Prinz Mit Dem Eisernen Herzen Life Is A Story Storyone
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| Author | : Lyné Rauhut |
| Publisher | : BoD – Books on Demand |
| Total Pages | : 66 |
| Release | : 2023-08-22 |
| Genre | : Fiction |
| ISBN | : 3710861861 |
Dass Prinz Gavriel Wynris von Galhir auch den Beinamen Prinz Eisenherz trägt, kommt nicht von ungefähr. Selten nur scheint der junge Thronfolger vom Herzogtum Galhir Gefühle an sich heranzulassen, geschweige denn selbige zu zeigen, und so zeichnet eine zumeist eher ausdruckslose Miene sein wie versteinertes Gesicht. Die Gepflogenheiten der Gesellschaft - strenger Erziehung sowie der Fähigkeit, vielerlei auswendig zu lernen, sei Dank - sind ihm wohlbekannt, dennoch kann er sich nicht sonderlich gut in andere hineinversetzen und neigt dementsprechend nicht selten zu deplatzierten, sarkastischen oder gar zynischen Äußerungen. Alles jedoch soll sich ändern, als ihm die angestrebte Verlobung mit Prinzessin Elaxi Valthur von Adrores verkündigt wird. Nur zwei von vielen Momenten im Leben des Prinzen, die erzählt werden wollen.
| Author | : H. Logeman |
| Publisher | : Springer |
| Total Pages | : 512 |
| Release | : 1917 |
| Genre | : Education |
| ISBN | : |
This critical study of the existing Peer Gynt texts, with the exception of §§ 140, 141 and a few notes added here and there in the text, was written in the spring of 1914 and even com posed down to § 104. It was to have been published in the Recueil de la Faculte de Philo sophie et Lettres de l'Universite de Gand in the September of that year, contemporaneou
| Author | : Sheldon Cashdan |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 1999 |
| Genre | : Literary Criticism |
| ISBN | : 0465008968 |
A psychoanalytic approach to fairy tales that examines how children can project their own internal struggles onto the opposing characters.
| Author | : Erika Reiman |
| Publisher | : Boydell & Brewer |
| Total Pages | : 248 |
| Release | : 2004 |
| Genre | : Music |
| ISBN | : 158046145X |
A study on the influence which the German novelist Jean Paul Friedrich Richter had upon Robert Schumann's music.
| Author | : Peter Rollberg |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 891 |
| Release | : 2016-07-20 |
| Genre | : Performing Arts |
| ISBN | : 1442268425 |
Russian and Soviet cinema occupies a unique place in the history of world cinema. Legendary filmmakers such as Sergei Eisenstein, Vsevolod Pudovkin, Dziga Vertov, Andrei Tarkovsky, and Sergei Paradjanov have created oeuvres that are being screened and studied all over the world. The Soviet film industry was different from others because its main criterion of success was not profit, but the ideological and aesthetic effect on the viewer. Another important feature is Soviet cinema’s multinational (Eurasian) character: while Russian cinema was the largest, other national cinemas such as Georgian, Kazakh, and Ukrainian played a decisive role for Soviet cinema as a whole. The Historical Dictionary of Russian and Soviet Cinema provides a rich tapestry of factual information, together with detailed critical assessments of individual artistic accomplishments. This second edition of Historical Dictionary of Russian and Soviet Cinema contains a chronology, an introduction, and a bibliography. The dictionary section has over 600 cross-referenced entries on directors, performers, cinematographers, composers, designers, producers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian and Soviet Cinema.
| Author | : Bernadette Kester |
| Publisher | : Amsterdam University Press |
| Total Pages | : 340 |
| Release | : 2003 |
| Genre | : Performing Arts |
| ISBN | : 9789053565988 |
How was Germany's experience of World War I depicted in film during the following years? Drawing on analysis of the films of the Weimar era--documentaries and feature films addressing the war's causes, life at the front, war at sea, and the home front--Bernadette Kester sketches out the historical context, including reviews and censors' reports, in which these films were made and viewed, and offers much insight into how Germans collectively perceived World War I during its aftermath and beyond.
| Author | : Frank Noack |
| Publisher | : University Press of Kentucky |
| Total Pages | : 497 |
| Release | : 2016-04-08 |
| Genre | : Biography & Autobiography |
| ISBN | : 0813167027 |
Veit Harlan (1899-1964) was one of Germany's most controversial and loathed directors. The first English-language biography of the notorious director, Veit Harlan presents an in-depth portrait of the man who is arguably the only Nazi filmmaker with a distinct authorial style and body of work.
| Author | : Amir Theilhaber |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 614 |
| Release | : 2020-09-07 |
| Genre | : History |
| ISBN | : 3110639645 |
The German lacuna in Edward Said’s 'Orientalism' has produced varied studies of German cultural and academic Orientalisms. So far the domains of German politics and scholarship have not been conflated to probe the central power/knowledge nexus of Said’s argument. Seeking to fill this gap, the diplomatic career and scholarly-literary productions of the centrally placed Friedrich Rosen serve as a focal point to investigate how politics influenced knowledge generated about the “Orient” and charts the roles knowledge played in political decision-making regarding extra-European regions. This is pursued through analyses of Germans in British imperialist contexts, cultures of lowly diplomatic encounters in Middle Eastern cities, Persian poetry in translation, prestigious Orientalist congresses in northern climes, leveraging knowledge in high-stakes diplomatic encounters, and the making of Germany’s Islam policy up to the Great War. Politics drew on bodies of knowledge and could promote or hinder scholarship. Yet, scholars never systemically followed empire in its tracks but sought their own paths to cognition. On their own terms or influenced by “Oriental” savants they aligned with politics or challenged claims to conquest and rule.
| Author | : Thomas Elsaesser |
| Publisher | : Amsterdam University Press |
| Total Pages | : 356 |
| Release | : 1996 |
| Genre | : Performing Arts |
| ISBN | : 9789053561836 |
In the Beginning: Recollections of Software Pioneers records the stories of computing's past, enabling today's professionals to improve on the realities of yesterday. The stories in this book clearly show that modern concepts, such as data abstraction, modularity, and structured approaches, date much earlier in the field than their appearance in academic literature. These stories help capture the true evolution. The book illustrates human experiences and industry turning points through personal recollections by the pioneers ... people like Barry Boehm, Peter Denning, Watts Humphrey, Frank Land, and a dozen others.
| Author | : Wolfgang Amadeus Mozart |
| Publisher | : Overture Opera Guides |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Music |
| ISBN | : 9781847498052 |
Die Zauberflöte had its premiere at the Theater auf der Wieden in Vienna on 30th September 1791, less than ten weeks before Mozart's death. It has proved to be one of the most enduringly popular of all his works and has enchanted generations of opera-goers of all ages. In a fairy-tale allegory imbued with serious philosophical concerns, the opera combines ethereal music with earthy comedy to convey a message of hope for a better world.In this guide, Nicholas Till writes about the background and genesis of the opera, locating it on the cusp of the Enlightenment and the beginnings of German Romanticism. Julian Rushton provides a detailed analysis of the score with numerous musical examples highlighting its many delights, and Hugo Shirley surveys the different and often bizarre permutations that the opera has undergone on stage since some of its very earliest performances through to the present day.The guide contains the complete German libretto with a new English translation by Kenneth Chalmers and incorporates all the dialogue so frequently cut in performances. There are sixteen pages of illustrations, a musical thematic guide, a discography, a bibliography and DVD and website guides. The guide provides a perfect companion to opera-goers wishing to extend their understanding and increase their enjoyment of this much beloved work.
