The Cambridge Companion to Renaissance Humanism

The Cambridge Companion to Renaissance Humanism
Author: Jill Kraye
Publisher: Cambridge University Press
Total Pages: 350
Release: 1996-02-23
Genre: History
ISBN: 9780521436243

From the fourteenth to the seventeenth century, humanism played a key role in European culture. Beginning as a movement based on the recovery, interpretation and imitation of ancient Greek and Roman texts and the archaeological study of the physical remains of antiquity, humanism turned into a dynamic cultural programme, influencing almost every facet of Renaissance intellectual life. The fourteen essays in this 1996 volume deal with all aspects of the movement, from language learning to the development of science, from the effect of humanism on biblical study to its influence on art, from its Italian origins to its manifestations in the literature of More, Sidney and Shakespeare. A detailed biographical index, and a guide to further reading, are provided. Overall, The Cambridge Companion to Renaissance Humanism provides a comprehensive introduction to a major movement in the culture of early modern Europe.

Heavenly Craft

Heavenly Craft
Author: Library of Congress
Publisher: George Braziller Publishers
Total Pages: 244
Release: 2004-11-02
Genre: Antiques & Collectibles
ISBN:

This volume explores the evolution of the technique, composition and colouration of the woodcut beginning with the earliest publications. It features examples from Germany, Italy, France, Spain and The Netherlands.

Origins of European Printmaking

Origins of European Printmaking
Author: Peter W. Parshall
Publisher: Yale University Press
Total Pages: 396
Release: 2005-01-01
Genre: Art
ISBN: 0300113390

The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture

Print Culture and Peripheries in Early Modern Europe

Print Culture and Peripheries in Early Modern Europe
Author: Benito Rial Costas
Publisher: BRILL
Total Pages: 445
Release: 2012-11-09
Genre: History
ISBN: 9004235752

Despite the fact that, if only by number, small and peripheral cities played an important role in fifteenth and sixteenth-century European print culture, book history has mainly been dominated by monographs on individual big book centres. Through a number of specific case studies, which deploy a variety of methods and a wide range of sources, this volume seeks to enhance our understanding of printing and the book trade in small and peripheral European cities in the fifteenth and sixteenth centuries, and to emphasize the necessity of new research for the study of print culture in such cities.

Spanish and Portuguese 16th Century Books in the Department of Printing and Graphic Arts

Spanish and Portuguese 16th Century Books in the Department of Printing and Graphic Arts
Author: Harvard College Library. Department of Printing and Graphic Arts
Publisher: Cambridge, Mass. : Houghton Library : Harvard College Library
Total Pages: 116
Release: 1985
Genre: Bibliographical exhibitions
ISBN:

Nearly all the Spanish and Portuguese books in the Department were collected and given to the Library by the late Philip Hofer, founding Curator of the Department. They reflect his personal taste and his awareness of the historical importance of such a collection - foreword.

Brand Luther

Brand Luther
Author: Andrew Pettegree
Publisher:
Total Pages: 402
Release: 2015
Genre: Book industries and trade
ISBN: 1594204969

A revolutionary look at Martin Luther, the Reformation, and the birth of publishing, on the eve of the Reformation's 500th anniversary When Martin Luther posted his "theses" on the door of the Wittenberg church in 1517, protesting corrupt practices, he was virtually unknown. Within months, his ideas spread across Germany, then all of Europe; within years, their author was not just famous, but infamous, responsible for catalyzing the violent wave of religious reform that would come to be known as the Protestant Reformation and engulfing Europe in decades of bloody war. Luther came of age with the printing press, and the path to glory of neither one was obvious to the casual observer of the time. Printing was, and is, a risky business--the questions were how to know how much to print and how to get there before the competition. Pettegree illustrates Luther's great gifts not simply as a theologian, but as a communicator, indeed, as the world's first mass-media figure, its first brand. He recognized in printing the power of pamphlets, written in the colloquial German of everyday people, to win the battle of ideas. But that wasn't enough--not just words, but the medium itself was the message. Fatefully, Luther had a partner in the form of artist and businessman Lucas Cranach, who together with Wittenberg's printers created the distinctive look of Luther's pamphlets. Together, Luther and Cranach created a product that spread like wildfire--it was both incredibly successful and widely imitated. Soon Germany was overwhelmed by a blizzard of pamphlets, with Wittenberg at its heart; the Reformation itself would blaze on for more than a hundred years. Publishing in advance of the Reformation's 500th anniversary, Brand Luther fuses the history of religion, of printing, and of capitalism--the literal marketplace of ideas--into one enthralling story, revolutionizing our understanding of one of the pivotal figures and eras in human history.

The Book Triumphant

The Book Triumphant
Author: Malcolm Walsby
Publisher: BRILL
Total Pages: 395
Release: 2011-08-25
Genre: Language Arts & Disciplines
ISBN: 9004207236

This edited collection presents new research on the development of printing and bookselling throughout Europe during the sixteenth and seventeenth centuries, addressing themes such as the Reformation, the transmission of texts and the production and sale of printed books.

Texts in Transit

Texts in Transit
Author: Lotte Hellinga
Publisher: BRILL
Total Pages: 466
Release: 2014-08-12
Genre: Literary Criticism
ISBN: 9004279008

After Gutenberg’s Bible had appeared in print in 1455, other early printers found different ways to solve problems set by the new technique. Survival of printer’s copy or proofs permits rare views of compositors and printers manipulating a text before it emerged in its new form. Versions were corrected to be fit for purpose, and might be adapted for a much enlarged readership, especially if the language was vernacular. The printing press itself required careful measuring and fitting of texts. In twelve case-studies Lotte Hellinga explores what is revealed in printer’s copy and proofs used in diverse printing houses, covering the period from 1459 to the 1490s, and ranging from Rome and Venice to Mainz and Westminster. See also the companion volume by the same author, Incunabula in Transit (Brill, 2017).