Postregional Fictions
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Author | : Clare Chadd |
Publisher | : LSU Press |
Total Pages | : 304 |
Release | : 2021-07-07 |
Genre | : Literary Criticism |
ISBN | : 0807175749 |
Drawing from recent debates about the validity of regional studies and skepticism surrounding the efficacy of the concept of authenticity, Clare Chadd’s Postregional Fictions focuses on questions of southern regional authenticity in fiction published by Barry Hannah from 1972 to 2001. The first monograph on the Mississippi author’s work to appear since his death, this study considers the ways in which Hannah’s novels and short stories challenge established conceptual understandings of the U.S. South. Hannah’s writing often features elements of metafiction, through which the putative sense of “southernness” his stories dramatize is complicated by an intense self-reflexivity about the extent to which a sense of place has never been foundational or essential but has always been constructed and performed. Such texts locate a productive terrain between the local and the global, with particular relevance for critical apprehensions of the post-South and postsouthern literature. Offering sustained close readings of selected stories, and focusing especially on Hannah’s late work, Chadd argues that his fiction reveals the region constantly shifting in a process of mythmaking, dialogue, and performance. In turn, she uses Hannah’s work to suggest how notions of the “South” and “southernness” might survive the various deconstructive approaches leveled against them in recent decades of southern studies scholarship. Rather than seeing an impasse between the regional and the global, Chadd’s reading of Hannah shows the two existing and flourishing in tandem. In Postregional Fictions, Chadd offers a new interpretation of Hannah based on an appreciation of the vital intersection of southern and postmodern elements in his work.
Author | : Heidi Siegrist |
Publisher | : UNC Press Books |
Total Pages | : 130 |
Release | : 2024-11-12 |
Genre | : Literary Criticism |
ISBN | : 1469682826 |
The South is often perceived as a haunted place in its region's literature, one that is strange, deviant, or "queer." The peculiar, often sexually charged literary worlds of contemporary writers like Fannie Flagg, Monique Truong, and Randall Kenan speak to this connection between queerness and the South. Heidi Siegrist explores the boundaries of negotiating place and sexuality by using the concept of Southernness—a purposefully fluid idea of the South that extends beyond simple geography, eschewing familiar ideas of the Southern canon. When the connection between queerness and Southerness becomes apparent, Siegrist shows a Southern-branded queer deviance can not only change the way we think about literature but can also change Southern queer people's lived experiences. Siegrist gathers a bevy of undertheorized writers, from Kenan and Truong to Dorothy Allison and even George R. R. Martin, showing that there are many "queer Souths." Siegrist offers these multiverses as a way to appreciate a place that is often unfriendly, even deadly, to queer people. But as Siegrist argues, none of these Souths, from the terrestrial to the imaginary, would be what they are without the influence and power of queer literature.
Author | : Richard W. Etulain |
Publisher | : University of Arizona Press |
Total Pages | : 272 |
Release | : 1996-09-01 |
Genre | : Literary Criticism |
ISBN | : 0816544409 |
From the Mississippi west to the Pacific, from border to border north and south, here is the first thorough overview of novelists, historians, and artists of the modern American West. Examining a full century of cultural-intellectual forces at work, a leading authority on the twentieth-century West brings his formidable talents to bear in this pioneering study. Richard W. Etulain divides his book into three major sections. He begins with the period from the 1890s to the 1920s, when artists and authors were inventing an idealized frontier--especially one depicting initial contacts and conflicts with new landscapes and new peoples. The second section covers the regionalists, who focused on regional (mostly geographical) characteristics that shaped distinctively "western" traits of character and institutions. The book concludes with a discussion of the postregional West from World War II to the ’90s, a period when novelists, historians, and artists stressed ethnicity, gender, and a new environmentalism as powerful forces in the formation of modern western society and culture. Etulain casts a wide net in his new study. He discusses novelists from Jack London to John Steinbeck and on to Joan Didion. He covers historians from Frederick Jackson Turner to Earl Pomeroy and Patricia Nelson Limerick, and artists from Frederic Remington and Charles Russell to Georgia O’Keeffe and R. C. Gorman. The author places emphasis on women painters and authors such as Mary Hallock Foote, Mary Austin, Willa Cather, and Judith Baca. He also stresses important works of ethnic writers including Leslie Marmon Silko, Rudolfo Anaya, and Amy Tan. An intriguing survey of tendencies and trends and a well-defined profile of influences and outgrowths, this book will be valuable to students and scholars of western culture and history, American studies, and related disciplines. General readers will appreciate the book’s balanced structure and spirited writing style. All readers, whatever their level of interest, will discover the major cultural inventions of the American West over the past one hundred years.
