Private Poets, Worldly Acts

Private Poets, Worldly Acts
Author: Kevin Stein
Publisher:
Total Pages: 216
Release: 1996
Genre: Literary Criticism
ISBN:

"At a time when poets appear tragically detached from the public for which they write [the author] has drawn on the work of nine poets of the 1950s to the 1990s ... to illuminate the various ways they redeem a vision of personal, aesthetic, and social relevancy from the shadow of traditionally narrated history. ..."--Back cover

Poems Containing History

Poems Containing History
Author: Gary Grieve-Carlson
Publisher: Lexington Books
Total Pages: 232
Release: 2013-11-08
Genre: Literary Criticism
ISBN: 0739167561

Ezra Pound’s definition of an epic as “a poem containing history” raises questions: how can a poem “contain” history? And if it can, does it help us to think about history in ways that conventional historiography cannot? Poems Containing History: Twentieth-Century American Poetry’s Engagement with the Past, by Gary Grieve-Carlson, argues that twentieth-century American poetry has “contained” and helped its readers to think about history in a variety of provocative and powerful ways. Tracing the discussion of the relationship between poetry and history from Aristotle’s Poetics to Norman Mailer’s The Armiesof the Night and Hayden White’s Metahistory, the book shows that even as history evolves into a professional, academic discipline in the late nineteenth century, and as its practitioners emphasize the scientific aspects of their work and minimize its literary aspects, twentieth-century American poets continue to take history as the subject of their major poems. Sometimes they endorse the views of mainstream historians, as Stephen Vincent Benét does in John Brown’s Body, but more often they challenge them, as do Robert Penn Warren in Brother to Dragons, Ezra Pound in TheCantos, or Charles Olson in TheMaximus Poems. In Conquistador, Archibald MacLeish illustrates Aristotle’s claim that poetry tells more philosophical truths about the past than history does, while in Paterson, William Carlos Williams develops a Nietzschean suspicion of history’s value. Three major American poets—T. S. Eliot in Four Quartets, Hart Crane in TheBridge, and Carolyn Forché in The Angel of History—present different challenges to professional historiography’s assumption that the past is best understood in strictly material terms. Poems Containing History devotes chapters to each of these poets and offers a clear sense of the seriousness with which American poetry has engaged the past, as well as the great variety of those engagements.

Cultural Ways of Worldmaking

Cultural Ways of Worldmaking
Author: Vera Nünning
Publisher: Walter de Gruyter
Total Pages: 370
Release: 2010-06-29
Genre: Language Arts & Disciplines
ISBN: 3110227568

Taking as its point of departure Nelson Goodman’s theory of symbol systems as delineated in his seminal book “Ways of Worldmaking”, this volume gauges the possibilities and perspectives offered by the worldmaking approach as a model for the study of culture. Its main objectives are to explore the usefulness and scope of the approach for the study of culture and to supplement Goodman’s philosophy of worldmaking with a number of complementary disciplinary perspectives, literary and cultural approaches, and new questions and applications. It focuses on three key issues or concepts which illuminate ways of worldmaking and their interdisciplinary relevance and ramifications, viz. (1) theoretical approaches to ways of worldmaking, (2) the impact of media on ways of worldmaking, and (3) narratives as ways of worldmaking. The volume serves to demonstrate how specific media and narratives affect the worlds that are created, and shows how these worlds are established as socially relevant. It also illustrates the extent to which ways of worldmaking are imbued with cultural values, and thus inevitably implicated in power relations.

Flashback Through the Heart

Flashback Through the Heart
Author: Angela M. Salas
Publisher: Susquehanna University Press
Total Pages: 198
Release: 2004
Genre: Literary Criticism
ISBN: 9781575910826

In doing so, the author seeks to convince readers that Komunyakaa has never been solely interested in dealing with the complexities of race in his work, although he does so to stunning effect in such works as Dien Cai Dau, a volume invoking the horrors of the war in Vietnam."--Jacket.

US Poetry in the Age of Empire, 1979-2012

US Poetry in the Age of Empire, 1979-2012
Author: P. Gwiazda
Publisher: Springer
Total Pages: 304
Release: 2014-11-26
Genre: Literary Criticism
ISBN: 1137466278

Examining poetry by Robert Pinsky, Adrienne Rich, and Amiri Baraka, among others, this book shows that leading US poets since 1979 have performed the role of public intellectual through their poetic rhetoric. Gwiazda's argument aims to revitalize the role of poetry and its social value within an era of global politics.

