Progress In Love On The Slow Side
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Author | : John Culbert |
Publisher | : U of Nebraska Press |
Total Pages | : 454 |
Release | : 2010-01-01 |
Genre | : Literary Criticism |
ISBN | : 0803229917 |
Modernity has long been equated with motion, travel, and change, from Marx?s critical diagnoses of economic instability to the Futurists? glorification of speed. Likewise, metaphors of travel serve widely in discussions of empire, cultural contact, translation, and globalization, from Deleuze?s ?nomadology? to James Clifford?s ?traveling cultures.? John Culbert, in contrast, argues that the key texts of modernity and postmodernity may be approached through figures and narratives of paralysis: motionøis no more defining of modern travel than fixations, resistance, and impasse; concepts and figures of travel, he posits, must be rethought in this more static light. ø Focusing on the French and Francophone context, in which paralyzed travel is a persistent motif, Culbert also offers new insights into French critical theory and its often paradoxical figures of mobility, from Blanchot?s pas au-delÄ and Barthes?s därive to Derrida?s aporias and Glissant?s diversions. Here we see that paralysis is not merely the failure of transport but rather the condition in which travel, by coming to a crisis, calls into question both mobility and stasis in the language of desire and the order of knowledge. Paralyses provides a close analysis of the rhetoric of empire and the economy of tourism precisely at their points of breakdown, which in turn enables a deconstruction of master narratives of exploration, conquest, and exoticism. A reassessment of key authors of French modernity?from Nerval and Gautier to Fromentin, Paulhan, Beckett, Leiris, and Boudjedra?Paralyses also constitutes a new theoretical intervention in debates on travel, translation, ethics, and postcoloniality.
Author | : Michael Syrotinski |
Publisher | : SUNY Press |
Total Pages | : 228 |
Release | : 1998-04-02 |
Genre | : Literary Criticism |
ISBN | : 9780791436400 |
A major reassessment of the work of Jean Paulhan within the context of his own times as well as in the light of contemporary debates in literary theory.
Author | : Andrä Breton |
Publisher | : U of Nebraska Press |
Total Pages | : 202 |
Release | : 1997-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780803261358 |
What Freud did for dreams, André Breton (1896–1966) does for despair: in its distortions he finds the marvelous, and through the marvelous the redemptive force of imagination. Originally published in 1932 in France, Les Vases communicants is an effort to show how the discoveries and techniques of surrealism could lead to recovery from despondency. This English translation makes available "the theories upon which the whole edifice of surrealism, as Breton conceived it, is based." In Communicating Vessels Breton lays out the problems of everyday experience and of intellect. His involvement with political thought and action led him to write about the relations between nations and individuals in a mode that moves from the quotidian to the lyrical. His dreams triggered a curious correspondence with Freud, available only in this book. As Caws writes, "The whole history of surrealism is here, in these pages."
Author | : Julian Wolfreys |
Publisher | : SUNY Press |
Total Pages | : 276 |
Release | : 1999-01-01 |
Genre | : Literary Collections |
ISBN | : 9780791441312 |
The French Connections of Jacques Derrida offers stimulating and accessible essays that address, for the first time, the issue of Derrida's relation to French poetics, writing, thought, and culture. In addition to offering considerations of Derrida through studies of such significant French authors as Mallarme, Baudelaire, Valery, Laporte, Ponge, Perec, Blanchot, and Barthes, the book also reassesses the development of Derrida's work in the context of structuralism, biology, and linguistics in the 1960s, and looks at the possible relationships between Derrida's writing and that of the Surrealist and Oulipa groups. Derrida is introduced as one whose work is as much poetic as it is philosophical, and who is strikingly French and yet not unproblematically so.
Author | : Alex Danchev |
Publisher | : Simon and Schuster |
Total Pages | : 443 |
Release | : 2012-02-14 |
Genre | : Biography & Autobiography |
ISBN | : 1628723653 |
Together with Picasso and Matisse, Georges Braque is unquestionably one of the three great pillars of twentieth-century art. Here is the first full-length biography of this remarkable figure. A pioneer of modern art and founder of Cubism, Georges Braque was a creative genius and tireless innovator, constantly pushing back the boundaries of the possible. In this magisterial work, Alex Danchev taps a wide range of new sources to reveal the heart and mind of one who helped usher in the greatest revolution in the ways of seeing since the Renaissance and changed the face of modern art.
