Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s >Metamorphoses

Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s >Metamorphoses
Author: José Manuel Blanco Mayor
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 391
Release: 2017-02-20
Genre: Literary Criticism
ISBN: 3110490285

Conceived as a necessary reconsideration of the pristine "elegiac question" in Ovid’s Metamorphoses, this book intends to offer an analysis of the function of elegiac discourse within Ovid’s magnum opus from the perspective of metapoetics. To that end, the author undertakes, in the first section, a close re-reading of some relevant passages of Latin love elegy. From a prism that takes into account the characteristically elegiac multivocality, the genre reveals itself as an agonistic discourse in which the poet dramatises his metaliterary power-relation with the puella, who is unveiled as the synthesis of the distinct sub-products of his poetic activity. Thereupon, the author proceeds to scrutinise how elegiac elements are assimilated and transformed as they become integrated within the framework of Ovid’s poem of changing forms. Far from being a mere stylistic ornament, the presence of an elegiac register in many erotic passages tells us about Ovid’s stance towards love as a metapoetic trope. By reworking elegiac tradition to the point of transforming it into a novum corpus, the poet ultimately substantiates the mutability of generic categories.

Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s >Metamorphoses

Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s >Metamorphoses
Author: José Manuel Blanco Mayor
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 380
Release: 2017-02-20
Genre: Literary Criticism
ISBN: 3110488655

Conceived as a necessary reconsideration of the pristine "elegiac question" in Ovid’s Metamorphoses, this book intends to offer an analysis of the function of elegiac discourse within Ovid’s magnum opus from the perspective of metapoetics. To that end, the author undertakes, in the first section, a close re-reading of some relevant passages of Latin love elegy. From a prism that takes into account the characteristically elegiac multivocality, the genre reveals itself as an agonistic discourse in which the poet dramatises his metaliterary power-relation with the puella, who is unveiled as the synthesis of the distinct sub-products of his poetic activity. Thereupon, the author proceeds to scrutinise how elegiac elements are assimilated and transformed as they become integrated within the framework of Ovid’s poem of changing forms. Far from being a mere stylistic ornament, the presence of an elegiac register in many erotic passages tells us about Ovid’s stance towards love as a metapoetic trope. By reworking elegiac tradition to the point of transforming it into a novum corpus, the poet ultimately substantiates the mutability of generic categories.

Loving Writing/Ovid's Amores

Loving Writing/Ovid's Amores
Author: Ellen Oliensis
Publisher: Cambridge University Press
Total Pages: 211
Release: 2019-07-11
Genre: History
ISBN: 1108482309

Offers detailed reading of the Amores, oriented toward the writer's and reader's pleasure, that reframes the discussion around elegy and identity.

Style in Latin Poetry

Style in Latin Poetry
Author: Paolo Dainotti, Alexandre Pinheiro Hasegawa, Stephen Harrison
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 450
Release: 2024-03-04
Genre:
ISBN: 3111067939

Latin Poetry in the Ancient Greek Novels

Latin Poetry in the Ancient Greek Novels
Author: Daniel Jolowicz
Publisher: Oxford University Press
Total Pages: 416
Release: 2021
Genre: History
ISBN: 019289482X

"This work establishes and explores connections between Greek imperial literature and Latin poetry. As such, it challenges conventional thinking about literary and cultural interaction of the period, which assumes that imperial Greeks are not much interested in Roman cultural products (especially literature). Instead, it argues that Latin poetry is a crucially important frame of reference for Greek imperial literature. This has significant ramifications, bearing on the question of bilingual allusion and intertextuality, as well as on that of cultural interaction during the imperial period more generally. The argument mobilizes the Greek novels-a literary form that flourished under the Roman empire, offering narratives of love, separation, and eventual reunion in and around the Mediterranean basin-as a series of case studies. Three of these novels in particular-Chariton's Chaereas and Callirhoe, Achilles Tatius' Clitophon and Leucippe, and Longus' Daphnis and Chloe-are analysed for the extent to which they allude to Latin poetry, and for the effects (literary and ideological) of such allusion. After an Introduction that establishes the cultural context and parameters of the study, each chapter pursues the strategies of an individual novelist in connection with Latin poetry: Chariton and Latin love elegy (Chapter 1); Chariton and Ovidian epistles and exilic poetry (Chapter 2); Chariton and Vergil's Aeneid (Chapter 3); Achilles Tatius and Latin love elegy (Chapter 4); Achilles Tatius and Vergil's Aeneid (Chapter 5); Achilles Tatius and the theme of bodily destruction in Ovid's Metamorphoses, Lucan's Bellum Civile, and Seneca's Phaedra (Chapter 6); Longus and Vergil's Eclogues, Georgics, and Aeneid (Chapter 7). The work offers the first book-length study of the role of Latin literature in Greek literary culture under the empire, and thus provides fresh perspectives and new approaches to the literature and culture of this period"--

Ovid: A Very Short Introduction

Ovid: A Very Short Introduction
Author: Llewelyn Morgan
Publisher: Oxford University Press
Total Pages: 152
Release: 2020-09-24
Genre: Literary Collections
ISBN: 0192574671