Poets for Young Adults

Poets for Young Adults
Author: Mary Loving Blanchard
Publisher: Bloomsbury Publishing USA
Total Pages: 305
Release: 2006-12-30
Genre: Literary Criticism
ISBN: 0313340927

Spanning the time of colonial America through the present day, Poets for Young Adults examines the lives and works of seventy-five poets that are read and loved by teens. Readers will discover an eclectic mix of poets and their styles, from the modern songwriters such as Bob Dylan and Tupac Shakur, to the nineteen sixties icons Jack Kerouac and Sylvia Plath, to such traditional poets as Edgar Allan Poe and William Blake. Poets from all multicultural backgrounds are included, many of whom wrote about the immigration and/or protest experiences, from Colonial through contemporary times. Over half of the poets are women, and more than one third are women of color. Poets include: -Maya Angelou -Gloria Evangelina Anzaldua -Anne Bradstreet -Lewis Carroll -E.E. Cummings -Emily Dickinson -Bob Dylan -Ralph Waldo Emerson -Paul Fleischman -Robert Frost -Nikki Giovanni -Langston Hughes -Paul Janesczko -Myra Cohn Livingston -Ogden Nash -Naomi Shihab Nye -Joyce Carol Oates -Lydia Omolola Okutoro -Gary Soto -Phillis Wheatley -Ray Anthony Young Bear

Poetry's Afterlife

Poetry's Afterlife
Author: Kevin Stein
Publisher: University of Michigan Press
Total Pages: 276
Release: 2011-02-16
Genre: Literary Criticism
ISBN: 0472026704

"The great pleasure of this book is the writing itself. Not only is it free of academic and ‘lit-crit' jargon, it is lively prose, often deliciously witty or humorous, and utterly contemporary. Poetry's Afterlife has terrific classroom potential, from elementary school teachers seeking to inspire creativity in their students, to graduate students in MFA programs, to working poets who struggle with the aesthetic dilemmas Stein elucidates, and to teachers of poetry on any level." --- Beckian Fritz Goldberg, Arizona State University "Kevin Stein is the most astute poet-critic of his generation, and this is a crucial book, confronting the most vexing issues which poetry faces in a new century." ---David Wojahn, Virginia Commonwealth University At a time when most commentators fixate on American poetry's supposed "death," Kevin Stein's Poetry's Afterlife instead proposes the vitality of its aesthetic hereafter. The essays of Poetry's Afterlife blend memoir, scholarship, and personal essay to survey the current poetry scene, trace how we arrived here, and suggest where poetry is headed in our increasingly digital culture. The result is a book both fetchingly insightful and accessible. Poetry's spirited afterlife has come despite, or perhaps because of, two decades of commentary diagnosing American poetry as moribund if not already deceased. With his 2003 appointment as Illinois Poet Laureate and his forays into public libraries and schools, Stein has discovered that poetry has not given up its literary ghost. For a fated art supposedly pushing up aesthetic daisies, poetry these days is up and about in the streets, schools, and universities, and online in new and compelling digital forms. It flourishes among the people in a lively if curious underground existence largely overlooked by national media. It's this second life, or better, Poetry's Afterlife, that his book examines and celebrates. Kevin Stein is Caterpillar Professor of English and Director of the Creative Writing Program at Bradley University and has served as Illinois Poet Laureate since 2003, having assumed the position formerly held by Gwendolyn Brooks and Carl Sandburg. He is the author of numerous books of poetry and criticism. digitalculturebooksis an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.

Poetic Maneuvers

Poetic Maneuvers
Author: Charlotte Melin
Publisher: Northwestern University Press
Total Pages: 290
Release: 2003
Genre: Biography & Autobiography
ISBN: 0810119471

The first English-language study of the German author and critic Hans Magnus Enzensberger.

Planets on Tables

Planets on Tables
Author: Bonnie Costello
Publisher: Cornell University Press
Total Pages: 234
Release: 2008
Genre: Art
ISBN: 9780801446139

Introduction : crude foyers -- Wallace Stevens : local objects and distant wars -- William Carlos Williams : contending in still life -- Elizabeth Bishop's ethnographic eye -- Joseph Cornell : soap bubbles and shooting galleries -- Richard Wilbur : Xenia -- Conclusion : domestic disturbance.

The Forms of Youth

The Forms of Youth
Author: Stephanie Burt
Publisher: Columbia University Press
Total Pages: 274
Release: 2007-09-04
Genre: Literary Criticism
ISBN: 0231512023

Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms. This new idea of adolescence became the driving force behind some of the modern era's most original poetry. Stephen Burt demonstrates how adolescence supplied the inspiration, and at times the formal principles, on which many twentieth-century poets founded their works. William Carlos Williams and his contemporaries fashioned their American verse in response to the idealization of new kinds of youth in the 1910s and 1920s. W. H. Auden's early work, Philip Larkin's verse, Thom Gunn's transatlantic poetry, and Basil Bunting's late-modernist masterpiece, Briggflatts, all track the development of adolescence in Britain as it moved from the private space of elite schools to the urban public space of sixties subcultures. The diversity of American poetry from the Second World War to the end of the sixties illuminates poets' reactions to the idea that teenagers, juvenile delinquents, hippies, and student radicals might, for better or worse, transform the nation. George Oppen, Gwendolyn Brooks, and Robert Lowell in particular built and rebuilt their sixties styles in reaction to changing concepts of youth. Contemporary poets continue to fashion new ideas of youth. Laura Kasischke and Jorie Graham focus on the discoveries of a specifically female adolescence. The Irish poet Paul Muldoon and the Australian poet John Tranter use teenage perspectives to represent a postmodernist uncertainty. Other poets have rejected traditional and modern ideas of adolescence, preferring instead to view this age as a reflection of the uncertainties and restricted tastes of the way we live now. The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity.