Preservation And Protest
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| Author | : Ryan Patrick McLaughlin |
| Publisher | : Fortress Press |
| Total Pages | : 304 |
| Release | : 2014-11-01 |
| Genre | : Religion |
| ISBN | : 145148948X |
Preservation and Protest proposes a novel taxonomy of four paradigms of nonhuman theological ethics by exploring the intersection of tensions between value terms and teleological terms. McLaughlin systematically develops the paradigm of cosmocentric transfiguration, arguing that the entire cosmos shares in the eschatological hope of a harmonious participation in God’s triune life. With this paradigm, McLaughlin offers an alternative to anthropocentric and conservationist paradigms within the Christian tradition, an alternative that affirms both scientific claims about natural history and the theological hope for eschatological redemption.
| Author | : T. V. Reed |
| Publisher | : U of Minnesota Press |
| Total Pages | : 549 |
| Release | : 2019-01-22 |
| Genre | : Art |
| ISBN | : 1452958653 |
A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistance The Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.
| Author | : Isabel Ortiz |
| Publisher | : Springer Nature |
| Total Pages | : 201 |
| Release | : 2021-11-03 |
| Genre | : Political Science |
| ISBN | : 3030885135 |
This is an open access book. The start of the 21st century has seen the world shaken by protests, from the Arab Spring to the Yellow Vests, from the Occupy movement to the social uprisings in Latin America. There are periods in history when large numbers of people have rebelled against the way things are, demanding change, such as in 1848, 1917, and 1968. Today we are living in another time of outrage and discontent, a time that has already produced some of the largest protests in world history. This book analyzes almost three thousand protests that occurred between 2006 and 2020 in 101 countries covering over 93 per cent of the world population. The study focuses on the major demands driving world protests, such as those for real democracy, jobs, public services, social protection, civil rights, global justice, and those against austerity and corruption. It also analyzes who was demonstrating in each protest; what protest methods they used; who the protestors opposed; what was achieved; whether protests were repressed; and trends such as inequality and the rise of women’s and radical right protests. The book concludes that the demands of protestors in most of the protests surveyed are in full accordance with human rights and internationally agreed-upon UN development goals. The book calls for policy-makers to listen and act on these demands.
| Author | : Marco Giugni |
| Publisher | : Cambridge University Press |
| Total Pages | : 261 |
| Release | : 2019-04-04 |
| Genre | : Political Science |
| ISBN | : 1108475906 |
Explains the character of contemporary protest politics through a micro-mobilization analysis of participation in street demonstrations.
| Author | : Barbara Epstein |
| Publisher | : Univ of California Press |
| Total Pages | : 360 |
| Release | : 1993-09-03 |
| Genre | : History |
| ISBN | : 0520084330 |
From her perspective as both participant and observer, Barbara Epstein examines the nonviolent direct action movement which, inspired by the civil rights movement, flourished in the United States from the mid-seventies to the mid-eighties. Disenchanted with the politics of both the mainstream and the organized left, and deeply committed to forging communities based on shared values, activists in this movement developed a fresh, philosophy and style of politics that shaped the thinking of a new generation of activists. Driven by a vision of an ecologically balanced, nonviolent, egalitarian society, they engaged in political action through affinity groups, made decisions by consensus, and practiced mass civil disobedience. The nonviolent direct action movement galvanized originally in opposition to nuclear power, with the Clamshell Alliance in New England and then the Abalone Alliance in California leading the way. Its influence soon spread to other activist movements—for peace, non-intervention, ecological preservation, feminism, and gay and lesbian rights. Epstein joined the San Francisco Bay Area's Livermore Action Group to protest the arms race and found herself in jail along with a thousand other activists for blocking the road in front of the Lawrence Livermore Laboratory. She argues that to gain a real understanding of the direct action movement it is necessary to view it from the inside. For with its aim to base society as a whole on principles of egalitarianism and nonviolence, the movement sought to turn political protest into cultural revolution.
| Author | : Homer Alonzo 1879- Farrand |
| Publisher | : Wentworth Press |
| Total Pages | : 106 |
| Release | : 2016-08-29 |
| Genre | : History |
| ISBN | : 9781374345287 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Kathrin Fahlenbrach |
| Publisher | : Berghahn Books |
| Total Pages | : 568 |
| Release | : 2016-03-01 |
| Genre | : Social Science |
| ISBN | : 1785331493 |
Protest is a ubiquitous and richly varied social phenomenon, one that finds expression not only in modern social movements and political organizations but also in grassroots initiatives, individual action, and creative works. It constitutes a distinct cultural domain, one whose symbolic content is regularly deployed by media and advertisers, among other actors. Yet within social movement scholarship, such cultural considerations have been comparatively neglected. Protest Cultures: A Companion dramatically expands the analytical perspective on protest beyond its political and sociological aspects. It combines cutting-edge synthetic essays with concise, accessible case studies on a remarkable array of protest cultures, outlining key literature and future lines of inquiry.
| Author | : Jeremi Suri |
| Publisher | : Harvard University Press |
| Total Pages | : 382 |
| Release | : 2005-04-15 |
| Genre | : History |
| ISBN | : 0674256999 |
In a brilliantly-conceived book, Jeremi Suri puts the tumultuous 1960s into a truly international perspective in the first study to examine the connections between great power diplomacy and global social protest. Profoundly disturbed by increasing social and political discontent, Cold War powers united on the international front, in the policy of detente. Though reflecting traditional balance of power considerations, detente thus also developed from a common urge for stability among leaders who by the late 1960s were worried about increasingly threatening domestic social activism. In the early part of the decade, Cold War pressures simultaneously inspired activists and constrained leaders; within a few years activism turned revolutionary on a global scale. Suri examines the decade through leaders and protesters on three continents, including Mao Zedong, Charles de Gaulle, Martin Luther King Jr., Daniel Cohn-Bendit, and Aleksandr Solzhenitsyn. He describes connections between policy and protest from the Berkeley riots to the Prague Spring, from the Paris strikes to massive unrest in Wuhan, China. Designed to protect the existing political order and repress movements for change, detente gradually isolated politics from the public. The growth of distrust and disillusion in nearly every society left a lasting legacy of global unrest, fragmentation, and unprecedented public skepticism toward authority.
| Author | : John Wills |
| Publisher | : University of Nevada Press |
| Total Pages | : 383 |
| Release | : 2012-08-15 |
| Genre | : History |
| ISBN | : 0874176883 |
One of the most controversial atomic projects of the US nuclear industry during the 1960s and 1970s was the construction of a nuclear power plant at Diablo Canyon, a relatively unsettled and biologically rich part of the central California coast. Conservation Fallout traces the course of opposition that tore apart local communities, almost destroyed the Sierra Club, and attracted massive demonstrations in San Francisco and at the plant itself. The result is a balanced examination of nuclear politics in California and of the evolution and strategies of little-studied grassroots protest groups determined to resist the spread of nuclear technology.
| Author | : Fernando Orejuela |
| Publisher | : Indiana University Press |
| Total Pages | : 145 |
| Release | : 2018-08-10 |
| Genre | : Music |
| ISBN | : 025303843X |
Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar's "Alright," J. Cole's "Be Free," D'Angelo and the Vanguard's "The Charade," The Game's "Don't Shoot," Janelle Monae's "Hell You Talmbout," Usher's "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
