Postmodern Marxist And Christian Historical Novels
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| Author | : Lynne W. Hinojosa |
| Publisher | : Routledge |
| Total Pages | : 140 |
| Release | : 2022-06-15 |
| Genre | : Literary Criticism |
| ISBN | : 1000594491 |
Postmodern, Marxist, and Christian Historical Novels: Hope and the Burdens of History argues historical novels can help readers receive the burdens of history—meaning both the burdens of the past, present, and future and the burden of living in time—and develop a more robust conception of and concrete practice of hope. Since the 1960s, historical novels have been a dominant literary genre, but they have been influenced primarily not by Christian but by postmodern and marxist thinkers and writers. This book provides a theological and literary analysis of all three types of historical novels—postmodern, marxist, and Christian—and outlines what each school of thought can learn from each other regarding historical understanding and hope. Using Jürgen Moltmann’s theology of hope and Frank Kermode’s literary criticism as a theoretical basis, the book offers readings of novels by Julian Barnes, A.S. Byatt, Kazuo Ishiguro, Margaret Atwood, Michael Ondaatje, Ian McEwan, and Ursula LeGuin, among others, and ends with an extended analysis of Marilynne Robinson’s Gilead series.
| Author | : Brenda Ayres |
| Publisher | : Springer Nature |
| Total Pages | : 525 |
| Release | : 2024-01-20 |
| Genre | : Literary Criticism |
| ISBN | : 303132160X |
This handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present.
| Author | : Lynne W. Hinojosa |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2022 |
| Genre | : Literary Criticism |
| ISBN | : 9781032155371 |
Postmodern, Marxist, and Christian Historical Novels: Hope and the Burdens of History argues historical novels can help readers receive the burdens of history and develop a more robust conception of and concrete practice of hope.
| Author | : Ludmilla Voitkovska |
| Publisher | : Taylor & Francis |
| Total Pages | : 190 |
| Release | : 2022-08-29 |
| Genre | : Literary Criticism |
| ISBN | : 1000626474 |
Joseph Conrad is famous for being an unusual, strange, and even eccentric English writer. However, despite his difference, English criticism has primarily interpreted his fiction from the perspective of the English culture. In turn, Polish criticism has portrayed Conrad as a Pole who happened to write in English. Considering Conrad’s transcultural background, neither exclusively English nor an exclusively Polish writer, this volume investigates the essential features of his expatriate writing as a form distinctly different from any writing done within a single culture. Conrad's unique contribution to English literature and sensibility stems from his ability to incorporate the complexity of the exilic condition without discussing it explicitly. Furthermore, this book establishes Conrad's expatriation archetypes and examines them as they manifest themselves not only in a realistic, but, more importantly, in a symbolic mode. Those archetypal features demonstrate themselves through Conrad’s thematic choices, narrative structure, and critical discourse that reflect his complex relationship with both the parent and the adopted reader. While the existence of these patterns in Conrad's fiction are not entirely obvious, this book aims to illuminate Conrad’s contributions to the current critical debate concerning the place of the author in his/her own narrative.
| Author | : John Carlos Rowe |
| Publisher | : Routledge |
| Total Pages | : 357 |
| Release | : 2022-07-12 |
| Genre | : Literary Criticism |
| ISBN | : 1000603539 |
Our Henry James in Fiction, Film, and Popular Culture addresses the interesting revival of Henry James’s works in Anglo-American film adaptations and contemporary fiction from the 1960s to the present. James’s fiction is generally considered difficult and part of high culture, more appropriate for classroom study than popular appreciation. However, this volume focuses on the adaptation of his novels into films, challenging us to understand James’s popular reputation today on both sides of the Atlantic. The book offers two explanations for his persistent influence: James’s literary ambiguity and his reliance on popular culture. “Part I: His Times” considers James’s reliance on sentimental literature and theatrical melodrama in Daisy Miller, Guy Domville, The Awkward Age, and several of his lesser known short stories. “Part II: Our Times” focuses on how James’s considerations of changing gender roles and sexual identities have influenced Hollywood representations of emancipated women in Hitchcock’s Rear Window and Peter Bogdanovich’s The Last Picture Show, among others. Recent fiction by authors including James Baldwin and Leslie Marmon Silko also treat Jamesian notions of gender and sexuality while considering his part in contemporary debates about globalization and cosmopolitanism. Both a study of James’s works and a broad range of contemporary film and fiction, Our Henry James in Fiction, Film, and Popular Culture demonstrates the continuing relevance of Henry James to our multimedia, interdisciplinary, globalized culture.
