Postcolonial Hauntologies African Womens Discourses Of The Female Body
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| Author | : Ayo A. Coly |
| Publisher | : U of Nebraska Press |
| Total Pages | : 256 |
| Release | : 2019-06-01 |
| Genre | : Psychology |
| ISBN | : 1496214870 |
Postcolonial Hauntologies is an interdisciplinary and comparative analysis of critical, literary, visual, and performance texts by women from different parts of Africa. While contemporary critical thought and feminist theory have largely integrated the sexual female body into their disciplines, colonial representations of African women's sexuality "haunt" contemporary postcolonial African scholarship which--by maintaining a culture of avoidance about women's sexuality--generates a discursive conscription that ultimately holds the female body hostage. Ayo A. Coly employs the concept of "hauntology" and "ghostly matters" to formulate an explicative framework in which to examine postcolonial silences surrounding the African female body as well as a theoretical framework for discerning the elusive and cautious presences of female sexuality in the texts of African women. In illuminating the pervasive silence about the sexual female body in postcolonial African scholarship, Postcolonial Hauntologies challenges hostile responses to critical and artistic voices that suggest the African female body represents sacred ideological-discursive ground on which one treads carefully, if at all. Coly demonstrates how "ghosts" from the colonial past are countered by discursive engagements with explicit representations of women's sexuality and bodies that emphasize African women's power and autonomy.
| Author | : Ayo A. Coly |
| Publisher | : |
| Total Pages | : 245 |
| Release | : 2019 |
| Genre | : Body image in women |
| ISBN | : 9781496214881 |
"Postcolonial Hauntologies is an interdisciplinary and comparative analysis of critical, literary, visual, and performance texts by women from different parts of Africa. While contemporary critical thought and feminist theory have largely integrated the sexual female body into their disciplines, colonial representations of African women's sexuality "haunt" contemporary postcolonial African scholarship which, by maintaining a culture of avoidance about women's sexuality, generates a discursive conscription that ultimately holds the female body hostage. Ayo A. Coly employs the concept of "hauntology" and "ghostly matters" to formulate an explicative framework in which to examine postcolonial silences surrounding the African female body as well as a theoretical framework for discerning the elusive and cautious presences of female sexuality in the texts of African women. In illuminating the pervasive silence about the sexual female body in postcolonial African scholarship, Postcolonial Hauntologies challenges hostile responses to critical and artistic voices that suggest the African female body represents sacred ideological-discursive ground on which one treads carefully, if at all. Coly demonstrates how "ghosts" from the colonial past are countered by discursive engagements with explicit representations of women's sexuality and bodies that emphasize African women's power and autonomy"--Publisher's description.
| Author | : Ayo A. Coly |
| Publisher | : U of Nebraska Press |
| Total Pages | : 260 |
| Release | : 2019-06-01 |
| Genre | : Social Science |
| ISBN | : 1496211898 |
Postcolonial Hauntologies is an interdisciplinary and comparative analysis of critical, literary, visual, and performance texts by women from different parts of Africa. While contemporary critical thought and feminist theory have largely integrated the sexual female body into their disciplines, colonial representations of African women’s sexuality “haunt” contemporary postcolonial African scholarship which—by maintaining a culture of avoidance about women’s sexuality—generates a discursive conscription that ultimately holds the female body hostage. Ayo A. Coly employs the concept of “hauntology” and “ghostly matters” to formulate an explicative framework in which to examine postcolonial silences surrounding the African female body as well as a theoretical framework for discerning the elusive and cautious presences of female sexuality in the texts of African women. In illuminating the pervasive silence about the sexual female body in postcolonial African scholarship, Postcolonial Hauntologies challenges hostile responses to critical and artistic voices that suggest the African female body represents sacred ideological-discursive ground on which one treads carefully, if at all. Coly demonstrates how “ghosts” from the colonial past are countered by discursive engagements with explicit representations of women’s sexuality and bodies that emphasize African women’s power and autonomy.
| Author | : Ayo A. Coly |
| Publisher | : Lexington Books |
| Total Pages | : 177 |
| Release | : 2010-06-23 |
| Genre | : Literary Criticism |
| ISBN | : 0739145134 |
Gender, Migration, and the Claims of Postcolonial Nationhood in Francophone Africa examines three major migrant women writers from Francophone Africa: Ken Bugul, Calixthe Beyala, and Fatou Diome. Coly studies what home means in the context of migration and how gender shapes the meaning of home. This is the first study to bring together migrant women from Francophone Africa. This is also the first study to offer a feminist critique of postnationalist discourses of home, specifically the application of postnationalism to the postcolonial context.
| Author | : Rowland Abiodun |
| Publisher | : Cambridge University Press |
| Total Pages | : 415 |
| Release | : 2014-11-13 |
| Genre | : Social Science |
| ISBN | : 1139992872 |
The Yoruba was one of the most important civilizations of sub-Saharan Africa. While the high quality and range of its artistic and material production have long been recognized, the art of the Yoruba has been judged primarily according to the standards and principles of Western aesthetics. In this book, which merges the methods of art history, archaeology, and anthropology, Rowland Abiodun offers new insights into Yoruba art and material culture by examining them within the context of the civilization's cultural norms and values and, above all, the Yoruba language. Abiodun draws on his fluency and prodigious knowledge of Yoruba culture and language to dramatically enrich our understanding of Yoruba civilization and its arts. The book includes a companion website with audio clips of the Yoruba language, helping the reader better grasp the integral connection between art and language in Yoruba culture.
