Postmodernitys Transcending
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| Author | : Raoul Eshelman |
| Publisher | : Taylor & Francis |
| Total Pages | : 210 |
| Release | : 2024-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1040253849 |
Transcending Postmodernism: Performatism 2.0 is an ambitious attempt to expand and deepen the theory of performatism. Its main thesis is that, beginning in the mid-1990s, the strategies and norms of postmodernism have been displaced by ones that force readers or viewers to experience effects of aesthetically mediated transcendence. These effects include specific temporal strategies (“chunking”), stylizing separated subjectivity (the genius and the fool being its two main poles) and orienting ethics toward actions taken by centered agents bearing a sacral charge. The book provides a critical overview of other theories of post-postmodernism, and suggests that among five text-oriented theories there is basic agreement on its techniques and strategies.
| Author | : Susana Onega |
| Publisher | : Routledge |
| Total Pages | : 285 |
| Release | : 2020-03-04 |
| Genre | : Literary Criticism |
| ISBN | : 1000060144 |
Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm gathers an introduction and ten chapters concerned with the issue of Transmodernity as addressed by and presented in contemporary novels hailing from various parts of the English-speaking world. Building on the theories of Transmodernity propounded by Rosa María Rodríguez Magda, Enrique Dussel, Marc Luyckx Ghisi and Irena Ateljevic, inter alia, it investigates the links between Transmodernity and such categories as Postmodernity, Postcolonialism and Transculturalism with a view to help define a new current in contemporary literary production. The chapters either follow the main theoretical drives of the transmodern paradigm or problematise them. In so doing, they branch out towards various issues that have come to inspire contemporary novelists, among which: the presence of the past, the ascendance of new technologies, multiculturalism, terrorism, and also vulnerability, interdependence, solidarity and ecology in a globalised context. In so doing, it interrogates the ethics, aesthetics and politics of the contemporary novel in English.
| Author | : M. Kaplan |
| Publisher | : Springer |
| Total Pages | : 256 |
| Release | : 2013-11-26 |
| Genre | : Philosophy |
| ISBN | : 1137358572 |
Contemporary philosophy is torn between a reliance on the pragmatic meanings of designated objects and a foundation based on formal theory. This book shows that philosophical knowledge, which no more has a terminal state than an infinite set has a last term, advances when the dialectical relationship between the two approaches is synthesized. The choice of designations is intimately related to theory and the form of theory is intimately related to the character of designated objects. The intimate dialectical relationship between theory and meaning is explored in detail in the area of international theory. The recent emphasis on realism rests on a regressive misunderstanding of the dialectical relationship between theory and practice that loses Newton's acute understanding of it, an understanding that underlies the great advances of physics, and that is lost in the contemporary social sciences.
| Author | : Alan Liu |
| Publisher | : University of Chicago Press |
| Total Pages | : 405 |
| Release | : 2009-08-01 |
| Genre | : Literary Criticism |
| ISBN | : 0226486974 |
Driven by global economic forces to innovate, today’s society paradoxically looks forward to the future while staring only at the nearest, most local present—the most recent financial quarter, the latest artistic movement, the instant message or blog post at the top of the screen. Postmodernity is lived, it seems, at the end of history. In the essays collected in Local Transcendence, Alan Liu takes the pulse of such postmodern historicism by tracking two leading indicators of its acceleration in the late twentieth and early twenty-first centuries: postmodern cultural criticism—including the new historicism, the new cultural history, cultural anthropology, the new pragmatism, and postmodern and postindustrial theory—and digital information technology. What is the relation between the new historicist anecdote and the database field, Liu asks, and can either have a critical function in the age of postmodern historicism? Local Transcendence includes two previously unpublished essays and a synthetic introduction in which Liu traverses from his earlier work on the theory of historicism to his recent studies of information culture to propose a theory of contingent method incorporating a special inflection of history: media history.
| Author | : Raoul Eshelman |
| Publisher | : |
| Total Pages | : 294 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
The author suggests that in this era following the postmodern we have entered a new, monist epoch in which aesthetically mediated belief replaces endless irony as the dominant force in culture. The book documents the "new monism" through an examination of popular films and novels such as American beauty, Life of Pi, and Middlesex as well as in the work of major architects and artists such as Sir Norman Foster, Andreas Gursky, and Vanessa Beecroft. --book cover.
