Preservation Comes of Age
Author | : Charles Bridgham Hosmer |
Publisher | : |
Total Pages | : 744 |
Release | : 1981 |
Genre | : Architecture |
ISBN | : |
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Author | : Charles Bridgham Hosmer |
Publisher | : |
Total Pages | : 744 |
Release | : 1981 |
Genre | : Architecture |
ISBN | : |
Author | : Susan Porter Benson |
Publisher | : Temple University Press |
Total Pages | : 454 |
Release | : 1986 |
Genre | : History |
ISBN | : 9780877224136 |
In recent years, history has been increasingly popularized through television docudramas, history museums, paperback historical novels, grassroots community history projects, and other public representations of historical knowledge. This collection of lively and accessible essays is the first examination of the rapidly growing field called "public history." Based in part on articles written for the Radical History Review, these eighteen original essays take a sometimes irreverent look at how history is presented to the public in such diverse settings as children's books, Colonial Williamsburg, and the Statue of Liberty, Presenting the Past is organized into three areas which consider the role of mass media ("Packaging the Past"), the affects of applied history ("Professionalizing the Past") and the importance of grassroots efforts to shape historical consciousness ("Politicizing the Past"). The first section examines the large-scale production and dissemination of popular history by mass culture. The contributors criticize many of these Hollywood and Madison Avenue productions that promote historical amnesia or affirm dominant values and institutions. In "Professionalizing the Past," the authors show how non-university based professional historians have also affected popular historical consciousness through their work in museums, historic preservation, corporations, and government agencies. Finally, the book considers what has been labeled "people's history"--oral history projects, slide shows, films, and local exhibits--and assesses its attempts to reach such diverse constituents as workers, ethnic groups, women, and gays. Of essential interest to students of history, Presenting the Past also explains to the general reader how Americans have come to view themselves, their ancestors, and their heritage through the influence of mass media, popular culture, and "public history." Author note: Susan Porter Benson is Associate Professor and Chair of History at Bristol Community College in Massachusetts. Stephen Brier is Director of the American Social History Project and Senior Research Scholar at the Graduate Center, City University of New York. Roy Rosenzweig is Associate Professor of History and Director of the Oral History Program at George Mason University in Virginia.
Author | : Patricia West |
Publisher | : Smithsonian Institution |
Total Pages | : 313 |
Release | : 2013-09-03 |
Genre | : Art |
ISBN | : 1588344258 |
Celebrating the lives of famous men and women, historic house museums showcase restored rooms and period furnishings, and portray in detail their former occupants' daily lives. But behind the gilded molding and curtain brocade lie the largely unknown, politically charged stories of how the homes were first established as museums. Focusing on George Washington’s Mount Vernon, Louisa May Alcott’s Orchard House, Thomas Jefferson’s Monticello, and the Booker T. Washington National Monument, Patricia West shows how historic houses reflect less the lives and times of their famous inhabitants than the political pressures of the eras during which they were transformed into museums.
Author | : Miles Glendinning |
Publisher | : Routledge |
Total Pages | : 536 |
Release | : 2013 |
Genre | : Architecture |
ISBN | : 0415499992 |
Shortlisted for the 2014 SAHGB Alice Davis Hitchcock Medallion. Certainly, ancient structures have long been treated with care and reverence in many societies, including classical Rome and Greece. But only in modern Europe and America, in the last two centuries, has this care been elaborated and energised into a forceful, dynamic ideology: a 'Conservation Movement', infused with a sense of historical destiny and loss, that paradoxically shared many of the characteristics of Enlightenment modernity. Miles Glendinning's new book authoritatively presents, for the first time, the entire history of architectural conservation, and traces its dramatic fluctuations in ideas and popularity, ending by questioning whether its recent international ascendancy can last indefinitely.
Author | : Laura Alice Watt |
Publisher | : Univ of California Press |
Total Pages | : 366 |
Release | : 2017 |
Genre | : History |
ISBN | : 0520277082 |
Point Reyes National Seashore has a long history as a working landscape, with dairy and beef ranching, fishing, and oyster farming; yet, since 1962 it has also been managed as a National Seashore. The Paradox of Preservation chronicles how national ideals about what a park “ought to be” have developed over time and what happens when these ideals are implemented by the National Park Service (NPS) in its efforts to preserve places that are also lived-in landscapes. Using the conflict surrounding the closure of the Drakes Bay Oyster Company, Laura Alice Watt examines how NPS management policies and processes for land use and protection do not always reflect the needs and values of local residents. Instead, the resulting landscapes produced by the NPS represent a series of compromises between use and protection—and between the area’s historic pastoral character and a newer vision of wilderness. A fascinating and deeply researched book, The Paradox of Preservation will appeal to those studying environmental history, conservation, public lands, and cultural landscape management, and to those looking to learn more about the history of this dynamic California coastal region.
