Posterity Its Verdicts And Methods Or Democracy Ad 2100
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Author | : Anonymous |
Publisher | : Wentworth Press |
Total Pages | : 172 |
Release | : 2019-03-06 |
Genre | : Political Science |
ISBN | : 9780530301129 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : |
Publisher | : |
Total Pages | : 171 |
Release | : 1897 |
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Publisher | : Forgotten Books |
Total Pages | : 176 |
Release | : 2018-01-29 |
Genre | : Political Science |
ISBN | : 9780267106523 |
Excerpt from Posterity: Its Verdicts and Its Methods or Democracy A. D. 2100 Such buzzings in my ears Such pressure on my eyes; such pins and needles in my limbs as no words can describe, a blinding glare which seemed to cut into my brain. Then I became conscious of voices, and one, with a foreign accent, said, A little patience and you will feel better. I was lifted into a hot bath, which gave me instant relief, and the choking in my throat relaxed. Next I sipped a basin of hot soup, and was tucked away in cool, soft sheets for a long, long sleep. I aw'oke refreshed, and found by my side a man of middle age and dignified presence, Who, after many inquiries as to my strength and my health, expressed the pleasure it gave him to find me fairly convalescent. I thanked him warmly for the care they had taken of me, and asked him to tell me how long I had slept, and to whom I was indebted for the hospitality I now enjoyed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Posterity |
Publisher | : |
Total Pages | : 184 |
Release | : 1897 |
Genre | : Twenty-first century |
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Total Pages | : 740 |
Release | : 1897 |
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Author | : Gregory Claeys |
Publisher | : Oxford University Press |
Total Pages | : 569 |
Release | : 2016-11-17 |
Genre | : History |
ISBN | : 0191088617 |
Dystopia: A Natural History is the first monograph devoted to the concept of dystopia. Taking the term to encompass both a literary tradition of satirical works, mostly on totalitarianism, as well as real despotisms and societies in a state of disastrous collapse, this volume redefines the central concepts and the chronology of the genre and offers a paradigm-shifting understanding of the subject. Part One assesses the theory and prehistory of 'dystopia'. By contrast to utopia, conceived as promoting an ideal of friendship defined as 'enhanced sociability', dystopia is defined by estrangement, fear, and the proliferation of 'enemy' categories. A 'natural history' of dystopia thus concentrates upon the centrality of the passion or emotion of fear and hatred in modern despotisms. The work of Le Bon, Freud, and others is used to show how dystopian groups use such emotions. Utopia and dystopia are portrayed not as opposites, but as extremes on a spectrum of sociability, defined by a heightened form of group identity. The prehistory of the process whereby 'enemies' are demonised is explored from early conceptions of monstrosity through Christian conceptions of the devil and witchcraft, and the persecution of heresy. Part Two surveys the major dystopian moments in twentieth century despotisms, focussing in particular upon Nazi Germany, Stalinism, the Chinese Cultural Revolution, and Cambodia under Pol Pot. The concentration here is upon the political religion hypothesis as a key explanation for the chief excesses of communism in particular. Part Three examines literary dystopias. It commences well before the usual starting-point in the secondary literature, in anti-Jacobin writings of the 1790s. Two chapters address the main twentieth-century texts usually studied as representative of the genre, Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four. The remainder of the section examines the evolution of the genre in the second half of the twentieth century down to the present.
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Total Pages | : 968 |
Release | : 1897 |
Genre | : English literature |
ISBN | : |
Author | : Francis Fisher Browne |
Publisher | : |
Total Pages | : 440 |
Release | : 1897 |
Genre | : Books |
ISBN | : |
Author | : Boston Public Library |
Publisher | : |
Total Pages | : 526 |
Release | : 1898 |
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Total Pages | : 854 |
Release | : 1897 |
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