directive into concrete national legislation.