Proceedings of the 7th Session of Indian Art History Congress, Kanyakumari : November 1998
Author | : Indian Art History Congress. Session |
Publisher | : |
Total Pages | : 182 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
Contributed articles.
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Author | : Indian Art History Congress. Session |
Publisher | : |
Total Pages | : 182 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
Contributed articles.
Author | : Indian Art History Congress. Session |
Publisher | : |
Total Pages | : 182 |
Release | : 1998 |
Genre | : Art, Indic |
ISBN | : |
Author | : Indian Art History Congress. Session |
Publisher | : |
Total Pages | : 216 |
Release | : 2000 |
Genre | : Art |
ISBN | : |
Collection of conference papers on depiction of Siva (Hindu deity) in Indian arts and architecture and Shaivite cult.
Author | : Parul Pandya Dhar |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Art |
ISBN | : 9788124605974 |
Papers presented at the Seminar "Historiography of Indian Art : Emergent Methodological Concerns", held at New Delhi during 19-21 September 2006.
Author | : Anil Rao Sandhya Ketkar |
Publisher | : |
Total Pages | : 214 |
Release | : 2017-01-02 |
Genre | : Art, Indic |
ISBN | : 9788179254752 |
Author | : Dallas Museum of Art |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Art |
ISBN | : 9780300149883 |
In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art
Author | : Kanad Sinha |
Publisher | : Oxford University Press |
Total Pages | : 470 |
Release | : 2021-11-24 |
Genre | : History |
ISBN | : 0190993456 |
Is it true that the ancient Indians had no sense of History? The book begins with this question, and points out how the ways of perceiving the past could be culture-specific and how the concept of historical traditions can be useful in studying the various ways of memorising and representing the past, even if those ways do not necessarily correspond to the methodology of the Occidental discipline called 'History'. Ancient India had several historical traditions, and the book focuses on one of them, the itihasa. It also shows how the Mahabharata is the best illustration of this tradition, and how a historical study of the contents of the text, with comparison with and corroboration from other contemporary sources and traditions, may help us restore the text in its original context in the bardic historical tradition about the Later Vedic Kurus. Is the Mahabharata then an authentic history? This book does not claim so. However, it shows how the text had originated as a critical reflection on a great period of transition, how it dealt with the conflicting philosophies of the transitional period, how it propounded its thesis by creating new kinds of heroes such as Yudhisthira and Krsna, and how the text was reworked when it was canonized by the brahmanas.
Author | : Virginia N. Sherry |
Publisher | : Human Rights Watch |
Total Pages | : 139 |
Release | : 2004 |
Genre | : Foreign workers |
ISBN | : |
CONTENTS.
Author | : Swami Atmashraddhananda |
Publisher | : Sri Ramakrishna Math |
Total Pages | : 67 |
Release | : 2022-05-12 |
Genre | : Religion |
ISBN | : |
This book is a first-hand easy-to-read narration of separate group tours to Kanyakumari and Rameshwaram, two of India’s great sacred places. The author of the travelogue, Swami Atmashraddhananda, a former editor of the Vedanta Kesari, first wrote about the pilgrimage through articles in the magazine. Written in a conversational tone and replete with pictures, the book highlights the legends, religious and historical significance of the two places and their association with the Holy Mother, Swami Vivekananda and other direct disciples of Sri Ramakrishna. Both the sections of the book begin by explaining the purpose and motivation behind the pilgrimage. This book can be an inspiration to young and old readers all over the world to journey to Kanyakumari and Rameshwaram. Even those who have already been there can look at the places with new eyes.