"Vivam" is the very last word of Ovid's masterpiece, the Metamorphoses: "I shall live." If we're still reading it two millennia after Ovid's death, this is by definition a remarkably accurate prophecy. Ovid was not the only ancient author with aspirations to be read for eternity, but no poet of the Greco-Roman world has had a deeper or more lasting impact on subsequent literature and art than he can claim. In the present day no Greek or Roman poet is as accessible, to artists, writers, or the general reader: Ovid's voice remains a compellingly contemporary one, as modern as it seemed to his contemporaries in Augustan Rome. But Ovid was also a man of his time, his own story fatally entwined with that of the first emperor Augustus, and the poetry he wrote channels in its own way the cultural and political upheavals of the contemporary city, its public life, sexual mores, religion, and urban landscape, while also exploiting the superbly rich store of poetic convention that Greek literature and his Roman predecessors had bequeathed to him. This Very Short Introduction explains Ovid's background, social and literary, and introduces his poetry, on love, metamorphosis, Roman festivals, and his own exile, a restlessly innovative oeuvre driven by the irrepressible ingenium or wit for which he was famous. Llewelyn Morgan also explores Ovid's immense influence on later literature and art, spanning from Shakespeare to Bernini. Throughout, Ovid's poetry is revealed as enduringly scintillating, his personal story compelling, and the issues his life and poetry raise of continuing relevance and interest. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Latin Love Elegy

Latin Love Elegy
Author: Robert Maltby
Publisher: Bolchazy-Carducci Publishers
Total Pages: 156
Release: 1980
Genre: Poetry
ISBN: 9780865160613

This book offers a representative selection of the three main exponents of Latin love elegy: Propertius, Tibullus, and Ovid. A few elegiac poems by Catullus are included for purposes of comparison. The book includes a general introduction to the elegy, select bibliography, Latin text of twenty poems, and commentary to introduce each poem, notes, both grammatical and to aid literary analysis.

The Arts of Love

The Arts of Love
Author: Duncan F. Kennedy
Publisher: Cambridge University Press
Total Pages: 124
Release: 1993
Genre: History
ISBN: 9780521407670

The five chapters that make up this short book examine the love elegies of the Roman poets Tibullus, Propertius and Ovid from the point of view of the way the meanings attributed to the poems arise out of the interests and preoccupations of the cultural situation in which they are read. Each study is centred around a reading of a poem or poems together with a discussion of a variety of sophisticated theoretical approaches drawn from modern scholars and theorists such as Paul Veyne, Roland Barthes an Michel Foucault. In each case, the modes of analysis involved are pressed hard to see where they may lead, and, equally, where they may show signs of strain. All Latin texts and terms are translated or closely paraphrased.

A Commentary on Ovid's Metamorphoses: Volume 2, Books 7-12

A Commentary on Ovid's Metamorphoses: Volume 2, Books 7-12
Author: Alessandro Barchiesi
Publisher: Cambridge University Press
Total Pages: 692
Release: 2023-12-31
Genre: Literary Collections
ISBN: 1009197630

Comprising fifteen books and over two hundred and fifty myths, Ovid's Metamorphoses is one of the longest extant Latin poems from the ancient world and one of the most influential works in Western culture. It is an epic on desire and transgression that became a gateway to the entire world of pagan mythology and visual imagination. This, the first complete commentary in English, covers all aspects of the text – from textual interpretation to poetics, imagination, and ideology – and will be useful as a teaching aid and an orientation for those who are interested in the text and its reception. Historically, the poem's audience includes readers interested in opera and ballet, psychology and sexuality, myth and painting, feminism and posthumanism, vegetarianism and metempsychosis (to name just a few outside the area of Classical Studies).

The play within the play: Ovid's "Metamorphoses" and Shakespeare's "A Midsummer Night's Dream"

The play within the play: Ovid's
Author: Mandy Busse
Publisher: GRIN Verlag
Total Pages: 16
Release: 2007-06-16
Genre: Literary Criticism
ISBN: 3638770583

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Erfurt, language: English, abstract: “[By Reading Ovid’s Metamorphoses, the Elizabethans could](...) dig beneath its layers of fiction in an effort to recover the most precious secrets of the ancient world, whether moral, philosophical, historical, or scientific.” It is beyond all doubt, that the great poetry of Ovid (43 BC – 17 AD) had a strong influence on William Shakespeare’s work. Understandably enough, as Ovid’s work is a classical masterpiece of Latin literature. It fascinates with its formal perfection, urban humour and Ovid’s creative fantasy. His outstanding opus is of course the Metamorphoses, the magnificent epic poem containing about 250 transformation legends of Greek and Roman mythology. Ovid’s interests in myths show also the heroides, which include fictitious love letters. Love – this is undoubtedly a central theme in Ovid’s literature. His writings Amores, Ars amatoria and Remedia amoris display that. Although Ovid’s literature was banished from public libraries by emperor Augustus after the poet’s death, his posthumous fame could not be prevented – fortunately. Ovid’s work had a great influence on medieval literature and during renaissance his mythological stories had been example for many novellas . The role of Ovid’s greatest opus, the Metamorphoses in Shakespeare’s work, especially in his comedy A Midsummer Night’s Dream, is going to be discussed in this paper. At first the focus lies on Ovidian literature in Elizabethan times. Then, the parody of Pyramus and Thisbe in A Midsummer Night’s Dream will be analysed. A special kind of metamorphosis – the one of Bottom brings up the third main emphasis. By the way – what is a metamorphosis? It is said to be a process in which somebody or something changes completely into something different – for example a caterpillar that becomes a beautiful butterfly...