Postmodernity Usa
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| Author | : Anthony Woodiwiss |
| Publisher | : SAGE Publications Limited |
| Total Pages | : 200 |
| Release | : 1993-05-18 |
| Genre | : Social Science |
| ISBN | : |
In this rigorous and challenging analysis of American postmodernity, Anthony Woodiwiss re-examines the political, economic and social life of the United States over the past 60 years. Exploring the rise and fall of modernism as a social ideology, he offers a distinctive and original interpretation of the unique experience of American modernity and the arrival of the postmodern world. The result is both a novel history of postwar America and a significant contribution to the idea of postmodernism as a social and cultural form. Postmodernity USA also carries lessons for the understanding of class, culture and politics in late industrial societies in general. Offering an innovative synthesis of postmodernist and Marxist approache
| Author | : Anthony Woodiwiss |
| Publisher | : SAGE Publications Limited |
| Total Pages | : 200 |
| Release | : 1993-05-18 |
| Genre | : History |
| ISBN | : |
In this rigorous and challenging analysis of American postmodernity, Anthony Woodiwiss re-examines the political, economic and social life of the United States over the past 60 years. Exploring the rise and fall of modernism as a social ideology, he offers a distinctive and original interpretation of the unique experience of American modernity and the arrival of the postmodern world. The result is both a novel history of postwar America and a significant contribution to the idea of postmodernism as a social and cultural form. Postmodernity USA also carries lessons for the understanding of class, culture and politics in late industrial societies in general. Offering an innovative synthesis of postmodernist and Marxist approache
| Author | : Santiago Colás |
| Publisher | : Duke University Press |
| Total Pages | : 242 |
| Release | : 1994-11-07 |
| Genre | : Literary Criticism |
| ISBN | : 0822382660 |
Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While European and North American theorists of postmodernity generally view Latin American fiction without regard for its political and cultural context, Latin Americanists often either uncritically apply the concept of postmodernity to Latin American literature and society or reject it in an equally uncritical fashion. The result has been both a limited understanding of the literature and an impoverished notion of postmodernity. Santiago Colás challenges both of these approaches and corrects their consequent distortions by locating Argentine postmodernity in the cultural dynamics of resistance as it operates within and against local expressions of late capitalism. Focusing on literature, Colás uses Julio Cortázar’s Hopscotch to characterize modernity for Latin America as a whole, Manuel Puig’s Kiss of the Spider Woman to identify the transition to a more localized postmodernity, and Ricardo Piglia’s Artificial Respiration to exemplify the cultural coordinates of postmodernity in Argentina. Informed by the cycle of political transformation beginning with the Cuban Revolution, including its effects on Peronism, to the period of dictatorship, and finally to redemocratization, Colás’s examination of this literary progression leads to the reconstruction of three significant moments in the history of Argentina. His analysis provokes both a revised understanding of that history and the recognition that multiple meanings of postmodernity must be understood in ways that incorporate the complexity of regional differences. Offering a new voice in the debate over postmodernity, one that challenges that debate’s leading thinkers, Postmodernity in Latin America will be of particular interest to students of Latin American literature and to scholars in all disciplines concerned with theories of the postmodern.
| Author | : Ian D. Copestake |
| Publisher | : Peter Lang Limited, International Academic Publishers |
| Total Pages | : 232 |
| Release | : 2003 |
| Genre | : Foreign Language Study |
| ISBN | : |
This book brings together nine original essays from Pynchon scholars around the world whose work furthers the debate concerning the nature of perceived shifts in the sensibility, style and subject-matter of Pynchon's fiction from The Crying of Lot 49 to Mason & Dixon. Of particular concern is the complex relationship between Pynchon's challenging and evolving oeuvre and notions of postmodernity which this volume's focus on Pynchon's most recent fiction helps bring up-to-date. Five of the collection's essays examine the writer's achievement in Mason & Dixon and were first presented in 1998 as papers at King's College, London, as part of International Pynchon Week. The volume includes contributions from renowned Pynchon scholars such as David Seed, David Thoreen and Francisco Collado Rodríquez, and offers perspectives on Pynchon's achievement in The Crying of Lot 49, Vineland and Mason & Dixon which view those works in relation to a fascinating variety of subjects such as hybridity, mapmaking and representation, the work of Marshall McLuhan, American comic traditions, metafiction, madness in American fiction, science and ethics. Reconfirmed throughout is the ethical seriousness of a writer who remains one of American literature's most fascinating, important and ever elusive figures.
