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| Author | : Alan Cooper |
| Publisher | : Lulu.com |
| Total Pages | : 277 |
| Release | : 2010-11 |
| Genre | : Fiction |
| ISBN | : 0557765862 |
A satire on sibling relations, international relations, and adult responsibility for childhood obesity.
| Author | : Bernard Avishai |
| Publisher | : Yale University Press |
| Total Pages | : 174 |
| Release | : 2012-04-24 |
| Genre | : Literary Criticism |
| ISBN | : 0300178115 |
The publication of Portnoy’s Complaint in 1969 provoked instant, powerful reactions. It blasted Philip Roth into international fame, subjected him to unrelenting personal scrutiny and conjecture, and shocked legions of readers—some delighted, others appalled. Portnoy and other main characters became instant archetypes, and Roth himself became a touchstone for conflicting attitudes toward sexual liberation, Jewish power, political correctness, Freudian language, and bourgeois disgust. What about this book inspired Richard Lacayo of Time to describe it as “a literary instance of shock and awe,” and the Modern Library to list it among the 100 best English-language novels of the twentieth century? Bernard Avishai offers a witty exploration of Roth’s satiric masterpiece, based on the prolific novelist's own writings, teaching notes, and personal interviews. In addition to discussing the book’s timing, rhetorical gambit, and sheer virtuousity, Avishai includes a chapter on the Jewish community’s outrage over the book and how Roth survived it, and another on the author’s scorching treatment of psychoanalysis. Avishai shows that Roth’s irreverent novel left us questioning who, or what, was the object of the satire. Hilariously, it proved the serious ways we construct fictions about ourselves and others.
| Author | : Claudia Roth Pierpont |
| Publisher | : Macmillan + ORM |
| Total Pages | : 364 |
| Release | : 2013-10-22 |
| Genre | : Literary Criticism |
| ISBN | : 0374710449 |
A critical evaluation of Philip Roth—the first of its kind—that takes on the man, the myth, and the work Philip Roth is one of the most renowned writers of our time. From his debut, Goodbye, Columbus, which won the National Book Award in 1960, and the explosion of Portnoy's Complaint in 1969 to his haunting reimagining of Anne Frank's story in The Ghost Writer ten years later and the series of masterworks starting in the mid-eighties—The Counterlife, Patrimony, Operation Shylock, Sabbath's Theater, American Pastoral, The HumanStain—Roth has produced some of the great American literature of the modern era. And yet there has been no major critical work about him until now. Here, at last, is the story of Roth's creative life. Roth Unbound is not a biography—though it contains a wealth of previously undisclosed biographical details and unpublished material—but something ultimately more rewarding: the exploration of a great writer through his art. Claudia Roth Pierpont, a staff writer for The New Yorker, has known Roth for nearly a decade. Her carefully researched and gracefully written account is filled with remarks from Roth himself, drawn from their ongoing conversations. Here are insights and anecdotes that will change the way many readers perceive this most controversial and galvanizing writer: a young and unhappily married Roth struggling to write; a wildly successful Roth, after the uproar over Portnoy, working to help writers from Eastern Europe and to get their books known in the West; Roth responding to the early, Jewish—and the later, feminist—attacks on his work. Here are Roth's family, his inspirations, his critics, the full range of his fiction, and his friendships with such figures as Saul Bellow and John Updike. Here is Roth at work and at play. Roth Unbound is a major achievement—a highly readable story that helps us make sense of one of the most vital literary careers of the twentieth and twenty-first centuries.
| Author | : Adam Kirsch |
| Publisher | : Yale University Press |
| Total Pages | : 188 |
| Release | : 2011-10-25 |
| Genre | : Biography & Autobiography |
| ISBN | : 030017828X |
Lionel Trilling, regarded at the time of his death in 1975 as America's preeminent literary critic, is today often seen as a relic of a vanished era. His was an age when literary criticism and ideas seemed to matter profoundly in the intellectual life of the country. In this eloquent book, Adam Kirsch shows that Trilling, far from being obsolete, is essential to understanding our current crisis of literary confidence--and to overcoming it.By reading Trilling primarily as a writer and thinker, Kirsch demonstrates how Trilling's original and moving work continues to provide an inspiring example of a mind creating itself through its encounters with texts. "Why Trilling Matters" introduces all of Trilling's major writings and situates him in the intellectual landscape of his century, from Communism in the 1930s to neoconservatism in the 1970s. But Kirsch goes deeper, addressing today's concerns about the decline of literature, reading, and even the book itself, and finds that Trilling has more to teach us now than ever before. As Kirsch writes, "Trilling's essays are not exactly literary criticism" but, like all literature, "ends in themselves."
