Post Punk Perception
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Author | : Edmund Wong |
Publisher | : Xlibris Corporation |
Total Pages | : 452 |
Release | : 2013-07 |
Genre | : Philosophy |
ISBN | : 1483672727 |
Growing up in Singapore in the 80s has been challenging. I didn't know much about life or economy. I didn't know what I want to do apart from playing. I know I had to study and get a job. In school we had to write composition about our profession when we grow up. I had never wanted to be a philosopher, let alone writing about social philosophy. It is just that growing up with a single parent is tough. It is tougher when she is uneducated and I had to learn most things by myself. After my National Service, I decided to further studies. That was when I was exposed to philosophy and psychology in the UK. After graduation in 1999 with a degree in Electronics, I came back home to resume my National Service (I disrupt it and had about 2 months left). The life in UK exposed me to something that I did not notice when growing up in Singapore. I find local social scene unsatisfactory. They are Confucians, Muslims, Christians, freethinkers and humanists. Most time, they are preoccupied with how to earn more money. Religion does not give me the fulfillment that it promised. In addition, most were based on Singaporeans' interpretation of the Bible and Buddhism's dharma. Most times, I feel that everything that Singaporeans do has got to do with wealth creation or at least with the expenditure of it. It end up like what Pope Francis referred to as "the cult of money." Organised religion involves more fear-mongering than cultivating an inner grace and peace. Hence this book is about how I relate an ancient thinker's ethics (Aristotle) to the present day. I find Aristotle's ethics to most suit my needs as a man and lover. It does not pretend to be more than what it seek, the golden mean. It does require us to think and explore the values to find balance and achieve wisdom with intellectual and moral virtues. I also find other philosophers (French or not) particularly insightful and thought-provoking. They offer me explanation and exploration on subjects like love, sex, and death. Freudian psychoanalysis are also very penetrating in their findings and insights. Moreover, I needed some contemporary psychological theory, not in-depth psychoanalysis, to back Aristotle's model of ethics (intellectual and moral virtues). Hence the psychological background of my book. I got acquainted with these psychological theories when I was preparing myself to be a financial consultant. I later found out more about them and they became useful in my work and life. Hence I would like to share it with people in Asia so that they can ask the right kind of questions in life in order to learn more about themselves and the social milieu they are living in. Because everyone of us are affected by the social sciences (politics, economics and sociology). This book will, I hope, allow us to understand why we are irrational and how we can make rational changes through reasonings in their life and achieving eudaimonia. My wish is simply to share what I enjoy doing, apart from creating useful ideas to improve the world. Through my book, I hope to make others understand religion, science and philosophy and how they play an increasingly integral part in the Asian century.
Author | : Mimi Haddon |
Publisher | : University of Michigan Press |
Total Pages | : 237 |
Release | : 2023-02-06 |
Genre | : Music |
ISBN | : 0472039210 |
Is post-punk a genre? Where did it come from? And what does it mean?
