Postcards from Oceania
Author | : Max Quanchi |
Publisher | : |
Total Pages | : 202 |
Release | : 2015 |
Genre | : Colonies |
ISBN | : 9789820109414 |
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Author | : Max Quanchi |
Publisher | : |
Total Pages | : 202 |
Release | : 2015 |
Genre | : Colonies |
ISBN | : 9789820109414 |
Author | : Alan Beukers |
Publisher | : |
Total Pages | : 216 |
Release | : 2007 |
Genre | : Antiques & Collectibles |
ISBN | : |
Haunting postcard images of the non-Western world from a century ago. The antique postcards depicted here were acquired in the nineteenth and early twentieth centuries by Western tourists, business people, traders, and colonialists. The circumstances in which the cards were sent, and the details of those who sent them, are largely lost. Yet the audience for collecting them has enjoyed a spectacular growth in recent years and includes not only those with the collecting instinct or the desire to travel but also artists, photographic historians, fashion and jewelry specialists, and designers everywhere. Once it was believed that by taking someone's portrait you stole that person's soul. Here, the human subjects have a powerful presence because they express a deep-seated connection with the land and customs that gave them their identities. Their stories are implicit in their eyes, their costumes, and their postures. Reproduced with complete fidelity, these postcards take us on a magical journey across the world in five travelogues, depicting Asia, the Arab Lands, Africa, the Americas, and Oceania. The book is introduced by one of the greatest and most successful travel writers of our time.
Author | : Christraud M. Geary |
Publisher | : Smithsonian Institution Scholarly Press |
Total Pages | : 220 |
Release | : 1998-04-17 |
Genre | : Antiques & Collectibles |
ISBN | : |
The authors discuss the differences between original photographs and their postcard equivalents, and they explore in detail common practices - such as artificial settings, costumes and props, colorization, and patronizing captions - that perpetuated racist, sexist, and romantic stereotypes.
Author | : |
Publisher | : MFA Publications |
Total Pages | : 144 |
Release | : 2018-09-06 |
Genre | : |
ISBN | : 9780878468553 |
A close look at photographic postcards made in Africa in the first decades of the twentieth century reveals surprising images and tells their often-complicated stories. Photographers in Africa grasped the opportunity to serve a lucrative market for images of the continent, both locally and worldwide, during the global postcard craze that peaked around 1900 and continued for several decades. Their picture postcards now contribute to understanding political, social and cultural changes in Africa at the time, as the rise of the new medium coincided with the expansion and consolidation of colonial rule. They also provide a way to reconstruct the life and work of the photographers of European, African and other backgrounds who created these images - which often survive only in postcard form - and in some cases published them as well. The cards were produced for residents and travellers in Africa, as well as for buyers and collectors who had never set foot on the continent. Their depictions of colonial administrations, exploitation of resources and peoples, as well as images inscribing tribal identities and racial classifications, often reflect the colonizers' worldview. Yet it is also possible to recover the authorship of some of the African women and men who participated in these photographic encounters. For instance, some cards show that members of Africa's elites recognized the power of photographic images to enhance their standing and present their own narratives. Postcards from Africa reproduces a significant selection of these complex cards - the majority drawn from the extensive Leonard A. Lauder Postcard Archive at the Museum of Fine Arts, Boston - accompanied by a leading scholar's exploration of the stories they tell.
Author | : Brij V. Lal |
Publisher | : University of Hawaii Press |
Total Pages | : 332 |
Release | : 2024-02-29 |
Genre | : History |
ISBN | : 0824897161 |
The second generation of Pacific historians, who began their careers in the 1970s and 1980s, is gradually fading from the academic scene. They have made fundamental contributions to the field of Pacific history, enduring in their impact, and the identity of the discipline is now firmly established. This volume is not so much about their individual research but, rather, their improbable journeys into Pacific history—why and how they came to it in the first place. Almost without exception, they did not choose Pacific history but rather stumbled into the field through serendipity. They came from forays into African, Indian, East Asian, French, British imperial, and other fields, and were enticed into Pacific history through chance or the efforts of kindly mentors. All this is evident in the values and understandings they bring to the subject. The one commonality that binds them is a love of the islands that have been the center of their lifetime work. Many distinguished Pacific historians of the last four to five decades are represented in this collection. Serendipity presents fourteen autobiographical chapters in which the contributors trace their paths as Pacific historians. They offer their sources of inspiration, supporters, and publications that shaped them as historians. With a significant focus on the importance of teaching and mentoring that they both received and provided, their writing not only illuminates their lives, but the state of Pacific history as an academic field. The experiences of the contributors are moving, replete with sorrows and regrets, as well as of achievements and satisfactions. Part of these careers were spent working in areas other than scholarship, such as high school teaching, consultancies, volunteering, teaching English as a second language, or doing menial jobs just to keep going. Serendipity is a pathbreaking form of historiography and essential to the Pacific history field.
Author | : Frances Steel |
Publisher | : Bridget Williams Books |
Total Pages | : 451 |
Release | : 2018 |
Genre | : History |
ISBN | : 0947518711 |
As a group of islands in the far south-west Pacific Ocean, New Zealand has a history that is steeped in the sea. Its people have encountered the sea in many different ways: along the coast, in port, on ships, beneath the waves, behind a camera, and in the realm of the imagination. While New Zealanders have continually altered their marine environments, the ocean, too, has influenced their lives. A multi-disciplinary work encompassing history, marine science, archaeology and visual culture, New Zealand and the Sea explores New Zealand’s varied relationship with the sea, challenging the conventional view that history unfolds on land. Leading and emerging scholars highlight the dynamic, ocean-centred history of these islands and their inhabitants, offering fascinating new perspectives on New Zealand’s pasts. ‘The ocean has profoundly shaped culture across this narrow archipelago . . . The meeting of land and sea is central in historical accounts of Polynesian discovery and colonisation; European exploratory voyaging; sealing, whaling and the littoral communities that supported these plural occupations; and the mass migrant passage from Britain.’ – Frances Steel
Author | : Miriam Kahn |
Publisher | : University of Washington Press |
Total Pages | : 290 |
Release | : 2011 |
Genre | : History |
ISBN | : 029599102X |
Tahiti evokes visions of white beaches and beautiful women. This imagined paradise, created by Euro-American romanticism, endures today as the bedrock of Tahiti's tourism industry, while quite a different place is inhabited and experienced by ta'ata ma'ohi, as Tahitians refer to themselves. This book brings into dialogue the perspectives on place of both Tahitians and Europeans. Miriam Kahn is professor of anthropology at the University of Washington and author of Always Hungry, Never Greedy.
Author | : David MacDougall |
Publisher | : Princeton University Press |
Total Pages | : 328 |
Release | : 2006 |
Genre | : Performing Arts |
ISBN | : 0691121567 |
David MacDougall argues for a new conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words.