Producing Financing And Distributing Film
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Author | : Paul A. Baumgarten |
Publisher | : Amadeus Press |
Total Pages | : 264 |
Release | : 1992 |
Genre | : Motion picture industry |
ISBN | : |
The original edition of this book, long out of print, was published almost 20 years ago. The decades since then have brought enormous changes to the business side of moviemaking, requiring that the new edition be totally rewritten. This is, then, a brand new book and one that has been most eagerly awaited. In it, three experts in entertainment law carefully explain the complex procedures involved in bringing a film to the screen, from acquiring rights and financing, to negotiating workable agreements with artists and craftspeople, to distributing and exhibiting the finished motion picture. Clear, concise, and - above all - authoritative, this book cuts a pathway through a jungle and is an essential reference for the teacher of film, the independent producer, the would-be filmmaker, and anyone interested in the business of making movies.
Author | : Adam P. Davies |
Publisher | : Netribution |
Total Pages | : 247 |
Release | : 2007 |
Genre | : Business & Economics |
ISBN | : 0955014328 |
This is a complete guide to film finance around the world, from first web short film to mainstream international multi-million dollar co-production.
Author | : Gregory Goodell |
Publisher | : Macmillan |
Total Pages | : 356 |
Release | : 2003-12-31 |
Genre | : Performing Arts |
ISBN | : 9780312304621 |
Original publication and copyright date: 1982.
Author | : Stacey Parks |
Publisher | : Taylor & Francis |
Total Pages | : 216 |
Release | : 2012-10-02 |
Genre | : Performing Arts |
ISBN | : 1136066373 |
Innovation in technology means that almost anyone can make an independent film these days. Although this may be good news for aspiring filmmakers, it also means that the oversupply of independent films on the market has caused acquisition prices to dramatically decrease. As a result, producers and investors rarely recover their initial investment in the films they make. But don't be discouraged! Use this book to learn the realities of the market in advance and map out a winning distribution plan. This comprehensive manual for filmmakers and producers dedicated to film distribution and the marketplace could mean the difference between getting your film out to the public and keeping it "in the can." Learn how to sell your movie to a studio, a cable network, a video distributor, or international buyers. Self-distribution and other alternatives to traditional distribution are also considered. As well, you'll hear some success stories from producers and hear directly from buyers what they are seeking. Stacey Parks has worked with dozens of hungry filmmakers to get their films a distribution deal and knows how frustrating the whole process can be. Let her tell you how you can take control of your filmmaking career and start getting your work seen by audiences with a few little-known distribution secrets. Features include: * Interviews and case studies with producers and distributors * Ten Ways to Market Your Film for Self-Distribution * Sales Projections per Territory * Distribution Resource Listings * Negotiation tips for distribution agreements * Sample distribution agreements
Author | : Paul A. Baumgarten |
Publisher | : Hal Leonard Corporation |
Total Pages | : 260 |
Release | : 1992 |
Genre | : Performing Arts |
ISBN | : 9780879101077 |
(Limelight). The original edition of this book, long out of print, was published almost 20 years ago. The decades since then have brought enormous changes to the business side of moviemaking, requiring that the new edition be totally rewritten. This is, then, a brand new book and one that has been most eagerly awaited. In it, three experts in entertainment law carefully explain the complex procedures involved in bringing a film to the screen, from acquiring rights and financing, to negotiating workable agreements with artists and craftspeople, to distributing and exhibiting the finished motion picture. Clear, concise, and above all authoritative, this book cuts a pathway through a jungle and is an essential reference for the teacher of film, the independent producer, the would-be filmmaker, and anyone interested in the business of making movies.
Author | : Mark Litwak |
Publisher | : |
Total Pages | : 340 |
Release | : 2004 |
Genre | : Business & Economics |
ISBN | : |
This is the comprehensive nuts-and-bolts guide to setting up an independent production project. Starting with the basic organisation of the company and the preparation of production, collaboration, and screenplay agreements, it covers in detail everything from raising money via loans, presales, and investors through finding, contracting with, and policing the finished project's distributors. A companion to Litwak's popular books on entertainment industry deal-making and contracts, RISKY BUSINESS is an authoritative blueprint for successfully producing any independent film or video. Included among its many topics: partnerships; corporations; limited liability companies; equity investments; attracting investors; evaluating a film's economic value; working the film festivals; distribution territories; distributors' accounting practices; and much more. In addition to its primary text, it includes many essential contracts, sample statements and certificates, checklists, and extensive lists of useful resources.
Author | : Suzanne Lyons |
Publisher | : Taylor & Francis |
Total Pages | : 261 |
Release | : 2012 |
Genre | : Performing Arts |
ISBN | : 024081763X |
First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Boris Kachka |
Publisher | : Simon and Schuster |
Total Pages | : 176 |
Release | : 2021-05-25 |
Genre | : Business & Economics |
ISBN | : 1501159453 |
A revealing guide to a career as a film producer written by acclaimed author Boris Kachka and based on the real-life experiences of award-winning producers—required reading for anyone considering a path to this profession. At the center of every successful film is a producer. Producers bring films to life by orchestrating the major players—screenwriters, directors, talent, distributors, financiers—to create movie magic. Bestselling author and journalist Boris Kachka shadows award-winning producers Fred Berger and Michael London and emerging producer Siena Oberman as movies are pitched, financed, developed, shot, and released. Fly between Los Angeles and New York, with a stop in Utah at the Sundance Film Festival, for a candid look at this high-stakes profession. Learn how the industry has changed over the decades—from the heyday of studios to the reign of streaming platforms. Gain insight and wisdom from these masters’ years of experience producing films, from the indie darlings Sideways and Milk to Academy Award–winning blockbusters like La La Land. Here is how the job is performed at the highest level.
Author | : David K. Irving |
Publisher | : CRC Press |
Total Pages | : 412 |
Release | : 2013-03-20 |
Genre | : Performing Arts |
ISBN | : 1136048340 |
Producing and Directing the Short Film and Video is the definitive book on the subject for beginning filmmakers and students. The book clearly illustrates all of the steps involved in preproduction, production, postproduction, and distribution. Its unique two-fold approach looks at filmmaking from the perspectives of both producer and director, and explains how their separate energies must combine to create a successful short film or video, from script to final product. This guide offers extensive examples from award-winning shorts and includes insightful quotes from the filmmakers themselves describing the problems they encountered and how they solved them. The companion website contains useful forms and information on grants and financing sources, distributors, film and video festivals, film schools, internet sources for short works, and professional associations.
Author | : Jon M. Garon |
Publisher | : Chicago Review Press |
Total Pages | : 465 |
Release | : 2009-06 |
Genre | : Business & Economics |
ISBN | : 1569763976 |
Preparing independent or guerrilla filmmakers for the legal, financial, and organizational questions that can doom a project if unanswered, this guide demystifies issues such as developing a concept, founding a film company, obtaining financing, securing locations, casting, shooting, granting screen credits, distributing, exhibiting, and marketing a film. Updated to include digital marketing and distribution strategies through YouTube or webisodes, it also anticipates the problems generated by a blockbuster hit: sound tracks, merchandizing, and licensing. Six appendices provide sample contracts, copyright forms and circulars, Writer's Guild of America definitions for writing credits, and studio contact information.