Prison Blossoms
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Author | : Alexander Berkman |
Publisher | : Harvard University Press |
Total Pages | : 326 |
Release | : 2012-03-01 |
Genre | : History |
ISBN | : 0674068181 |
In 1892, unrepentant anarchists Alexander Berkman, Henry Bauer, and Carl Nold were sent to the Western Pennsylvania State Penitentiary for the attempted assassination of steel tycoon Henry Clay Frick. Searching for a way to continue their radical politics and to proselytize among their fellow inmates, these men circulated messages of hope and engagement via primitive means and sympathetic prisoners. On odd bits of paper, in German and in English, they shared their thoughts and feelings in a handwritten clandestine magazine called “Prison Blossoms.” This extraordinary series of essays on anarchism and revolutionary deeds, of prison portraits and narratives of homosexuality among inmates, and utopian poems and fables of a new world to come not only exposed the brutal conditions in American prisons, where punishment cells and starvation diets reigned, but expressed a continuing faith in the "beautiful ideal" of communal anarchism. Most of the "Prison Blossoms" were smuggled out of the penitentiary to fellow comrades, including Emma Goldman, as the nucleus of an exposé of prison conditions in America’s Gilded Age. Those that survived relatively unrecognized for a century in an international archive are here transcribed, translated, edited, and published for the first time. Born at a unique historical moment, when European anarchism and American labor unrest converged, as each sought to repel the excesses of monopoly capitalism, these prison blossoms peer into the heart of political radicalism and its fervent hope of freedom from state and religious coercion.
Author | : Alexander Berkman |
Publisher | : Harvard University Press |
Total Pages | : 321 |
Release | : 2011-05-05 |
Genre | : Biography & Autobiography |
ISBN | : 0674050568 |
Published here for the first time is a crucial document in the history of American radicalism—the "Prison Blossoms," a series of essays, narratives, poems, and fables composed by three activist anarchists imprisoned for the 1892 assault on anti-union steel tycoon Henry Clay Frick.
Author | : Mumia Abu-Jamal |
Publisher | : South End Press |
Total Pages | : 184 |
Release | : 2003-07 |
Genre | : Biography & Autobiography |
ISBN | : 9780896086999 |
The author, a prisoner on death-row for killing a police officer, presents a series of essays and reflections on his life and his spirituality.
Author | : Paul Avrich |
Publisher | : AK Press |
Total Pages | : 598 |
Release | : 2005 |
Genre | : Political Science |
ISBN | : 9781904859277 |
In Anarchist Voices, Avrich lets anarchists speak for themselves.
Author | : Alexander Berkman |
Publisher | : |
Total Pages | : 560 |
Release | : 1912 |
Genre | : Anarchism |
ISBN | : |
Author | : Lisa M. Corrigan |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 201 |
Release | : 2016-11-04 |
Genre | : Social Science |
ISBN | : 1496809084 |
Winner of the 2017 Diamond Anniversary Book Award and the African American Communication and Culture Division's 2017 Outstanding Book Award, both from the National Communication Association In the Black liberation movement, imprisonment emerged as a key rhetorical, theoretical, and media resource. Imprisoned activists developed tactics and ideology to counter white supremacy. Lisa M. Corrigan underscores how imprisonment—a site for both political and personal transformation—shaped movement leaders by influencing their political analysis and organizational strategies. Prison became the critical space for the transformation from civil rights to Black Power, especially as southern civil rights activists faced setbacks. Black Power activists produced autobiographical writings, essays, and letters about and from prison beginning with the early sit-in movement. Examining the iconic prison autobiographies of H. Rap Brown, Mumia Abu-Jamal, and Assata Shakur, Corrigan conducts rhetorical analyses of these extremely popular though understudied accounts of the Black Power movement. She introduces the notion of the “Black Power vernacular” as a term for the prison memoirists' rhetorical innovations, to explain how the movement adapted to an increasingly hostile environment in both the Johnson and Nixon administrations. Through prison writings, these activists deployed narrative features supporting certain tenets of Black Power, pride in Blackness, disavowal of nonviolence, identification with the Third World, and identity strategies focused on Black masculinity. Corrigan fills gaps between Black Power historiography and prison studies by scrutinizing the rhetorical forms and strategies of the Black Power ideology that arose from prison politics. These discourses demonstrate how Black Power activism shifted its tactics to regenerate, even after the FBI sought to disrupt, discredit, and destroy the movement.