Author | : Randall F. Mason |
Publisher | : Routledge |
Total Pages | : 265 |
Release | : 2004-08-02 |
Genre | : Architecture |
ISBN | : 1135952574 |
In this volume, some of the best figures in the field have come together to write on preservation movements across the country, from New York to Atlanta to Santa Fe and others. Giving Preservation a History also touches on the European roots of the historic preservation movement; on how preservation movements have taken a leading role in shaping American urban space and urban development; how historic preservation battles have reflected broader social forces; and what the changing nature of historic preservation means for the effort to preserve the nation's past.
Author | : Robert E. Stipe |
Publisher | : Univ of North Carolina Press |
Total Pages | : 594 |
Release | : 2003 |
Genre | : Architecture |
ISBN | : 0807827797 |
Surveying the past, present and future of historic preservation in America, this text features 15 essays by some of the most eminent voices in the field, essays which highlight the principle ideas and events that have shaped and continue to shape the movement.
Author | : Rem Koolhaas |
Publisher | : |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Architecture and society |
ISBN | : 9781883584986 |
Preservation is Overtaking Us brings together two lectures given by Rem Koolhaas at Columbia University's Graduate School of Architecture, Planning and Preservation, along with a response (framed as a supplement to the original lectures) by Jorge Otero-Pailos. In the first essay Koolhaas describes alternative strategies for preserving Beijing, China. The second talk marks the inaugural Paul Spencer Byard lecture, named in celebration of the longtime professor of Historic Preservation at GSAPP. These two lectures trace key moments of Koolhaas' thinking on preservation, including his practice's entry into China and the commission to redevelop the State Hermitage Museum in St. Petersburg, Russia. In a format well known to Koolhaas' readers, Otero-Pailos reworks the lectures into a working manifesto, using it to interrogate OMA's work from within the discipline of preservation.
Author | : Stephanie E. Yuhl |
Publisher | : Univ of North Carolina Press |
Total Pages | : 300 |
Release | : 2006-03-08 |
Genre | : History |
ISBN | : 0807876542 |
Charleston, South Carolina, today enjoys a reputation as a destination city for cultural and heritage tourism. In A Golden Haze of Memory, Stephanie E. Yuhl looks back to the crucial period between 1920 and 1940, when local leaders developed Charleston's trademark image as "America's Most Historic City." Eager to assert the national value of their regional cultural traditions and to situate Charleston as a bulwark against the chaos of modern America, these descendants of old-line families downplayed Confederate associations and emphasized the city's colonial and early national prominence. They created a vibrant network of individual artists, literary figures, and organizations--such as the all-white Society for the Preservation of Negro Spirituals--that nurtured architectural preservation, art, literature, and tourism while appropriating African American folk culture. In the process, they translated their selective and idiosyncratic personal, familial, and class memories into a collective identity for the city. The Charleston this group built, Yuhl argues, presented a sanitized yet highly marketable version of the American past. Their efforts invited attention and praise from outsiders while protecting social hierarchies and preserving the political and economic power of whites. Through the example of this colorful southern city, Yuhl posits a larger critique about the use of heritage and demonstrates how something as intangible as the recalled past can be transformed into real political, economic, and social power.
Author | : John H. Sprinkle, Jr. |
Publisher | : Routledge |
Total Pages | : 262 |
Release | : 2014-03-05 |
Genre | : History |
ISBN | : 1136169849 |
In 1966, American historic preservation was transformed by the passage of the National Historic Preservation Act, which created a National Register of Historic Places. Now comprising more than 1.4 million historic properties across the country, the National Register is the official federal list of places in the United States thought to be worthy of preservation. One of the fundamental principles of the National Register is that every property is evaluated according to a standard set of criteria that provide the framework for understanding why a property is significant in American history. The origins of these criteria are important because they provide the threshold for consideration by a broad range of federal preservation programs, from planning for continued adaptive use, to eligibility for grants, and inclusion in heritage tourism and educational programs. Crafting Preservation Criteria sets out these preservation criteria for students, explaining how they got added to the equation, and elucidating the test cases that allowed for their use. From artworks to churches, from 'the fifty year rule' to 'the historic scene', students will learn how places have been historically evaluated to be placed on the National Register, and how the criteria evolved over time.