Pour Une Esthetique De La Reception
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Author | : Ken Hirschkop |
Publisher | : Manchester University Press |
Total Pages | : 287 |
Release | : 2024-06-04 |
Genre | : Literary Criticism |
ISBN | : 1526183897 |
An important collection of essays which treats Bakhtin as a provocative theorist whose work must be tested, explored and compared with the work of others. Contributors assess Bakhtin's contribution to difficult issues of colonialism, feminism, reception theory and theories of the body, amongst others. New articles explore the origins, previously unacknowledged, of Bakhtin's theory of language and provide a vivid account of the dramatic scandal surrounding Bakhtin's thesis on Rabelais. Contains dramatic new material, drawn from post-perestroika sources, which demythologizes the image of this important writer. A new bibliographical essay and introduction bring the English-language reader up-to-date with the progress of Bakhtin studies in Russia.
Author | : Dominique Carré |
Publisher | : John Wiley & Sons |
Total Pages | : 189 |
Release | : 2018-10-10 |
Genre | : Computers |
ISBN | : 111955702X |
The use of digital information and communication technologies would be the traces of a social acceptability of the exploitation of all data, in the context of negotiations of uses. This is the reason why the users present themselves actors and contributors of the hyperconnectivity. We would thus witness a new form of dissemination, inviting user experience and social innovations. It is thus the victory of subordination by negotiated renunciation; A new form of serving, no longer that of the 1980s, with the counters and other services, which have become uncontrolled services - excepted when the users are overcome by restrictive ergonomics, revealing too much the subordination device - which joins the prescription apparently without an injunction. The lure is at its height when users and broadcasters come together to produce the services and goods, composing the business model, until the very existence of the companies, in particular the pure players. Crowdsourcing becomes legitimate: consumers create the content, deliver the data, the basis of the service sold (in a painless way because free access most of the time, indirect financing), the providers make available and administer the service, networks , Interfaces (representing considerable costs), also reputation to attract the attention of other consumers or contributors. In these conditions, the environmental stakes are considerable, so we propose another way of considering them, not as they are dealt with - material and pollution - but according to the prism of the relational practices analyzed in this volume.
Author | : Antoine Compagnon |
Publisher | : Presses Paris Sorbonne |
Total Pages | : 214 |
Release | : 2003 |
Genre | : |
ISBN | : 9782840502630 |
Author | : Fernando de Toro |
Publisher | : University of Toronto Press |
Total Pages | : 226 |
Release | : 1995-01-01 |
Genre | : Performing Arts |
ISBN | : 9780802075895 |
Theatre Semiotics provides a thorough argument for the place and the necessity of semiotics within the interpretive process of theatre.
Author | : Lisa Block de Behar |
Publisher | : Walter de Gruyter |
Total Pages | : 341 |
Release | : 2012-01-02 |
Genre | : Language Arts & Disciplines |
ISBN | : 3110813556 |
Author | : Noëlle-Laetitia Perret |
Publisher | : BRILL |
Total Pages | : 484 |
Release | : 2011-05-23 |
Genre | : History |
ISBN | : 9004206574 |
This book deals with the different translations into Old French of Giles of Rome’s De regimine principum, dedicated to Philippe le Bel around 1279, and their readership. First-hand manuscript research has permitted us to understand not only the general context of their production but also the social conditions of their transmission and circulation. This work concentrates on different aspects of the reception of Giles of Rome’s pedagogical ideas by his “translators”, who are by no means passive in this process. This book provides not only a concrete idea of what Giles of Rome’s educational ideas became when mediated for the consumption of a lay public but also how the translators, in their translations, supported the transmission of re-appropriated knowledge.
Author | : |
Publisher | : BRILL |
Total Pages | : 476 |
Release | : 2017-11-27 |
Genre | : Social Science |
ISBN | : 9004356711 |
In Bourdieu in Question: New Directions in French Sociology of Art, Jeffrey A. Halley and Daglind E. Sonolet offer to English-speaking audiences an account of the very lively Francophone debates over Pierre Bourdieu’s work in the domain of the arts and culture, and present other directions and perspectives taken by major French researchers who extend or differ from his point of view, and who were marginalized by the Bourdieusian moment. Three generations of research are presented: contemporaries of Bourdieu, the next generation, and recent research. Themes include the art market and value, cultural politics, the reception of artworks, theory and the concept of the artwork, autonomy in art, ethnography and culture, and the critique of Bourdieu on literature. Contributors are: Howard S. Becker, Martine Burgos, Marie Buscatto, Jean-Louis Fabiani, Laurent Fleury, Florent Gaudez, Jeffrey A. Halley, Nathalie Heinich, Yvon Lamy, Jacques Leenhardt, Cécile Léonardi, Clara Lévy, Pierre-Michel Menger, Raymonde Moulin, Jean-Claude Passeron, Emmanuel Pedler, Bruno Péquignot, Alain Quemin, Cherry Schrecker, Daglind E. Sonolet.
Author | : |
Publisher | : Odile Jacob |
Total Pages | : 846 |
Release | : |
Genre | : |
ISBN | : 2738169937 |
Author | : Gérard Genette |
Publisher | : Cornell University Press |
Total Pages | : 260 |
Release | : 1999 |
Genre | : Art |
ISBN | : 9780801435119 |
One of the best-known continental theorists writing today, Gérard Genette here explores our aesthetic relation to works of art. Through an analysis of the views of thinkers ranging from David Hume and Immanuel Kant to Monroe C. Beardsley, Arthur Danto, and Nelson Goodman, Genette seeks to identify the place of the aesthetic in a theory of artistic appreciation. His discussion is rich in detailed examples drawn from all of the arts. The Aesthetic Relation is a companion volume to The Work of Art: Immanence and Transcendence, published by Cornell in 1997. Taken together, the two books offer a comprehensive theory of art which addresses the work of art as at once object and action. Genette maintains that our aesthetic relation to all types of objects presupposes that special attention is paid to their outward aspect (rather than to their usefulness) when appraising them. Such appraisals, while wholly subjective and temporary, are expressed as objective and universal judgments about the items in question. Further, he asserts that our aesthetic relation to works of art in particular is based on an awareness of an aesthetic intention that defines an object as a work of art, as well as on an awareness of a work's position in its historical and generic field.
Author | : Jean-François Vernay |
Publisher | : Springer |
Total Pages | : 113 |
Release | : 2016-10-04 |
Genre | : Literary Criticism |
ISBN | : 3319394533 |
By meshing psychology with literary analysis, this book inspires us to view the reading of fictional works as an emotional and seductive affair between reader and writer. Arguing that current teaching practices have contributed to the current decline in the study of literature, Jean-François Vernay’s plea brings a refreshing perspective by seeking new directions and conceptual tools to highlight the value of literature. Interdisciplinary in focus and relevant to timely discussions of the vitality between emotion and literary studies, particularly within the contexts of psychology, affect studies, and cognitive studies, this book will open up a space in which the formation of our emotions can be openly examined and discussed.