| Author | : Peter Augustine Lawler |
| Publisher | : Rowman & Littlefield Publishers |
| Total Pages | : 204 |
| Release | : 1999-07-29 |
| Genre | : Philosophy |
| ISBN | : 1461641098 |
Postmodernism Rightly Understood is a dramatic return to realism—a poetic attempt to attain a true understanding of the capabilities and limitations of the postmodern predicament. Prominent political theorist Peter Augustine Lawler reflects on the flaws of postmodern thought, the futility of pragmatism, and the spiritual emptiness of existentialism. Lawler examines postmodernism by interpreting the writings of five respected and best selling American authors—Francis Fukuyama, Richard Rorty, Allan Bloom, Walker Percy, and Christopher Lasch. Lawler explains why the alternatives available in our time are either a "soulless niceness," which Fukuyama, Rorty, and Bloom described as the result of modern success, or a postmodern moral responsibility that accompanies love in the ruins, as articulated by Percy and Lasch. This is a fresh and compelling look at the crisis of the human soul and intellect accompanied by the onset of postmodernity.
| Author | : Paula Geyh |
| Publisher | : W. W. Norton |
| Total Pages | : 672 |
| Release | : 1998 |
| Genre | : Fiction |
| ISBN | : 9780393316988 |
Collects works by sixty-eight authors, including William S. Burroughs, Kurt Vonnegut, Art Spiegelman, Lynda Barry, Bobbie Ann Mason, and Douglas Coupland
| Author | : John Beverley |
| Publisher | : Duke University Press |
| Total Pages | : 335 |
| Release | : 1995-05-05 |
| Genre | : History |
| ISBN | : 0822382687 |
Postmodernism may seem a particularly inappropriate term when used in conjunction with a region that is usually thought of as having only recently, and then unevenly, acceded to modernity. Yet in the last several years the concept has risen to the top of the agenda of cultural and political debate in Latin America. This collection explores the Latin American engagement with postmodernism, less to present a regional variant of the concept than to situate it in a transnational framework. Recognizing that postmodernism in Latin America can only inaccurately be thought of as having traveled from an advanced capitalist "center" to arrive at a still dependent neocolonial "periphery," the contributors share the assumption that postmodernism is itself about the dynamics of interaction between local and metropolitan cultures in a global system in which the center-periphery model has begun to break down. These essays examine the ways in which postmodernism not only designates the effects of this transnationalism in Latin America, but also registers the cultural and political impact on an increasingly simultaneous global culture of a Latin America struggling with its own set of postcolonial contingencies, particularly the crisis of its political left, the dominance of neoliberal economic models, and the new challenges and possibilities opened by democratization. With new essays on the dynamics of Brazilian culture, the relationship between postmodernism and Latin American feminism, postmodernism and imperialism, and the implications of postmodernist theory for social policy, as well as the text of the Declaration from the Lacandon Jungle of the Zapatatista National Liberation Army, this expanded edition of boundary 2 will interest not only Latin Americanists, but scholars in all disciplines concerned with theories of the postmodern. Contributors. Xavier Albó, José Joaquín Brunner, Fernando Calderón, Enrique Dussel, Néstor García Canclini, Martín Hopenhayn, Neil Larsen, the Latin American Subaltern Studies Group, Norbert Lechner, María Milagros López, Raquel Olea, Aníbal Quijano, Nelly Richard, Carlos Rincón, Silviano Santiago, Beatriz Sarlo, Roberto Schwarz, and Hernán Vidal
| Author | : Theresa Wenzel |
| Publisher | : GRIN Verlag |
| Total Pages | : 85 |
| Release | : 2008-09-23 |
| Genre | : Literary Collections |
| ISBN | : 3640174747 |