Author | : Dan Ozzi |
Publisher | : Mariner Books |
Total Pages | : 429 |
Release | : 2021 |
Genre | : Biography & Autobiography |
ISBN | : 0358244307 |
"From celebrated music writer Dan Ozzi comes a comprehensive chronicle of the punk music scene's evolution from the early nineties to the mid-aughts, following eleven bands as they dissolved, "sold out," and rose to surprise stardom. From its inception, punk music has been identified by two factors: its proximity to "authenticity," and its reliance on an antiestablishment ethos. Yet, in the mid- to late '90s, major record labels sought to capitalize on punk's rebellious undertones, leading to a schism in the scene: to accept the cash flow of the majors, or stick to indie cred?Sellout chronicles the evolution of the punk scene during this era, focusing on prominent bands as they experienced the last "gold rush" of the music industry. Within it, music writer Dan Ozzi follows the rise of successful bands like Green Day and Jimmy Eat World, as well as the implosion of groups like Jawbreaker and At the Drive-In, who buckled under the pressure of their striving labels. Featuring original interviews and personal stories from members of eleven of modern punk's most (in)famous bands, Sellout is the history of the evolution of the music industry, and a punk rock lover's guide to the chaotic darlings of the post-grunge era. "--
Author | : Andrew Krivine |
Publisher | : Rizzoli Publications |
Total Pages | : 0 |
Release | : 2020-03-26 |
Genre | : Music |
ISBN | : 1911641360 |
An astonishing collection of over 700 original scans of printed ephemera and memorabilia from the prime years of the punk and post-punk movements. Since finding punk in the summer of 1976, Andrew Krivine has amassed one of the world's largest collections of punk graphic design and memorabilia, with part of his collection exhibiting at the Cranbrook Art Museum in Michigan, before moving to the New York Museum of Arts and Design, and many other such spaces around the world in 2020 and 2021. This book represents the cream of that collection--over 700 original scans of posters, flyers, covers, and ads from the prime years of the movement, which changed the world of graphic design forever. Too Fast to Live tells of one man's obsession with creating an unparalleled collection of punk memorabilia. The illustrative content of the book is verified, critically assessed, and given provenance by an array of graphic design experts, academics, and commentators, among them Steven Heller (former art director at the New York Times), Russ Bestley, Professor Rick Poynor, Malcolm Garrett, and Pulitzer and National Book Award-winning editor Michael Wilde. The unique mix of imagery and text makes this arguably the most essential and definitive work on the graphic design revolution within the punk and post-punk movements of America and the U.K.
Author | : Christopher J. Driver |
Publisher | : Hillcrest Publishing Group |
Total Pages | : 339 |
Release | : 2016-08-23 |
Genre | : Biography & Autobiography |
ISBN | : 1635050340 |
Overeducated and underemployed? In love with learning but stumped on how to translate it into a paycheck? Desperately striving to make your seemingly useless liberal arts education work for you in any sort of satisfying or meaningful way? Trying to simultaneously engage your interests, skillset and values and still pay the bills while pleading for another student loan deferment? I feel your pain and have stories to share, but if you're looking for inspirational uplift, self-help or a life coach, please look elsewhere. HARDBARNED! One Man's Quest for Meaningful Work in the American South is a darkly comic, brutally honest and introspective memoir about working for a living--without being able to shake the feeling that there has got to be more to it than that.
Author | : Glenn Fosbraey |
Publisher | : Springer Nature |
Total Pages | : 296 |
Release | : 2021-03-16 |
Genre | : Social Science |
ISBN | : 3030651894 |
This book presents chapters that have been brought together to consider the multitude of ways that post-2000 popular music impacts on our cultures and experiences. The focus is on misogyny, toxic masculinity, and heteronormativity. The authors of the chapters consider these three concepts in a wide range of popular music styles and genres; they analyse and evaluate how the concepts are maintained and normalized, challenged, and rejected. The interconnected nature of these concepts is also woven throughout the book. The book also seeks to expand the idea of popular music as understood by many in the West to include popular music genres from outside western Europe and North America that are often ignored (for example, Bollywood and Italian hip hop), and to bring in music genres that are inarguably popular, but also sit under other labels such as rap, metal, and punk.
Author | : David Wilkinson |
Publisher | : Springer |
Total Pages | : 238 |
Release | : 2016-08-31 |
Genre | : History |
ISBN | : 1137497807 |
As the Sex Pistols were breaking up, Britain was entering a new era. Punk’s filth and fury had burned brightly and briefly; soon a new underground offered a more sustained and constructive challenge. As future-focused, independently released singles appeared in the wake of the Sex Pistols, there were high hopes in magazines like NME and the DIY fanzine media spawned by punk. Post-Punk, Politics and Pleasure in Britain explores how post-punk’s politics developed into the 1980s. Illustrating that the movement’s monochrome gloom was illuminated by residual flickers of countercultural utopianism, it situates post-punk in the ideological crossfire of a key political struggle of the era: a battle over pleasure and freedom between emerging Thatcherism and libertarian, feminist and countercultural movements dating back to the post-war New Left. Case studies on bands including Gang of Four, The Fall and the Slits and labels like Rough Trade move sensitively between close reading, historical context and analysis of who made post-punk and how it was produced and mediated. The book examines, too, how the struggles of post-punk resonate down to the present.