| Author | : Alistair Rolls |
| Publisher | : Taylor & Francis |
| Total Pages | : 183 |
| Release | : 2022-06-16 |
| Genre | : Fiction |
| ISBN | : 100060439X |
This book brings a new lens to the work of Agatha Christie through a series of close readings which challenge the official solutions by Hercule Poirot and Miss Marple. This book's approach interweaves two core ideas: first, it explores the importance of French critic Pierre Bayard’s self-styled ‘detective criticism’; second, it takes detective criticism in a new direction by refocusing on the beginnings of Agatha Christie’s novels. In this way, the book counters the end-orientation that has traditionally dominated the reading experience of, and critical response to, detective fiction by exploring the potential of the beginning to host other interpretations and stories. Offering a new way of reading detective fiction, this book is a mixture of narratology and detective criticism, and deploys it in the form of radical new readings of a number of Christie’s most famous works. This illuminating text will interest students and scholars of crime and detective fiction, literary studies and comparative literature.
| Author | : Tania Chakravertty |
| Publisher | : Taylor & Francis |
| Total Pages | : 208 |
| Release | : 2022-09-22 |
| Genre | : Literary Criticism |
| ISBN | : 1000726576 |
Ernest Hemingway and the Fluidity of Gender presents fresh insight into the gender issues and sexual ambiguities that have always been present in Hemingway’s work, utilising a variety of historical, socio-cultural and biographical contexts. Offering a close analysis of the gender issues and sexual ambiguities present in Hemingway’s work, this book provides insight into the position of white middle-class women in America from the mid-nineteenth to the mid-twentieth century, illuminating Hemingway’s androgynous impulses and the attitudinal changes that occurred during Ernest Hemingway’s lifetime. Women and gender were Hemingway’s steady concern; his fictional females are drawn with the same kind of complexity and individuality like his fictional males, manifesting endurance, stoic courage and grace under pressure. This volume highlights Hemingway’s textual world’s resistance of patriarchal phallocratism and his abolition of the binaries of masculinity/femininity, passivity/activity and the like, dismantling binary oppositions involving gender and sexuality. Exploring the metamorphosis of American social and cultural history, this volume unravels the stereotypical myths associated with womanhood and the complexity of women in Ernest Hemingway’s novels. Tania Chakravertty is the Dean of Students’ Welfare, Diamond Harbour Women’s University, West Bengal, India. Chakravertty has a Ph.D. from Calcutta University on “Gender Representations in the Fiction of Ernest Hemingway”. Chakravertty visited the US to participate in the academic group project “Strengthening and Widening the Scope of American Studies: The U.S. Experience” in 2010 as part of the prestigious International Visitor Leadership Program. Her monographs have appeared in national and international journals.
| Author | : Gene Edward Veith (Jr.) |
| Publisher | : Crossway |
| Total Pages | : 136 |
| Release | : 1994 |
| Genre | : Philosophy |
| ISBN | : 0891077685 |
The cultural landscape is now made up of diverse "communities"--feminists, gays, neo-conservatists, African-Americans, pro-lifers--who seem to have no common frame of reference by which to communicate with each other. Veith offers Christians instructions as to how they can respond to these varied groups.
| Author | : Oliver Lovesey |
| Publisher | : Modern Language Association |
| Total Pages | : 275 |
| Release | : 2012-01-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1603291830 |
Ngũgĩ wa Thiong'o is one of the most important and celebrated authors of postindependence Africa as well as a groundbreaking postcolonial theorist. His work, written first in English, then in Gikuyu, engages with the transformations of his native Kenya after what is often termed the Mau Mau rebellion. It also gives voice to the struggles of all Africans against economic injustice and political oppression. His writing and activism have continued despite imprisonment, the threat of assassination, and exile. Part 1 of this volume, "Materials," provides resources and background for the teaching of Ngũgĩ's novels, plays, memoirs, and criticism. The essays of part 2, "Approaches," consider the influence of Frantz Fanon, Karl Marx, and Joseph Conrad on Ngũgĩ; how the role of women in his fiction is inflected by feminism; his interpretation and political use of African history; his experimentation with orality and allegory in narrative; and the different challenges of teaching Ngũgĩ in classrooms in the United States, Europe, and Africa.
| Author | : Susan Brantly |
| Publisher | : Taylor & Francis |
| Total Pages | : 200 |
| Release | : 2017-02-17 |
| Genre | : Literary Criticism |
| ISBN | : 1315386453 |
This book explores the genre of the historical novel and the variety of ways in which writers choose to represent the past, demonstrating how histories can communicate across national borders, often by invoking or deconstructing the very notion of nationhood. It traces how concerns of the postmodern era such as critiques of historiography, colonialism, identity, and the Enlightenment, have impacted the genre of the historical novel, and shows this impact has not been uniform throughout Western culture. Historical novels from England, America, Germany, and France are compared and contrasted with historical novels from Sweden, testing a variety of theoretical perspectives in the process.