Thesis (M.A.) from the year 2007 in the subject American Studies - Literature, grade: 1,0, University of Göttingen, language: English, abstract: Clothes, as Diana Crane establishes in her book Fashion and Its Social Agendas, “are a major tool in the construction of identity, offering a wide range of choices for the expression of lifestyles or subcultural identities” (171). However: “Social scientists have not articulated a definitive interpretation of how a person constructs social identity in contemporary society” (Crane 2). This might be one of the reasons why clothing has found its way into fiction, contributing to the characterization of protagonists and fictional world alike. The versatility of postmodern texts makes the analysis of clothing in connection with the process of constructing identities especially rewarding. The term postmodernism is hard to define. In the preface to his book The Illusions of Postmodernism Terry Eagleton makes a distinction between postmodernism and postmodernity: The word postmodernism generally refers to a form of contemporary culture, whereas the term postmodernity alludes to a specific historical period. Postmodernity is a style of thought which is suspicious of classical notions of truth, reason, identity and objectivity, of the idea of universal progress or emancipation, of single frameworks, grand narratives or ultimate grounds of explanation. (vii) Postmodernism, then, reflects these notions in what Eagleton calls “a depthless, decentred, ungrounded, self-reflexive, playful, derivative, eclectic, pluralistic art which blurs the boundaries between ‘high’ and ‘popular’ culture, as well as between art and everyday experience” (vii). Although his definition is not in favor of postmodernism, it does indicate how diverse subject-matter as well as style in postmodern texts can be. In other words, “anything goes” (Mayer 543).
| Author | : Philip Nel |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 224 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9781578064908 |
Was there a sudden break in the world of art, literature, and music when modernism gave way to postmodernism? Philip Nel attacks the notion of tremendous and sudden change in artistic understanding and literary practice. Instead, in The Avant-Garde and American Postmodernity: Small Incisive Shocks he proposes that a series of small but far-reaching changes drew understanding from modernism to postmodernism. What bonds these two periods together? The constant agent of change, Nel argues, was the avant-garde. Tracking its influence on novelists, popular culture figures, and children's authors, this book re-evaluates how twentieth-century culture has been traditionally divided into "modern" and "postmodern." Suggesting that a modernism and postmodernism division prevents accurate evaluation of a work, Nel realigns our conceptions of twentieth-century literature, art, and music. Focusing on eight figures--Nathanael West, Djuna Barnes, Dr. Seuss, Donald Barthelme, Don DeLillo, Chris Van Allsburg, Laurie Anderson, and Leonard Cohen--as representative, The Avant-Garde and American Postmodernity: Small Incisive Shocks examines works along a spectrum of political involvement. This first book to analyze postmodern children's literature revives the radical Dr. Seuss by reading him alongside avant-garde artists. Nel argues that Chris Van Allsburg speaks the internet generation's vernacular, using a surrealist idiom to pose questions that linger beyond his picture books' final pages. The Avant-Garde and American Postmodernity: Small Incisive Shocks is a nuanced and wide-ranged re-reading of how postmodernism displays art's ability to imagine a better world. Philip Nel is an assistant professor of English at Kansas State University. He is the author of J. K. Rowling's Harry Potter Novels: A Reader's Guide. He has been published in Children's Literature, Modern Fiction Studies, Critique: Studies in Contemporary Fiction, and Mosaic: A Journal for the Interdisciplinary Study of Literature.
| Author | : Barry Smart |
| Publisher | : Psychology Press |
| Total Pages | : 172 |
| Release | : 1993 |
| Genre | : Philosophy, Modern |
| ISBN | : 0415069610 |
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
