Postmodernism And Notions Of National Difference
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| Author | : Geoffrey Lord |
| Publisher | : BRILL |
| Total Pages | : 192 |
| Release | : 1996 |
| Genre | : History |
| ISBN | : 900464749X |
Postmodernism and Notions of National Difference examines the critical construction of postmodern fiction raising the question of whether the construction of postmodernism has sufficiently accounted for national difference. Geoffrey Lord argues that current meta-national conceptions of postmodernism need serious reconsideration to take national cultural contexts into account. Through a comparative investigation of the theoretical debate, literary traditions and close textual reading of a number of postmodern texts, Lord makes a persuasive case for his broad claim that national cultural differences are more persistent and powerful than usually allowed by established theories of postmodernity which claim a general collapse of traditional cultural orders and the meta-narratives that justify them.
| Author | : Joanna Freer |
| Publisher | : Cambridge University Press |
| Total Pages | : 275 |
| Release | : 2019-05-09 |
| Genre | : Fiction |
| ISBN | : 1108474462 |
The essays in this collection are at the forefront of Pynchon studies, representing distinctively twenty-first century approaches to his work.
| Author | : Fran Mason |
| Publisher | : Scarecrow Press |
| Total Pages | : 462 |
| Release | : 2007-02-21 |
| Genre | : Literary Criticism |
| ISBN | : 0810864541 |
The Historical Dictionary of Postmodernist Literature and Theater examines the different areas of postmodernist literature and the variety of forms that have been produced. This is accomplished through a list of acronyms, a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first century operates.
| Author | : Fran Mason |
| Publisher | : Scarecrow Press |
| Total Pages | : 464 |
| Release | : 2009-07-23 |
| Genre | : Literary Criticism |
| ISBN | : 0810870215 |
Postmodernist literature embraces a wide range of forms and perspectives, including texts that are primarily self-reflexive; texts that use pastiche, burlesque, parody, intertextuality and hybrid forms to create textual realities that either run in opposition to or in parallel with an external reality; fabulations that develop both of these strategies; texts that ironize their relationship to reality; works that use the aspects already noted to more fully engage with political or cultural realities; texts that deal with history as a fiction; and texts that elude categorization even within the variety already explored. For example, in fiction, a postmodernist novel might tell a story about a writer struggling with writing (only, perhaps, to find that he is a character in a book by another writer struggling to write a book). The A to Z of Postmodernist Literature and Theater examines the different areas of postmodernist literature and the variety of forms that have been produced. This is accomplished through a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first century operates.
| Author | : Fredric Jameson |
| Publisher | : Duke University Press |
| Total Pages | : 474 |
| Release | : 1992-01-06 |
| Genre | : Literary Criticism |
| ISBN | : 9780822310907 |
Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.
| Author | : Gerasimus Katsan |
| Publisher | : Fairleigh Dickinson |
| Total Pages | : 216 |
| Release | : 2013-04-04 |
| Genre | : Literary Criticism |
| ISBN | : 1611475945 |
History and National Ideology in Greek Postmodernist Fiction investigates the ways postmodernist literary techniques have been adopted by Greek authors. Taking into consideration the global impetus of postmodernism, the book examines its local implications. Framed by a discussion of major postmodernist thinkers, the book argues for the ability of local cultures to retain their uniqueness in the face of globalization while at the same time adapting to the new global situation. The combination of external global influences and the specific internal concerns of Greek national literature makes the emergence of postmodernism in Greece distinctive from that of other national contexts. The book engages in larger theoretical debates about the “crisis” of national identity in the context of postmodern globalization and the resurgence of nationalist ideology either as a response to globalization or the exigencies of historical events. This crisis has been brought on in part by the very postmodernist and poststructuralist questioning of the ideologies upon which nation-states construct themselves. The central argument of the book is that postmodernist Greek writers question the idea of national identity based on both the impact of globalization and a reexamination of the discourses of national ideology: they suggest a turn away from the traditional concerns with cultural homogeneity towards an acceptance of multiplicity and diversity, which is reflected through experimentation with postmodernist literary techniques. Consequently, the unifying idea of this book is “national identity” as it is reconfigured in recent contemporary novels. My analysis incorporates the view that metafiction is a “borderline” or “marginal” discourse that exists on the boundary between fiction and criticism. The book illuminates the connections between the formal concerns of contemporary authors and the larger debates and philosophical underpinnings of postmodernism in general.