Author | : Italo Calvino |
Publisher | : Princeton University Press |
Total Pages | : 642 |
Release | : 2013 |
Genre | : History |
ISBN | : 0691139458 |
This is the first collection in English of the extraordinary letters of one of the great writers of the twentieth century. Italy's most important postwar novelist, Italo Calvino (1923-1985) achieved worldwide fame with such books as Cosmicomics, Invisible Cities, and If on a winter's night a traveler. But he was also an influential literary critic, an important literary editor, and a masterful letter writer whose correspondents included Umberto Eco, Primo Levi, Gore Vidal, Leonardo Sciascia, Natalia Ginzburg, Michelangelo Antonioni, Pier Paolo Pasolini, and Luciano Berio.
Author | : William S. Allen |
Publisher | : Fordham Univ Press |
Total Pages | : 349 |
Release | : 2016-04-01 |
Genre | : Philosophy |
ISBN | : 0823269302 |
Maurice Blanchot and Theodor W. Adorno are among the most difficult but also the most profound thinkers in twentieth-century aesthetics. While their methods and perspectives differ widely, they share a concern with the negativity of the artwork conceived in terms of either its experience and possibility or its critical expression. Such negativity is neither nihilistic nor pessimistic but concerns the status of the artwork and its autonomy in relation to its context or its experience. For both Blanchot and Adorno negativity is the key to understanding the status of the artwork in post-Kantian aesthetics and, although it indicates how art expresses critical possibilities, albeit negatively, it also shows that art bears an irreducible ambiguity such that its meaning can always negate itself. This ambiguity takes on an added material significance when considered in relation to language as the negativity of the work becomes aesthetic in the further sense of being both sensible and experimental, and in doing so the language of the literary work becomes a form of thinking that enables materiality to be thought in its ambiguity. In a series of rich and compelling readings, William S. Allen shows how an original and rigorous mode of thinking arises within Blanchot’s early writings and how Adorno’s aesthetics depends on a relation between language and materiality that has been widely overlooked. Furthermore, by reconsidering the problem of the autonomous work of art in terms of literature, a central issue in modernist aesthetics is given a greater critical and material relevance as a mode of thinking that is abstract and concrete, rigorous and ambiguous. While examples of this kind of writing can be found in the works of Blanchot and Beckett, the demands that such texts place on readers only confirm the challenges and the possibilities that literary autonomy poses to thought.
Author | : Gregoire Delacourt |
Publisher | : Weidenfeld & Nicolson |
Total Pages | : 174 |
Release | : 2015-09-10 |
Genre | : Fiction |
ISBN | : 0297871048 |
Imagine you are a young mechanic living in a small community in France. You own your own home, and lead a simple life. Then, one evening, you open your front door to find a distraught Hollywood starlet standing in front of you. This is what happens to Arthur Dreyfuss in the village of Long, population 687 inhabitants. But although feigning an American accent, this woman is not all that she seems. For her name is Jeanine Foucamprez, and her story is very different from the glamorous life of a star. Arthur is not all he seems, either; a lover of poetry with a darker past than one might imagine, he has learnt to see beauty in the mundane. THE FIRST THING YOU SEE is a warm, witty novel about two fragile souls learning to look beyond the surface - for the first thing you see isn't always what you get!
Author | : Gregoire Delacourt |
Publisher | : Weidenfeld & Nicolson |
Total Pages | : 150 |
Release | : 2020-02-20 |
Genre | : Fiction |
ISBN | : 1474612202 |
What happened to Betty is every woman's dream. Isn't it? There are those who never grow old because they are taken too soon. There are those who grow old without worries, enjoying everything life has to offer. There are those who desperately try to slow down the ticking clock. And then there's Betty. Betty, who mysteriously stops growing old on her thirtieth birthday - the same age as her mother when she died. The years leave no trace on Betty's face, but as everyone around her is transformed by the relentless march of time, her once golden life begins to come apart. Because an ageless face is a face without history, without passions, without memories. A blank canvas others will slowly, inexorably forget... A feminist version of Dorian Grey, written with the elegant and timeless charm of The Elegance of the Hedgehog, the beating heart of The Reader on the 6.27 and the same touch of magic as The Keeper of Lost Things.
Author | : William S. Allen |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 232 |
Release | : 2018-10-18 |
Genre | : Literary Criticism |
ISBN | : 1501345265 |
Maurice Blanchot's writings have played a critical role in the development of 20th-century French thought, but the implicit tension in this role has rarely been addressed directly. Reading Blanchot involves understanding how literature can have an effect on philosophy, to the extent of putting philosophy itself in question by exposing a different and literary mode of thought. However, as this mode is to be found most substantially in the peculiar density of his fictional writings, rather than in his theoretical or critical works, the demand on readers to grasp its implications for thought is rendered more difficult. Blanchot and the Outside of Literature provides a detailed and far-reaching explication of how Blanchot's works changed in the postwar period during which he arrived at this complex and distinctive form of writing.