| Author | : Naomi Alderman |
| Publisher | : Penguin UK |
| Total Pages | : 222 |
| Release | : 2007-04-05 |
| Genre | : Fiction |
| ISBN | : 0141906073 |
NOW A MAJOR MOTION PICTURE, STARRING RACHEL WEISZ AND RACHEL MCADAMS By the age of 32, Ronit has left London and transformed her life. She has become a cigarette-smoking, wise-cracking, New York career woman, who is in love with a married man. But when Ronit's father dies she is called back into the very different world of her childhood, a world she thought she had left far behind. The orthodox Jewish suburb of Hendon, north London is outraged by Ronit and her provocative ways. But Ronit is shocked too by the confrontation with her past. And when she meets up with her childhood girlfriend Esti, she is forced to think again about what she has left behind. From the author of The Power, winner of the Baileys Women's Prize for Fiction 2017, Naomi Alderman's Disobedience is an insightful and witty novel on the search for love, tolerance and faith. 'Funny, tender and insightful' Guardian 'A wonderful novel . . . rich and fresh and fascinating' Sunday Times
| Author | : Bruce Jay Friedman |
| Publisher | : Biblioasis |
| Total Pages | : 313 |
| Release | : 2011-10-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 1926845544 |
"Like a Twilight zone with Charlie Chaplin"–Mario Puzo Writer, screenwriter, playwright, editor, actor, teacher: Bruce Jay Friedman has done it all, charming the glitziest industries of American golden-age culture for more than half a century. Lucky Bruce is his long-awaited memoir, and it's everything we'd expect and more: here is Friedman at his best, waltzing from Madison Avenue to Hollywood and back again, and reilluminating with brilliant clarity the dazzle of post-war American life. Self-effacing, wry, sharp, and laugh-out-loud funny, Friedman details with lovable candor his friendships and rivalries with the greatest writers, actors, publishers, directors and personalities of the last fifty years. He stands shoulder-to-shoulder with Steve Martin and Woody Allen. He's a dynamo of comedy and a recognized master of American letters. And in Lucky Bruce, whether he's fist-fighting with Norman Mailer, explaining to Richard Pryor why there are so few Jewish junkies, or writing screenplays in a closet with Natalie Wood as his secretary, Friedman is the king of understated charm. With cameos by Joseph Heller, Philip Roth, Mario Puzo, Lillian Hellman, Warren Beatty, Marlene Dietrich, Brian Grazer, Candida Donadio, Crazy Joe Gallo, Joyce Carol Oates, Jack Richardson, Isaac Bashevis Singer, Kurt Vonnegut, and the irreplaceable Elaine, Lucky Bruce is moving, scandalous, and guaranteed to shed new light on the brightest of American luminaries ... with Bruce Jay Friedman bright among them. Bruce Jay Friedman is a best-selling author, an Academy Award–nominated screenwriter, a magazine editor, a Hollywood actor, and a celebrated playwright. He lives in Manhattan, New York.
| Author | : Michael Wex |
| Publisher | : St. Martin's Press |
| Total Pages | : 332 |
| Release | : 2007-10-16 |
| Genre | : Reference |
| ISBN | : 1429919728 |
A cross between Henry Beard's Latin for All Occasions and Ben Schott's Schott's Original Miscellany, JUST SAY NU is a practical guide to using Yiddish words and expressions in day-to-day situations. Along with enough grammar to enable readers to put together a comprehensible sentence and avoid embarrassing mistakes, Wex also explains the five most useful Yiddish words–shoyn, nu, epes, takeh,and nebakh–what they mean, how and when to use them, and how they can be used to conduct an entire conversation without anybody ever suspecting that the reader doesn't have the vaguest idea of what anyone is actually saying. Readers will learn how to shmooze their way through such activities as meeting and greeting; eating and drinking; praising and finding fault; maintaining personal hygiene; going to the doctor; driving; parenting; getting horoscopes; committing crimes; going to singles bars; having sex; talking politics and talking trash. Now that Stephen Colbert, a Catholic from South Carolina and host of the "Colbert Report," is using Yiddish to wish viewers a bright and happy Chanukah, people have finally started to realize that there's nothing in the world that can't be improved by translating it into Yiddish. Wex's JUST SAY NU is the book that's going to show them how.