| Author | : Anne Mullen |
| Publisher | : Rodopi |
| Total Pages | : 344 |
| Release | : 2000 |
| Genre | : Detective and mystery stories |
| ISBN | : 9789042012233 |
The essays in this collection are based on papers given at a conference on detective fiction in European culture, held at the University of Exeter in September 1997. The range of topics covered is designed to show not only the presence and variety of narratives of detection across different European countries and their different media (although there is a predictable emphasis on the novel). It also illustrates the fertility of the genre, its openness to a spectrum of readings with different emphases, formal as well as thematic. Approaches to detective fiction have often tended to confine them-selves to 'symptomatic' interpretation, where details of the fictional world represented are used to diagnose a specific set of social preoccupations and priorities operative at the time of writing. Such approaches can yield valuable insights. Nonetheless there is a risk of limiting the value of the genre as a whole solely to its role as a mirror held up to society. In this perspective, issues of structure and style are sidelined, or, if addressed, are praised to the extent that they approach invisibility -- concision, spareness, realism are the qualities singled out for praise. The genre also gives much scope for formal innovation -- and indeed has often attracted already established 'mainstream' writers and filmmakers for just this reason. The eclectic diversity of the detective narratives considered in this volume reveal the malleability of the traditional constraints of the genre. The essays bear rich testimony to the value of considering the interplay of thematic and structural issues, even in the most apparently unselfconscious and popular (or populist) forms of narrative. The patterns of reassurance, the triumph of intellect and the ordered, rational world 'of old' are now challenged by the need to foreground the problems, ambiguities and uncertainties of the self and of society. The plurality of meanings and the antithetical imperatives explored in these detective narratives confirm that the most recent forms of the genre are not mere palimpsests of their 'golden age' precursors. The subversion of traditional expectations and the implementation of diverse stylistic devices take the genre beyond mere homage and pastiche. The role of the reader/spectator and critic in conferring meaning is a crucial one.
| Author | : Linda Nicholson |
| Publisher | : Cambridge University Press |
| Total Pages | : 416 |
| Release | : 1995-09-14 |
| Genre | : Political Science |
| ISBN | : 9780521475716 |
Social Postmodernism defends a postmodern perspective anchored in the politics of the new social movements. The volume preserves the focus on the politics of the body, race, gender, and sexuality as elaborated in postmodern approaches. But these essays push postmodern analysis in a particular direction: toward a social postmodernism which integrates the micro-social concerns of the new social movements with an institutional and cultural analysis in the service of a transformative political vision.
| Author | : Sanja Ivic |
| Publisher | : Vernon Press |
| Total Pages | : 202 |
| Release | : 2019-03-15 |
| Genre | : Political Science |
| ISBN | : 162273386X |
The modern liberal idea of citizenship is constructed by a fixed notion of identity which gains meaning through a number of binary oppositions, such as we/ they, citizen/ foreigner, self/ other and so forth. Defined by these binaries, where the first term is perceived as dominant because it is considered to be derived from reason, the fixed notion of identity inevitably produces exclusion and marginalization. Importantly, the postmodern concept of citizenship stems from a critique of these essentialist and universalist conceptions of identity. Exploring European identity and European citizenship from a philosophical perspective, this book reveals the discursive construction of these two concepts whilst at the same time attempting to define them as either modernist or postmodernist categories. Dr. Ivic takes a hermeneutic approach in her interpretation of European citizenship and identity through a close reading of European treaties and other official documents. Through her detailed analysis, Dr. Ivic is able to present the reader with well-informed and concrete examples of modern and postmodern concepts of identity within Europe. Moreover, this book explores the impact that contemporary issues such as Brexit, the migration crisis in Europe, and the proliferation of nationalist discourses, have on European citizenship and identity. Where existing research literature has failed, this book offers a dynamic and textual analysis of citizenship that takes into account the complex philosophical, legal, political and theoretical background of Europe. Dealing with issues that have not yet been sufficiently explored, ‘EU Citizenship’ is an important contribution to the field of philosophical analysis. Aimed at university students, this book will also provide a baseline and set of reference points for researchers and practitioners of European studies that are working with projects that look at European citizenship.
| Author | : Piotr Piotrowski |
| Publisher | : Reaktion Books |
| Total Pages | : 314 |
| Release | : 2012-08-01 |
| Genre | : Art |
| ISBN | : 1861899319 |
When the Iron Curtain fell in 1989, Eastern Europe saw a new era begin, and the widespread changes that followed extended into the world of art. Art and Democracy in Post-Communist Europe examines the art created in light of the profound political, social, economic, and cultural transformations that occurred in the former Eastern Bloc after the Cold War ended. Assessing the function of art in post-communist Europe, Piotr Piotrowski describes the changing nature of art as it went from being molded by the cultural imperatives of the communist state and a tool of political propaganda to autonomous work protesting against the ruling powers. Piotrowski discusses communist memory, the critique of nationalism, issues of gender, and the representation of historic trauma in contemporary museology, particularly in the recent founding of contemporary art museums in Bucharest, Tallinn, and Warsaw. He reveals the anarchistic motifs that had a rich tradition in Eastern European art and the recent emergence of a utopian vision and provides close readings of many artists—including Ilya Kavakov and Krzysztof Wodiczko—as well as Marina Abramovic’s work that responded to the atrocities of the Balkans. A cogent investigation of the artistic reorientation of Eastern Europe, this book fills a major gap in contemporary artistic and political discourse.
