Posthumous Works of the Author of A Vindication of the Rights of Woman

Posthumous Works of the Author of A Vindication of the Rights of Woman
Author: Mary Wollstonecraft
Publisher: Good Press
Total Pages: 548
Release: 2019-12-02
Genre: Literary Collections
ISBN:

"Posthumous Works of the Author of A Vindication of the Rights of Woman" by Mary Wollstonecraft is a compilation of work from one of the first and most important feminist icons. A sort of sequel to her first compilation of correspondences, this book is a necessary read to anyone who wishes to read more about feminism in its early ages.

Posthumous Works

Posthumous Works
Author: Mary Wollstonecraft
Publisher: Simon and Schuster
Total Pages: 309
Release: 2014-04-25
Genre: Literary Collections
ISBN: 1609778855

Mary Shelley (née Mary Wollstonecraft Godwin, often known as Mary Wollstonecraft Shelley) was a British novelist, short story writer, dramatist, essayist, biographer, travel writer, and editor of the works of her husband, Romantic poet and philosopher Percy Bysshe Shelley. She was the daughter of the political philosopher William Godwin and the writer, philosopher, and feminist Mary Wollstonecraft. Mary Shelley was taken seriously as a writer in her own lifetime, though reviewers often missed the political edge to her novels. After her death, however, she was chiefly remembered only as the wife of Percy Bysshe Shelley and as the author of Frankenstein. It was not until 1989, when Emily Sunstein published her prizewinning biography Mary Shelley: Romance and Reality, that a full-length scholarly biography analyzing all of Shelley's letters, journals, and works within their historical context was published. The well-meaning attempts of Mary Shelley's son and daughter-in-law to "Victorianise" her memory through the censoring of letters and biographical material contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in the later years of her life added to this impression. The eclipse of Mary Shelley's reputation as a novelist and biographer meant that, until the last thirty years, most of her works remained out of print, obstructing a larger view of her achievement. She was seen as a one-novel author, if that. In recent decades, however, the republication of almost all her writings has stimulated a new recognition of its value. Her voracious reading habits and intensive study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's recognition of herself as an author has also been recognized; after Percy's death, she wrote about her authorial ambitions: "I think that I can maintain myself, and there is something inspiriting in the idea". Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.

Wollstonecraft and Religion

Wollstonecraft and Religion
Author: Brenda Ayres
Publisher: Anthem Press
Total Pages: 298
Release: 2024-01-16
Genre: Literary Criticism
ISBN: 1839990198

Ever since Godwin announced to the world in Memoirs that Wollstonecraft had had little use for religion, most biographers, scholars, historians and readers have regarded her as an apostate. Further, the existing scholarly texts fail to demonstrate the pervasiveness of biblical references in A Vindication of the Rights of Woman. The true tally of scriptural references approaches over 1,100 as identified in this study. Wollstonecraft’s biblical allusions, besides sheer volume, are noteworthy because they gave women a biblical basis upon which to contend for better education and occupational opportunities as well as for legal and political independence. That the arguments were couched in biblical rhetoric most likely contributed to their initial reception and tolerance of what were incendiary ideas and searing social criticism. The recognition and analysis of biblical underpinnings in Wollstonecraft and Religion not only of Rights of Woman but also of her other publications and letters propose new consideration regarding the Mother of Feminism and her work. The chapters that accompany the annotated text of Rights of Woman furnish biographical and historical context that offer fresh perspectives about Wollstonecraft’s religious convictions and faith, many of which have not been published elsewhere.

Mary Wollstonecraft and Mary Shelley

Mary Wollstonecraft and Mary Shelley
Author: Helen M. Buss
Publisher: Wilfrid Laurier Univ. Press
Total Pages: 341
Release: 2006-01-01
Genre: Literary Criticism
ISBN: 088920943X

Pioneers in life writing, Mary Wollstonecraft, author of A Vindication of the Rights of Woman (1792), and Mary Shelley, author of Frankenstein (1818 ), are now widely regarded as two of the leading writers of the Romantic period. They are both responsible for opening up new possibilities for women in genres traditionally dominated by men. This volume brings together essays on Wollstonecraft’s and Shelley’s life writing by some of the most prominent scholars in Canada, Australia, and the United States. It also includes a full-length play by award-winning Canadian playwright Rose Scollard. Together, the essays and the play explore the connections between mother and daughter, between writing and life, and between criticism and creation. They offer a new understanding of two important writers, of a literary period, and of emergent modes of life writing. Essayists include Judith Barbour, Betty T. Bennett, Anne K. Mellor, Charles E. Robinson, Eleanor Ty, and Lisa Vargo. Among the works discussed are Wollstonecraft’s Vindication, Letters from Norway, and Maria; or, The Wrongs of Woman; William Godwin’s Memoirs of Wollstonecraft; and Shelley’s Frankenstein, The Last Man, Ladore, and Rambles in Germany and Italy.

Portraits of Wollstonecraft

Portraits of Wollstonecraft
Author: Eileen M. Hunt
Publisher: Bloomsbury Publishing
Total Pages: 720
Release: 2023-10-19
Genre: Philosophy
ISBN: 1350378739

One of The Tablet's Books of the Year 2021 Portraits of Wollstonecraft collects and introduces 102 texts and artifacts that document Mary Wollstonecraft's public reception in art, literature, philosophy and feminist politics. Each portrait is a milestone in her depiction in culture. From William Blake's 1803 poem 'Mary' to Maggi Hambling's contentious sculpture in 2020, these sources validate the monumental place Wollstonecraft holds in not just one but many canons. The color images in Part I: Public Sightings trace her earliest reception in portraiture, from 1785 to 1804, with detailed analysis paired with each of the illustrations. Arranged chronologically, these landmark images are followed by the reviews of Wollstonecraft's books that appeared during her lifetime in Jamaica, Madrid, Amsterdam and London. Part II: Global Afterlives, examines her multifarious posthumous reception and features diary entries, excerpts from English-language biographies, letters, articles and introductions to her books. From Olive Schreiner's introduction to the Rights of Women composed in Cape Town in 1889 to the translator's preface to the first Czech edition of A Vindication of the Rights of Woman in 1904, they showcase an impressive sweep of cross-cultural perspectives on her life and writings. The sources in Part III: Making an International Icon chart the depth and breadth of her legacies on a global scale. Feminists, philosophers, and social scientists-from Ruth Benedict to Virginia Sapiro to Amartya Sen-have written and spoken with conviction about the emotional power of looking into the eyes of the author of the Rights of Woman. This section includes major thinkers from across the 19th and 20th centuries who responded to Wollstonecraft's theories on virtue, love, gender, education, and rights: Mary Shelley, Emma Goldman, Virginia Woolf, Simone de Beauvoir, Betty Friedan, Susan Moller Okin, Barbara Johnson and Martha Nussbaum. We see how Wollstonecraft gained traction in feminist politics, both as a philosopher and as a transcultural icon of the cause, beginning with English suffragist Millicent Fawcett's centennial edition of the Rights of Woman in 1891 and extending through feminist art in The Paris Review during the age of #MeToo. Assembling responses from Ireland, Continental Europe, North and South America and across the former colonies of the British Empire, this one-of-a-kind collection tells a compelling story of Wollstonecraft's watershed contributions to human rights debates throughout the modern and contemporary world.