| Author | : John D. Caputo |
| Publisher | : Indiana University Press |
| Total Pages | : 522 |
| Release | : 2007 |
| Genre | : Philosophy |
| ISBN | : 0253348749 |
A benchmark volume at the intersection of philosophy and religion
| Author | : Wang Ning |
| Publisher | : Taylor & Francis |
| Total Pages | : 260 |
| Release | : 2022-07-19 |
| Genre | : Literary Criticism |
| ISBN | : 1000604543 |
This book engages with the critical decline of postmodernism and newer currents of thinking that have come to the fore, including postcolonialism, feminism, and cultural studies, constituting an exploration of the cultural landscape after the heyday of postmodernism in the West and its profound influence on the Chinese cultural scene. Topics discussed include the prevalent theoretical trends and cultural phenomena in the West in the wake of postmodernism, how these developments have influenced contemporary Chinese literary and cultural criticism, and how Chinese scholars can have an equal dialogue with the dominant Western theorists. The chapters examine critical issues and figures in the fields, including postmodernity and globalization, as well as the theories of Edward Said, Gayatri Spivak, Homi Bhabha, and Judith Butler. Taking a comparative and cross-cultural perspective, especially between China and the West, the title also sheds light on the imprint of Western theoretical trends on the literature and culture of contemporary China, exemplified in diasporic writing, cinema, women’s literature, popular culture, and the overall orientation of contemporary Chinese literature. The book will be a critical reference for all levels of reader interested in postmodernism, critical theory, postcolonialism, feminism, cultural studies, comparative and world literature, and contemporary Chinese literature and culture.
| Author | : Fredric Jameson |
| Publisher | : Duke University Press |
| Total Pages | : 474 |
| Release | : 1992-01-06 |
| Genre | : Literary Criticism |
| ISBN | : 9780822310907 |
Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.
| Author | : Glenn Hughes |
| Publisher | : University of Missouri Press |
| Total Pages | : 263 |
| Release | : 2003-05-01 |
| Genre | : Philosophy |
| ISBN | : 0826262767 |
Transcendence and History is an analysis of what philosopher Eric Voegelin described as “the decisive problem of philosophy”: the dilemma of the discovery of transcendent meaning and the impact of this discovery on human self-understanding. The world’s major religious and wisdom traditions are built upon the recognition of transcendent meaning, and our own cultural and linguistic heritage has long since absorbed the postcosmological division of reality into the two dimensions of “transcendence” and “immanence.” But the last three centuries in the West have seen a growing resistance to the idea of transcendent meaning; contemporary and “postmodern” interpretations of the human situation—both popular and intellectual—indicate a widespread eclipse of confidence in the truth of transcendence. In Transcendence and History, Glenn Hughes contributes to the understanding of transcendent meaning and the problems associated with it, assisting in the philosophical recovery of the legitimacy of the notion of transcendence. Depending primarily on the treatments of transcendence found in the writings of twentieth-century philosophers Eric Voegelin and Bernard Lonergan, Hughes explores the historical discovery of transcendent meaning and then examines what it indicates about the structure of history. Hughes’s main focus, however, is on clarifying the problem of transcendence in relation to historical existence. Addressing both layreaders and scholars, Hughes applies the insights and analyses of Voegelin and Lonergan to considerable advantage. Transcendence and History will be of particular value to those who have grappled with the notion of transcendence in the study of philosophy, comparative religion, political theory, history, philosophical anthropology, and art or poetry. By examining transcendent meaning as the key factor in the search for ultimate meaning from ancient societies to the present, the book demonstrates how “the decisive problem of philosophy” both illuminates and presents a vital challenge to contemporary intellectual discourse.
| Author | : Kevin O'Donnell |
| Publisher | : Ethics International Press |
| Total Pages | : 261 |
| Release | : 2024-10-16 |
| Genre | : Religion |
| ISBN | : 1804418730 |
Even an atheist has a spirituality. Spirituality can be considered as human, rather than narrowly religious. Many today call themselves ‘spiritual but not religious’. It is impossible to define, and so various limited models are suggested by researchers. This book explores these issues and proposes a new model based upon the oeuvre of the Bulgarian/French semiologist, philosopher and psychoanalyst, Julia Kristeva. Kristeva is an atheist with a respect for religion, its valuing of the non-discursive, and its role in therapy. Her work is supplemented and contrasted by her peers, Hélène Cixous and Luce Irigaray. The author proposes a model, based on Kristeva’s work, where themes of Language, Love, Alterity and Transcendence interact to form what we call ‘spirituality’, rather than simply being unconnected aspects of it. Suggestions are given of how this resulting model can be applied to Secondary Education (Religious Education in particular), and also approaches to Healthcare Education.