Author | : Mr Benjamin Halligan |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 230 |
Release | : 2013-01-28 |
Genre | : Music |
ISBN | : 1409494012 |
This volume offers a comprehensive range of approaches to the work of Mark E. Smith and his band The Fall in relation to music, art and politics. Mark E. Smith remains one of the most divisive and idiosyncratic figures in popular music after a recording career with The Fall that spans thirty years. Although The Fall were originally associated with the contemporaneous punk explosion, from the beginning they pursued a highly original vision of what was possible in the sphere of popular music. While other punk bands burned out after a few years, only to then reform decades later as their own cover bands, The Fall continue to evolve while retaining a remarkable consistency, even with the frequent line-up changes that soon left Mark E. Smith as the only permanent member of the group. The key aspect of the group that this volume explores is the invariably creative, unfailingly critical and often antagonistic relations that characterize both the internal dynamics of the group and the group's position in the pop cultural surroundings. The Fall's ambiguous position in the unfolding histories of British popular music and therefore in the new heritage industries of popular culture in the UK, from post-punk to anti-Thatcher politics, to the 'Factory fiction of Manchester' and on into Mark E. Smith's current role as ageing enfant terrible of rock, illustrates the uneasy relationship between the band, their critical commentators and the historians of popular music. This volume engages directly with this critical ambiguity. With a diverse range of approaches to The Fall, this volume opens up new possibilities for writing about contemporary music beyond traditional approaches grounded in the sociology of music, Cultural Studies and music journalism – an aim which is reflected in the variety of provocative critical approaches and writing styles that make up the volume.
Author | : Andrea Harriman |
Publisher | : Intellect Books |
Total Pages | : 218 |
Release | : 2014-08-15 |
Genre | : Performing Arts |
ISBN | : 1783203536 |
It was a scene that had many names: some original members referred to themselves as punks, others, new romantics, new wavers, the bats or the morbids. 'Goth' did not gain lexical currency until the late 1980s. But no matter what term was used, 'postpunk' encompasses all the incarnations of the 1980s alternative movement. Some Wear Leather, Some Wear Lace is a visual and oral history of the first decade of the scene. Featuring interviews with both the performers and the audience to capture the community on and off stage, the book places personal snapshots alongside professional photography to reveal a unique range of fashions, bands and scenes. A book about the music, the individual and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books. Whether you were part of the scene or are just fascinated by different modes of expression, this book will transport you to another time and place.
Author | : Lisa Jansen |
Publisher | : John Benjamins Publishing Company |
Total Pages | : 203 |
Release | : 2022-03-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027257892 |
This book addresses the phenomenon of non-American rock and pop singers emulating an Americanized singing style for performance purposes. By taking a novel approach to this pop cultural trend and drawing attention to the audience, British and American students’ perceptions of English rock and pop performances were elicited. Interviews guided by various music clips were conducted and analyzed through a detailed qualitative content analysis. The interviewees' responses provide important insights into social meanings attached to Americanized voices and local British accents in the respective genres and show how British and American attitudes toward these performance accents differ. These perceptions and attitudes are illustrated by developing associative fields which offer a fresh view on the notion of indexicalities. An engaging folk linguistic investigation of a relatable everyday pop culture phenomenon, this book makes complex sociolinguistic phenomena easily approachable and qualitative research accessible. It is suitable for intermediate students onward and inspires further research projects in the field of language performances.