| Author | : Adam Kirsch |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 304 |
| Release | : 2020-10-06 |
| Genre | : Religion |
| ISBN | : 0393652416 |
An erudite and accessible survey of Jewish life and culture in the twentieth century, as reflected in seminal texts. Following The People and the Books, which "covers more than 2,500 years of highly variegated Jewish cultural expression" (Robert Alter, New York Times Book Review), poet and literary critic Adam Kirsch now turns to the story of modern Jewish literature. From the vast emigration of Jews out of Eastern Europe to the Holocaust to the creation of Israel, the twentieth century transformed Jewish life. The same was true of Jewish writing: the novels, plays, poems, and memoirs of Jewish writers provided intimate access to new worlds of experience. Kirsch surveys four themes that shaped the twentieth century in Jewish literature and culture: Europe, America, Israel, and the endeavor to reimagine Judaism as a modern faith. With discussions of major books by over thirty writers—ranging from Franz Kafka to Philip Roth, Elie Wiesel to Tony Kushner, Hannah Arendt to Judith Plaskow—he argues that literature offers a new way to think about what it means to be Jewish in the modern world. With a wide scope and diverse, original observations, Kirsch draws fascinating parallels between familiar writers and their less familiar counterparts. While everyone knows the diary of Anne Frank, for example, few outside of Israel have read the diary of Hannah Senesh. Kirsch sheds new light on the literature of the Holocaust through the work of Primo Levi, explores the emergence of America as a Jewish home through the stories of Bernard Malamud, and shows how Yehuda Amichai captured the paradoxes of Israeli identity. An insightful and engaging work from "one of America’s finest literary critics" (Wall Street Journal), The Blessing and the Curse brings the Jewish experience vividly to life.
| Author | : Jacques Berlinerblau |
| Publisher | : University of Virginia Press |
| Total Pages | : 286 |
| Release | : 2021-09-14 |
| Genre | : Literary Criticism |
| ISBN | : 081394662X |
Let it be said, Philip Roth was never uncontroversial. From his first book, Roth scandalized literary society as he questioned Jewish identity and sexual politics in postwar America. Scrutiny and fierce rebukes of the renowned author, for everything from chauvinism to anti-Semitism, followed him his entire career. But the public discussions of race and gender and the role of personal history in fiction have deepened in the new millennium. In his latest book, Jacques Berlinerblau offers a critical new perspective on Roth’s work by exploring it in the era of autofiction, highly charged racial reckonings, and the #MeToo movement. The Philip Roth We Don’t Know poses provocative new questions about the author of Portnoy’s Complaint, The Human Stain, and the Zuckerman trilogy first by revisiting the long-running argument about Roth’s misogyny within the context of #MeToo, considering the most current perceptions of artists accused of sexual impropriety and the works they create, and so resituating the Roth debates. Berlinerblau also examines Roth’s work in the context of race, revealing how it often trafficked in stereotypes, and explores Roth’s six-decade preoccupation with unstable selves, questioning how this fictional emphasis on fractured personalities may speak to the author’s own mental state. Throughout, Berlinerblau confronts the critics of Roth —as well as his defenders, many of whom were uncritical friends of the famous author—arguing that the man taught us all to doubt "pastorals," whether in life or in our intellectual discourse.
| Author | : Lord Lord Byron |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 74 |
| Release | : 2015-07-19 |
| Genre | : |
| ISBN | : 9781515143840 |
Byron was an English poet and a leading figure in the Romantic movement. Among Byron's best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage and the short lyric She Walks in Beauty. Byron is regarded as one of the greatest British poets, and remains widely read and influential. He travelled widely across Europe, especially in Italy where he lived for seven years. Later in life, Byron joined the Greek War of Independence fighting the Ottoman Empire, for which many Greeks revere him as a national hero. He died one year later at age 36 from a fever contracted while in Messolonghi in Greece. Often described as the most flamboyant and notorious of the major Romantics, Byron was both celebrated and castigated in life for his aristocratic excesses, including huge debts, numerous love affairs with people of both sexes, rumours of a scandalous liaison with his half-sister, and self-imposed exile.