Author | : Bernard A. Drew |
Publisher | : McFarland |
Total Pages | : 291 |
Release | : 2015-04-28 |
Genre | : Literary Criticism |
ISBN | : 0786474106 |
Even well-meaning fiction writers of the late Jim Crow era (1900-1955) perpetuated racial stereotypes in their depiction of black characters. From 1918 to 1952, Octavus Roy Cohen turned out a remarkable 360 short stories featuring Florian Slappey and the schemers, romancers and ditzes of Birmingham's Darktown for The Saturday Evening Post and other publications. Cohen said, "I received a great deal of mail from Negroes and I have never found any resentment from a one of them." The black readership had to be satisfied with any black presence in the popular literature of the day. The best known white writers of black characters included Booth Tarkington (Herman and Verman in the Penrod books), Irvin S. Cobb (Judge Priest's houseman Jeff Poindexter), Roark Bradford (Widow Duck, the plantation matriarch), Hugh Wiley (Wildcat Marsden, the war veteran who traveled the country in the company of his goat) and Charles Correll and Freeman Gosden (radio's Amos 'n' Andy). These writers deservedly declined in the civil rights era, but left a curious legacy that deserves examination. This book, focusing on authors of series fiction and particularly of humorous stories, profiles 29 writers and their black characters in detail, with brief entries covering 72 others.
Author | : Richard W. Etulain |
Publisher | : University of New Mexico Press |
Total Pages | : 336 |
Release | : 2023-05 |
Genre | : American fiction |
ISBN | : 0826364454 |
Distinguished historian Richard W. Etulain brings together a generous selection of essays from his sixty-year career as a specialist on the US West in this essential volume. Each essay provides an invaluable overview of the rise of western literary history and historiography--including insightful evaluations of individual historians--revealing summaries of regional literature and discussions of western stories yet to be told. Together these writings furnish readers with useful considerations of important subjects about the American West. All those interested in the American West and its interpreters will find these illuminative moments of literary history and historiography especially appealing.
Author | : Richard W. Etulain |
Publisher | : University of Arizona Press |
Total Pages | : 276 |
Release | : 1996-09 |
Genre | : History |
ISBN | : 9780816516834 |
Describes changes in how the West has been seen, from a male-dominated frontier, to a region with a powerful sense of place, to a modern center of both genders, ethnic groups, and environmental interests
Author | : |
Publisher | : |
Total Pages | : 860 |
Release | : 1989 |
Genre | : Dissertations, Academic |
ISBN | : |
Author | : Michał Choiński |
Publisher | : LSU Press |
Total Pages | : 221 |
Release | : 2020-05-06 |
Genre | : Literary Criticism |
ISBN | : 0807173797 |
In Southern Hyperboles: Metafigurative Strategies of Narration, Michał Choiński confronts the often paradoxical and excessive elements of southern literature, focusing on dominant narrative modes and representation strategies in works produced from the early 1930s to the late 1950s. With renewed attention to renderings of the gothic and grotesque, Choiński argues that modernist literature from the U.S. South often deploys the trope of hyperbole, which escalates contrasts and disrupts the sense of the normal. By focusing on how writers processed the South via narratives of hyperbolic excess, Southern Hyperboles explores a mode of comprehension forged from the tensions of a segregated, patriarchal society driven by racial and social decorum. Moving chronologically, Choiński traces distinct manifestations of hyperbolic metalogic in the works of seven authors: Katherine Anne Porter, William Faulkner, Lillian Smith, Katherine Du Pre Lumpkin, Tennessee Williams, Flannery O’Connor, and Harper Lee. The mode of hyperbole identified by Choiński relies on a clash of opposites, along with the rapid intensification of disharmonious ideas pushed to extremes, leading to an ultimate break in established decorum. The shock produced by hyperbole generates a momentary state of confusion that soon dissipates, allowing recipients to reach a new understanding of their surrounding world. Melding an innovative use of rhetorical theory with fine-grained analysis of literary texts, Southern Hyperboles elucidates contradictory and interlocking issues related to memory, social trauma, grotesquerie, and troubled mythologies that permeate the U.S. South.
Author | : Keith Wilhite |
Publisher | : University of Iowa Press |
Total Pages | : 310 |
Release | : 2022-12 |
Genre | : Language Arts & Disciplines |
ISBN | : 1609388577 |
"Drawing on a body of literature published between 1945 and 2016, Contested Terrain proposes a more expansive treatment of suburban fiction as a discourse that operates within national and transnational geographies. Wilhite argues that the suburbs and suburban narratives reflect the latest, perhaps final outpost in the tradition of U.S. regionalism. Although he may be accused of simply substituting one outmoded methodology for another, such a critique depends on misreading regionalism as either a sub-literary genre or, as Roberto Dainotto suggests, a pernicious political ideology that opposes modernity and suppresses difference in the naive pursuit of "grounded, rooted, natural, authentic values shared by a true community." In opposition to such withering appraisals, Contested Terrain demonstrates that, as both a literary discourse and a mode of geopolitical analysis, regionalism clarifies the fraught relationship between isolationism and imperialism that has shaped U.S. residential geography and, in turn, helps us rethink the role literary texts play in the postwar project of suburban nation building"--
Author | : Paul W. Hirt |
Publisher | : Pullman : Washington State University Press |
Total Pages | : 252 |
Release | : 1998 |
Genre | : History |
ISBN | : |
Ten widely-recognized historians from the United States and Canada present thought provoking insights about society, culture, and change in the great, resource-laden Northwest. Essays examine early Spanish exploration of the Northern coast; the long-term relationship of a fragile Canadian union with its powerful southern neighbor; regional novelists and literature; important aspects of black and white immigration; the iconography of nuclear energy; and the continuing interaction of the region's many Indian reservations with the dominant society's economic, conservation, and legal institutions.