Author | : Caoimhe Nic Dhaibheid |
Publisher | : Taylor & Francis |
Total Pages | : 268 |
Release | : 2016-11-03 |
Genre | : Political Science |
ISBN | : 1317199030 |
This book addresses provides a series of in-depth portraits of men and women who have been labelled ‘terrorists’, from the 19th, 20th and 21st centuries. Bridging historical methodologies and theoretical approaches to terrorism studies, it seeks to contribute to the developing historicising of terrorism studies. This is achieved principally through a prosopographical approach. In the preponderance of detailed statistical and quantitative data on the practice of terrorism and political violence, the individuals who participate in terrorist acts are often obscured. While ideologies and organisations have attracted much scholarly interest, less is known of the personal trajectories into political violence, particularly from a historical perspective. The focus on a relatively narrow cast of high-profile terrorist ‘villains’, to a large part driven by popular and media attention, results in a somewhat skewed picture; of equal value, arguably, is a more sustained reflection on the lives of lesser-known individuals. The book sits at the juncture between terrorism studies, historical biography and ethnography. It comprises case studies of ten individuals who have engaged in political violence in the nineteenth, twentieth and twenty-first centuries, in a number of locations and with a variety of ideological motivations, from Russian-inflected anarchism to Islamist extremism. Through detailed empirical research, crucial themes in the study of terrorism and political violence are explored: the diverse individual radicalisation pathways, the question of disengagement and re-engagement, various counter-terrorist and counter-insurgency strategies adopted by governments and security forces, and the changing nature and perception of terrorism over time. Although not explicitly comparative, a number of themes resonate between the case studies, which will be drawn together in the conclusion to this book. These include the role of migration in radicalisation, the influence of radical family heritages, the experience of imprisonment and the narratives which individuals construct to tell their own terrorist life-stories. It also provides an historically grounded answer to one of the most contentious and heated debates in recent literature on terrorism studies: ‘what leads a person to turn to political violence?’ In examining the life-narratives of a diverse range of men and women who at some point embraced violence, this book seeks to contribute to a growing understanding of the entire arc of a terrorist lifespan, from radicalisation to mobilisation, to disengagement and beyond. This book will be of much interest to students of political violence, terrorism studies, security studies and politics in general.
Author | : Avery F. Gordon |
Publisher | : Fordham Univ Press |
Total Pages | : 489 |
Release | : 2017-10-31 |
Genre | : Social Science |
ISBN | : 0823276333 |
The Hawthorn Archive, named after the richly fabled tree, has long welcomed the participants in the various Euro-American social struggles against slavery, racial capitalism, imperialism, and authoritarian forms of order. The Archive is not a library or a research collection in the conventional sense but rather a disorganized and fugitive space for the development of a political consciousness of being indifferent to the deadly forms of power that characterize our society. Housed by the Archive are autonomous radicals, runaways, abolitionists, commoners, and dreamers who no longer live as obedient or merely resistant subjects. In this innovative, genre- and format-bending publication, Avery F. Gordon, the “keeper” of the Archive, presents a selection of its documents—original and compelling essays, letters, cultural analyses, images, photographs, conversations, friendship exchanges, and collaborations with various artists. Gordon creatively uses the imaginary of the Archive to explore the utopian elements found in a variety of resistive and defiant activity in the past and in the present, zeroing in on Marxist critical theory and the black radical tradition. Fusing critical theory with creative writing in a historical context, The Hawthorn Archive represents voices from the utopian margins, where fact, fiction, theory, and image converge. Reminiscent of the later fictions of Italo Calvino or Walter Benjamin’s Arcades Project, The Hawthorn Archive is a groundbreaking work that defies strict disciplinary, methodological, and aesthetic boundaries. And like Ghostly Matters: Haunting and the Sociological Imagination, which established Gordon as one of the most influential interdisciplinary scholars of the humanities and social sciences in recent years, it provides a kaleidoscopic analysis of power and effect. The Hawthorn Archive’s experimental format and inventive synthesis of critical theory and creative writing make way for a powerful reconception of what counts as social change and political action, offering creative inspiration and critical tools to artists, activists, scholars across various disciplines, and general readers alike.
Author | : |
Publisher | : |
Total Pages | : 456 |
Release | : 1905 |
Genre | : Prisoners |
ISBN | : |
Author | : Ying Zhang |
Publisher | : BRILL |
Total Pages | : 108 |
Release | : 2020-04-28 |
Genre | : Religion |
ISBN | : 9004432299 |
Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture. The Ming is known for its extraordinary cultural and economic accomplishments in the increasingly globalized early modern world. For scholars of Chinese religion and art, this era crystallizes the essential and enduring characteristics in these two spheres. Drawing on scholarship on Chinese philosophy, religion, aesthetics, poetry, music, and visual and material culture, Zhang illustrates how the prisoners understood their environment as creative and engaged it creatively. She then offers a literature survey on the characteristics of premodern Chinese religion and art that helps situate the questions of “creative environment” and “creative subject” within multiple fields of scholarship.