Priceless Ingredient Messages Nos1 23 Broadcasted By Er Squibb Sons New York City January June 1929
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Author | : New York University. Institute of Fine Arts. Conservation Center |
Publisher | : Parrot Books UK |
Total Pages | : 246 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
Contents: Overview The Samuel H. Kress Collection: Conservation and Context Marilyn Perry The Samuel H. Kress Program in Paintings Conservation at the Conservation Center, Institute of Fine Arts, New York University Margaret Holben Ellis Introduction to the Volume Michele Marincola Acknowledgements Michele Marincola 2. Historical Papers Philosophies and Tastes in Nineteenth-Century Paintings Conservation Wendy Partridge Stephen Pichetto, conservator of the Kress Collection 1927-1949 Ann Hoenigswald Mario Modestini, Conservator of the Kress Collection 1949-1961 Dianne Modestini 3. Technical Studies & Treatment A New Leaf: Recent Technical Discoveries in the Goodhart Ducciesque Master's Madonna and Child with Four Saints Jennifer Sherman Botticelli's Nativity Charles R. Mack The Re-use of a Desco da Parto Mika Okawa & Dianne Dwyer Modestini The Triumphs of Petrarch: An Analysis of a Renaissance Decorative Cycle Wendy Partridge A Portable Triptych in El Paso Dianne Dwyer Modestini Guidoccio Cozzarelli's Scenes from the Life of the Virgin Dianne Modestini School of Pietro Perugino, Saint Sebastian Annette Rupprecht & Sheri Francis Shaneyfelt The Master of the Manchester Madonna: Restoration, Technique, and a Context for Attribution Molly March Portrait of a Lady and Techniques in the late Paintings of Nicolaes Maes, and Painting Techniques in the Late Paintings of Nicolaes Maes Laurent Sozzani with Christopher McGlinchey View of the Molo: A Canaletto Attribution Reinstated Elise Effmann Canaletto Paints the Molo from the Ponte della Paglia Katharine Baetjer View of the Grand Canal with Dogana and Guardi Studio Pictures Helen Spande
Author | : William Albert Fuller |
Publisher | : Morges, Switzerland : International Union for Conservation of Nature and Natural Resources |
Total Pages | : 344 |
Release | : 1970 |
Genre | : Arctic regions |
ISBN | : 9782880320553 |
Conference of biologists and ecologists discussing arctic environment in terms of its potential in terrestrial biotic productivity and how best this can be maintained and augmented by conservation and management practices.
Author | : Valancey England Fuller |
Publisher | : |
Total Pages | : 40 |
Release | : 1914 |
Genre | : Calves |
ISBN | : |
Author | : Kay Rasmus Nielsen |
Publisher | : |
Total Pages | : 112 |
Release | : 1977 |
Genre | : Art |
ISBN | : |
Author | : Joe and Emily Lowe Art Gallery (University of Miami) |
Publisher | : |
Total Pages | : 103 |
Release | : 1961 |
Genre | : Art |
ISBN | : |
Author | : John H. Conover |
Publisher | : |
Total Pages | : 80 |
Release | : 1960 |
Genre | : Alaska |
ISBN | : |
Author | : Dianne Dwyer Modestini |
Publisher | : |
Total Pages | : 524 |
Release | : 2018 |
Genre | : Art |
ISBN | : 9788879234504 |
Author | : David Bomford |
Publisher | : Getty Publications |
Total Pages | : 600 |
Release | : 2004 |
Genre | : Antiques & Collectibles |
ISBN | : 9780892367818 |
"This volume will be of interest to teachers and students of conservation and art history, as well as to practicing conservators and museum curators, professionals in related disciplines, and others interested in art history and paintings conservation."--BOOK JACKET.
Author | : Chiyo Ishikawa |
Publisher | : ABRAMS |
Total Pages | : 306 |
Release | : 1994 |
Genre | : Art |
ISBN | : 9780810925625 |
In association with the North Carolina Museum of Art, the Museum of Fine Arts Houston, the Seattle Art Museum, and the Fine Arts Museums of San Francisco.
Author | : Joseph Archer Crowe |
Publisher | : Parkstone International |
Total Pages | : 200 |
Release | : 2023-12-28 |
Genre | : Art |
ISBN | : 1783103922 |
Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader will discover how the sacred began to take a more human form through these forgotten masterworks, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.