| Author | : Shazia Rahman |
| Publisher | : U of Nebraska Press |
| Total Pages | : 294 |
| Release | : 2019-08 |
| Genre | : Literary Collections |
| ISBN | : 1496216113 |
While news reports about Pakistan tend to cover Taliban attacks and bombings, and academics focus on security issues, the environment often takes a backseat in media reportage and scholarship. In particular, Pakistani women's attachment to their environment and their environmental concerns are almost always ignored. Shazia Rahman traces the ways in which Pakistani women explore alternative, environmental modes of belonging, examines the vitality of place-based identities within Pakistani culture, and thereby contributes to evolving understandings of Pakistani women--in relation to both their environment and to various discourses of nation and patriarchy. Through an astute analysis of such works as Sabiha Sumar's Khamosh Pani (2003), Mehreen Jabbar's Ramchand Pakistani (2008), Sorayya Khan's Noor (2006), Uzma Aslam Khan's Trespassing (2003), and Kamila Shamsie's Burnt Shadows (2009), Rahman illuminates how Pakistani women's creative works portray how people live with one another, deal with their environment, and intuit their relationship with the spiritual. She considers how literary and cinematic documentation of place-based identities simultaneously critiques and counters stereotypes of Pakistan as a country of religious nationalism and oppressive patriarchy. Rahman's analysis discloses fresh perspectives for thinking about the relationship between social and environmental justice.
| Author | : Mia Fischer |
| Publisher | : U of Nebraska Press |
| Total Pages | : 281 |
| Release | : 2019-11-01 |
| Genre | : Social Science |
| ISBN | : 1496206746 |
The increased visibility of transgender people in mainstream media, exemplified by Time magazine’s declaration that 2014 marked a “transgender tipping point,” was widely believed to signal a civil rights breakthrough for trans communities in the United States. In Terrorizing Gender Mia Fischer challenges this narrative of progress, bringing together transgender, queer, critical race, legal, surveillance, and media studies to analyze the cases of Chelsea Manning, CeCe McDonald, and Monica Jones. Tracing how media and state actors collude in the violent disciplining of these trans women, Fischer exposes the traps of visibility by illustrating that dominant representations of trans people as deceptive, deviant, and threatening are integral to justifying, normalizing, and reinforcing the state-sanctioned violence enacted against them. The heightened visibility of transgender people, Fischer argues, has actually occasioned a conservative backlash characterized by the increased surveillance of trans people by the security state, evident in debates over bathroom access laws, the trans military ban, and the rescission of federal protections for transgender students and workers. Terrorizing Gender concludes that the current moment of trans visibility constitutes a contingent cultural and national belonging, given the gendered and racialized violence that the state continues to enact against trans communities, particularly those of color.
| Author | : Gale P. Jackson |
| Publisher | : U of Nebraska Press |
| Total Pages | : 297 |
| Release | : 2020-04 |
| Genre | : Performing Arts |
| ISBN | : 1496220900 |
In a gathering of griot traditions fusing storytelling, cultural history, and social and literary criticism, Put Your Hands on Your Hips and Act Like a Woman "re-members" and represents how women of the African diaspora have drawn on ancient traditions to record memory, history, and experience in performance. These women's songs and dances provide us with a wealth of polyphonic text that records their reflections on identity, imagination, and agency, providing a collective performed autobiography that complements the small body of pre-twentieth-century African and African American women's writing. Gale P. Jackson engages with a range of vibrant traditions to provide windows into multiple discourses as well as "new" and old paradigms for locating the history, philosophy, pedagogy, and theory embedded in a lineage of African diaspora performance and to articulate and address the postcolonial fragmentation of humanist thinking. In lyrically interdisciplinary movement, across herstories, geographies, and genres, cultural continuities, improvisation, and transformative action, Put Your Hands on Your Hips and Act Like a Woman offers a fresh perspective on familiar material and an expansion of our sources, reading, and vision of African diaspora, African American, and American literatures.
| Author | : Mary-Jo DelVecchio Good |
| Publisher | : Univ of California Press |
| Total Pages | : 478 |
| Release | : 2008-02-04 |
| Genre | : History |
| ISBN | : 0520252241 |
The contributors explore modes of social and psychological experience, the constitution of the subject, and forms of subjection that shape the lives of Basque youth, Indonesian artists, members of nongovernmental HIV/AIDS programmes in China and Zaire, and psychiatrists and their patients in Morocco and Ireland.
| Author | : Kimberly Nichele Brown |
| Publisher | : Indiana University Press |
| Total Pages | : 294 |
| Release | : 2010-09-09 |
| Genre | : Literary Criticism |
| ISBN | : 0253004705 |
Kimberly Nichele Brown examines how African American women since the 1970s have found ways to move beyond the "double consciousness" of the colonized text to develop a healthy subjectivity that attempts to disassociate black subjectivity from its connection to white culture. Brown traces the emergence of this new consciousness from its roots in the Black Aesthetic Movement through important milestones such as the anthology The Black Woman and Essence magazine to the writings of Angela Davis, Toni Cade Bambara, and Jayne Cortez.
